<?xml version="1.0"?>
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    <added>1615820582000</added>
    <created>1581951921000</created>
    <flag>Standard Record</flag>
    <id>object-110005990</id>
    <indexed>1747159802898</indexed>
    <modified>1666811577000</modified>
    <processed>1747159409017</processed>
    <source>adlib</source>
    <stream>fitz-online</stream>
    <uid>adlib-object-110005990</uid>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/110005990</uri>
    <uuid>ed40fb5d-6061-3c57-a96f-13d36712fb7f</uuid>
    <version>2</version>
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  <content>
    <description>
      <type>content description</type>
      <value>Keith Grant headed paper, hand-written on both sides of 1 page of A4.  In brackets top-left (Replied by PC).  Reference to 'recent ordeals and Edinburgh' for the Rogers; recommendations from a friend regarding which galleries to avoid and Grant's resignation that as an 'outsider' he would 'stand little chance'.  Provisional arrangements for planned visit to Gvarv in the Spring; Grant assures that costs will be met by him if the Rogers can pay their return flights.  Proposal that they could visit exhibitions where his work will be on display depending on timing of visit.  Domestic news re Thea's development; financial concerns, having spent his 'small reserve' on the house; Hilde's part-time work as a music teacher.  Details of deductions taken by gallery; concern that the requested large canvasses are 'prohibitive for most pockets' and his current work being on smaller studies of the World's narrowest fjord - Narroyfjord..  Counts his blessings in the form of Thea, his increasing love of Hilde and that he lives  'amid a radiantly splendid nature'.  He comments on TR's 'assertion' that he is a 'religious painter' and now accepts this is true, although he would have denied it in the past.  He notes Christian symbolism appears in his work although 'not intentionally' disguised.   Description of an ancient area surrounding St Olav's church; many standing stones which he describes in detail together with an ancient legend concerning one called the Virgin's Needle.</value>
    </description>
  </content>
  <identifier>
    <accession_number>GRANT/3/1/81</accession_number>
    <primary>1</primary>
    <type>accession number</type>
    <value>GRANT/3/1/81</value>
  </identifier>
  <identifier>
    <priref>110005990</priref>
    <type>priref</type>
    <value>110005990</value>
  </identifier>
  <identifier>
    <type>uri</type>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/110005990</uri>
    <value>https://data.fitzmuseum.cam.ac.uk/id/object/110005990</value>
  </identifier>
  <institutions>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>agent-149638</id>
      <uid>adlib-agent-149638</uid>
      <uuid>7376d833-d0a7-3be0-916e-9c892b7a24d8</uuid>
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    <summary_title>The Fitzwilliam Museum</summary_title>
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  <measurements>
    <dimensions>
      <value>1</value>
    </dimensions>
  </measurements>
  <summary_title>A4 letter</summary_title>
  <title>
    <value>A4 letter</value>
  </title>
  <type>
    <base>object</base>
    <type>OBJECT</type>
  </type>
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