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    <flag>Standard Record</flag>
    <id>object-110009839</id>
    <indexed>1747160954897</indexed>
    <modified>1711378874000</modified>
    <processed>1747159409017</processed>
    <source>adlib</source>
    <stream>fitz-online</stream>
    <uid>adlib-object-110009839</uid>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/110009839</uri>
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    <version>2</version>
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      <uuid>ef67fb8d-9a82-3301-9947-b8d0526effb3</uuid>
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    <summary_title>Constable, John</summary_title>
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      <uuid>5787a108-be4d-3fcb-adb7-368ca6d4dc85</uuid>
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    <summary_title>Lucas, David</summary_title>
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  <content>
    <description>
      <type>content description</type>
      <value>This is a letter from John Constable to David Lucas, dated 21 February (the year was not originally mentioned, but the content place it in 1832 - the pencil inscription of '1832' appears to be a later addition). The published transcript of this letter can be found in Shirley (No. 92, page 72) and Beckett (page 366). The leaf has been numbered S92, referring to the order in Shirley's publication. 

TRANSCRIPT:

---
Mr Lucas

                                                                                     Feb. 21  
Dear Lucas
                 I send Pitt with a little strainer - and will you send by time all the sketches &amp; drawings - &amp;c &amp;c &amp;c which relate to the Waterloo - - which I am now about -
      I hope to see you this Eving - for I am very anxious to lose no time. If you cannot look out the things now - bring them with me the Eving - &amp; send back any other lumber of mine which is in your way -
      I am with child to see a proof of the Nore .
      but do not hurry - Mr Martin* told me that our work made some impression at the Conversations &amp; many artists said ''that was a work they must have'' -
can anything be better than -''The Glebe Farm''. not a Glebe Farm -
the one is general - the other particular -
                  Pitt waits -
                        Yours truly 
                                        J.C-

---

*Shirley identifies Mr Martin as a printseller. Beckett notes that this is John Martin. There was a meeting with him held at one of Henry Sass' conversaziones in Charlotte Street, which many well-known artists attended.</value>
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    <accession_number>Constable/EL/1/1/76</accession_number>
    <primary>1</primary>
    <type>accession number</type>
    <value>Constable/EL/1/1/76</value>
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    <priref>110009839</priref>
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    <value>110009839</value>
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    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/110009839</uri>
    <value>https://data.fitzmuseum.cam.ac.uk/id/object/110009839</value>
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    <summary_title>The Fitzwilliam Museum</summary_title>
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    <creation>
      <maker>
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        <summary_title>Constable, John</summary_title>
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  <measurements>
    <dimensions>
      <dimension>Length</dimension>
      <units>mm</units>
      <value>182</value>
    </dimensions>
    <dimensions>
      <dimension>Width</dimension>
      <units>mm</units>
      <value>143</value>
    </dimensions>
  </measurements>
  <summary_title>MS Letter, Constable to Lucas</summary_title>
  <title>
    <value>MS Letter, Constable to Lucas</value>
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