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    <value>Paintings, Drawings and Prints</value>
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    <summary_title>The Human Touch: Making Art, Leaving Traces</summary_title>
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    <summary_title>William Hogarth</summary_title>
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    <summary_title>French taste in English Painting</summary_title>
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    <summary_title>Hogarth</summary_title>
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    <summary_title>La peinture britannique de Gainsborough &#xE0; Bacon</summary_title>
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      <id>exhibition-656</id>
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    <summary_title>British Painting and the European Continent</summary_title>
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    <link>
      <catalogue>C.20</catalogue>
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    <summary_title>Rococo: Art and Design in Hogarth's England</summary_title>
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    <summary_title>Telling Time</summary_title>
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    <summary_title>Hogarth (2007)</summary_title>
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    <accession_number>PD.11-1964</accession_number>
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    <location>verso</location>
    <method>printed, with graphite annotation</method>
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      <value>City of Manchester Art Gallery (and in graphite) 12</value>
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    <type>label</type>
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    <summary_title>The Fitzwilliam Museum</summary_title>
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    <credit_line>Bequeathed by A.J. Hugh Smith through the National Art-Collections Fund, 1964</credit_line>
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        <summary_title>Smith, Arnold John Hugh</summary_title>
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        <earliest>1964</earliest>
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        <summary_title>Hogarth, William</summary_title>
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        <summary_title>1730s</summary_title>
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    <value>probably the pair of paintings with these titles ordered by 'Mr Thomson', 1730; on the London art market, 1832; coll. H.R. Willettt, of Shooter's Hill, London, 1842; Locker-Lampson; Duke of Hamilton by 1907; bought by A.J. Hugh Smith, 1919</value>
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