<?xml version="1.0"?>
<root>
  <admin>
    <added>1592999335000</added>
    <created>1312637261000</created>
    <flag>Standard Record</flag>
    <id>object-11551</id>
    <indexed>1765389649387</indexed>
    <modified>1715594292000</modified>
    <processed>1765389647389</processed>
    <source>adlib</source>
    <stream>fitz-online</stream>
    <uid>adlib-object-11551</uid>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/11551</uri>
    <uuid>7bd44165-43c9-3162-b5dd-eadd677376cf</uuid>
    <version>5</version>
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      <uid>adlib-agent-152805</uid>
      <uuid>b20e3259-2820-35a6-baef-6f6036cf124d</uuid>
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    <summary_title>Flora Farnese</summary_title>
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  <agents>
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      <id>agent-152673</id>
      <uid>adlib-agent-152673</uid>
      <uuid>ece71392-121a-3e50-9ab6-b3afea82ebfb</uuid>
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    <summary_title>winged female</summary_title>
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  <categories>
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      <type>reference</type>
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    <admin>
      <id>term-42825</id>
      <uid>adlib-term-42825</uid>
      <uuid>858e5d17-b554-33d6-936f-25b16f72f39d</uuid>
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    <summary_title>stoneware</summary_title>
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      <id>term-107483</id>
      <uid>adlib-term-107483</uid>
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    <summary_title>jasper ware</summary_title>
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      <uuid>571df7cf-e062-3968-ae5e-bec9d5a82f92</uuid>
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    <summary_title>C. B. Marlay</summary_title>
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    <name>Reliefs</name>
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          <type>reference</type>
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          <uid>adlib-term-115812</uid>
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        <summary_title>applying</summary_title>
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          <uuid>68c62b7c-aaf4-38a5-a1be-4d6c615c0714</uuid>
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        <summary_title>press-moulding</summary_title>
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        <uuid>46c949dd-f376-3538-878f-397baee5be09</uuid>
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      <summary_title>mythology</summary_title>
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  <department>
    <value>Applied Arts</value>
  </department>
  <description>
    <value>pale blue jasper with white reliefs</value>
  </description>
  <description>
    <value>Jasper, pale blue with white reliefs. Square with slightly bomb&#xE9; base and sides, which have a downward scroll at each corner. On each side there is a figure in a rectangular panel: the Flora Farnese; a draped female offering at an altar; a flying, winged female holding a flower garland; a flying winged female holding a flower garland. Over each panel there is a garland of fruit, and, on each side, sprouting from the bottom of the scroll, a spray of laurel. There is a pierced tubular hole down the centre, and at the top and bottom this surrounded by four small holes some distance away from the central hole, as if at the corners of a square.</value>
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      <id>exhibition-3931</id>
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      <uuid>e90e135b-e057-36db-ace7-fdff59bc4f33</uuid>
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    <summary_title>Glenn Ligon: All Over The Place</summary_title>
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  <identifier>
    <accession_number>MAR.C.11-1912</accession_number>
    <primary>1</primary>
    <type>accession number</type>
    <value>MAR.C.11-1912</value>
  </identifier>
  <identifier>
    <priref>11551</priref>
    <type>priref</type>
    <value>11551</value>
  </identifier>
  <identifier>
    <type>uri</type>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/11551</uri>
    <value>https://data.fitzmuseum.cam.ac.uk/id/object/11551</value>
  </identifier>
  <inscription>
    <location>on the base</location>
    <method>impressed</method>
    <transcription>
      <value>WEDGWOOD</value>
    </transcription>
    <type>mark</type>
  </inscription>
  <inscription>
    <location>on the base</location>
    <method>impressed</method>
    <transcription>
      <value>V</value>
    </transcription>
    <type>mark</type>
  </inscription>
  <institutions>
    <link>
      <type>reference</type>
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      <id>agent-149638</id>
      <uid>adlib-agent-149638</uid>
      <uuid>7376d833-d0a7-3be0-916e-9c892b7a24d8</uuid>
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    <summary_title>The Fitzwilliam Museum</summary_title>
  </institutions>
  <legal>
    <credit_line>C.B. Marlay Bequest</credit_line>
  </legal>
  <lifecycle>
    <acquisition>
      <agents>
        <link>
          <type>reference</type>
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        <admin>
          <id>agent-149674</id>
          <uid>adlib-agent-149674</uid>
          <uuid>de1bf9dd-2091-39ca-85f6-41e736f6e32b</uuid>
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        <summary_title>Marlay, Charles Brinsley</summary_title>
      </agents>
      <date>
        <earliest>1912</earliest>
        <latest>1912</latest>
        <value>1912</value>
      </date>
      <method>
        <value>bequeathed</value>
      </method>
    </acquisition>
    <creation>
      <date>
        <earliest>1785</earliest>
        <from>
          <earliest>1785</earliest>
          <era>CE</era>
          <latest>1785</latest>
          <precision>circa</precision>
          <value>1785</value>
        </from>
        <latest>1795</latest>
        <range>1</range>
        <to>
          <earliest>1795</earliest>
          <era>CE</era>
          <latest>1795</latest>
          <value>1795</value>
        </to>
      </date>
      <maker>
        <link>
          <role>
            <value>factory</value>
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          <type>reference</type>
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        <admin>
          <id>agent-143579</id>
          <uid>adlib-agent-143579</uid>
          <uuid>c32405af-1ece-35c0-b858-f9afd196ebc6</uuid>
        </admin>
        <summary_title>Wedgwood, Josiah</summary_title>
      </maker>
      <note>
        <value>The design of the relief may have been taken from Paolo Alessandro Maffei, 'Raccolta di statue antiche e moderne, data in luce . . . da Domenico de Rossi',  Rome, 1704, pl. LI.</value>
      </note>
      <note>
        <value>This pedestal form was supplied with a four tier tulip vase or separately priced at 31s. 6d. to be used with a snake-handled vase, shape no. 266 (see MAR.C.10-1912)</value>
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      <periods>
        <link>
          <type>reference</type>
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          <id>term-106779</id>
          <uid>adlib-term-106779</uid>
          <uuid>f0706fcd-d94c-3987-bcb5-f7f794332b6a</uuid>
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        <summary_title>18th Century, Late</summary_title>
      </periods>
      <periods>
        <link>
          <type>reference</type>
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          <id>term-107437</id>
          <uid>adlib-term-107437</uid>
          <uuid>96f4b0d1-fc11-39ff-ae91-1b23d888d479</uuid>
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        <summary_title>George III</summary_title>
      </periods>
      <places>
        <link>
          <type>reference</type>
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        <admin>
          <id>term-113623</id>
          <uid>adlib-term-113623</uid>
          <uuid>87ef9eaf-54a8-3838-8337-94dbf03aad62</uuid>
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        <hierarchies>
          <link>
            <type>literal</type>
          </link>
          <name>
            <value>England</value>
          </name>
          <summary_title>England</summary_title>
          <type>country</type>
        </hierarchies>
        <summary_title>Etruria</summary_title>
      </places>
    </creation>
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      <link>
        <type>reference</type>
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        <id>term-107483</id>
        <uid>adlib-term-107483</uid>
        <uuid>42cd0dfd-3d96-36f1-910d-7d1da88f245d</uuid>
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      <summary_title>jasper ware</summary_title>
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  <measurements>
    <dimensions>
      <dimension>Height</dimension>
      <units>cm</units>
      <value>14</value>
    </dimensions>
    <dimensions>
      <dimension>Width</dimension>
      <units>cm</units>
      <value>16.8</value>
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      <id>media-11505</id>
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      <summary_title>pedestal</summary_title>
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    <value>pedestal for a vase</value>
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    <value>unknown before Charles Brinsley Marlay (1831-1912)</value>
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      <notes>Ref. For the Flora Farnese, see, pp. 217-9, no 41, and fig. 113.</notes>
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      <notes>Cf. p. 100, fig. 107 a pedestal of similar form marked WEDGWOOD in the Lady Lever Art Gallery (LL 11440), and information about the vases it supported. The author cites Wedgwood MS 16/15375, 14 June 1786, and MS 16/15611.</notes>
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