<?xml version="1.0"?>
<root>
  <admin>
    <added>1592996946000</added>
    <created>1312637261000</created>
    <flag>Standard Record</flag>
    <id>object-119030</id>
    <indexed>1755194581495</indexed>
    <modified>1745852518000</modified>
    <processed>1755194515997</processed>
    <source>adlib</source>
    <stream>fitz-online</stream>
    <uid>adlib-object-119030</uid>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/119030</uri>
    <uuid>7ba67301-362c-3fe1-9ab9-feb11ca52d7c</uuid>
    <version>11</version>
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  <categories>
    <link>
      <type>reference</type>
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      <id>term-109541</id>
      <uid>adlib-term-109541</uid>
      <uuid>d25b4add-748d-3b6f-9789-d3969289ade7</uuid>
    </admin>
    <summary_title>jewellery</summary_title>
  </categories>
  <component>
    <materials>
      <note>
        <value>enamelled</value>
      </note>
      <reference>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-39593</id>
          <uid>adlib-term-39593</uid>
          <uuid>e3e2a3f8-2433-3f63-9bcf-e776644d312d</uuid>
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        <summary_title>gold</summary_title>
      </reference>
    </materials>
    <materials>
      <reference>
        <link>
          <type>reference</type>
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          <id>term-31775</id>
          <uid>adlib-term-31775</uid>
          <uuid>9e1aa4fd-c620-321b-9b48-ce4bd3bea245</uuid>
        </admin>
        <summary_title>pearls</summary_title>
      </reference>
    </materials>
    <materials>
      <reference>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-32047</id>
          <uid>adlib-term-32047</uid>
          <uuid>556882b1-3a24-378a-862a-40d529371319</uuid>
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        <summary_title>rubies</summary_title>
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    </materials>
    <name>Mount</name>
    <techniques>
      <reference>
        <link>
          <type>reference</type>
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          <id>term-126274</id>
          <uid>adlib-term-126274</uid>
          <uuid>03005d0f-a4c1-354e-bef8-0530111aa85b</uuid>
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        <summary_title>gem setting</summary_title>
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          <type>reference</type>
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          <id>term-34938</id>
          <uid>adlib-term-34938</uid>
          <uuid>44ef1d59-08dc-3b8d-83f9-2f706b3aa507</uuid>
        </admin>
        <summary_title>onyx</summary_title>
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    </materials>
    <measurements>
      <dimensions>
        <dimension>Depth</dimension>
        <units>cm</units>
        <value>0.9</value>
      </dimensions>
      <dimensions>
        <dimension>Height</dimension>
        <units>cm</units>
        <value>2.5</value>
      </dimensions>
      <dimensions>
        <dimension>Width</dimension>
        <units>cm</units>
        <value>2.6</value>
      </dimensions>
    </measurements>
    <name>Cameo</name>
    <techniques>
      <reference>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-106804</id>
          <uid>adlib-term-106804</uid>
          <uuid>370c5c09-04d5-395c-b12d-2843d8c04086</uuid>
        </admin>
        <summary_title>cutting</summary_title>
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    </techniques>
  </component>
  <department>
    <value>Applied Arts</value>
  </department>
  <description>
    <value>Second century Roman onyx cameo with white upper layer and dark lower layer, carved with a head of Medusa of Rondanini type. Shown frontally, the back left rough. Set by means of seven claws in an oval gold openwork frame enamelled black and white and alternately set with four pearls and four cobochon rubies. Suspended from the lower edge are a pearl, and an enamelled gold 'tassel' with a larger pearl at the end. At the top there is a ring and an enamelled gold loop for suspension.</value>
  </description>
  <exhibitions>
    <link>
      <catalogue>4</catalogue>
      <type>reference</type>
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      <id>exhibition-3287</id>
      <uid>adlib-exhibition-3287</uid>
      <uuid>c4b6d853-3af1-3cdf-a094-3732a4a70ee2</uuid>
    </admin>
    <summary_title>Designers and Jewellery 1850-1940: Jewellery and Metalwork from The Fitzwilliam Museum</summary_title>
  </exhibitions>
  <identifier>
    <accession_number>MAR.M.276-1912</accession_number>
    <primary>1</primary>
    <type>accession number</type>
    <value>MAR.M.276-1912</value>
  </identifier>
  <identifier>
    <priref>119030</priref>
    <type>priref</type>
    <value>119030</value>
  </identifier>
  <identifier>
    <type>uri</type>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/119030</uri>
    <value>https://data.fitzmuseum.cam.ac.uk/id/object/119030</value>
  </identifier>
  <inscription>
    <description>
      <value>indistinct letters in oval</value>
    </description>
    <location>Lower edge of the mount, on the inside</location>
    <transcription>
      <value>CG</value>
    </transcription>
    <type>mark</type>
  </inscription>
  <institutions>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>agent-149638</id>
      <uid>adlib-agent-149638</uid>
      <uuid>7376d833-d0a7-3be0-916e-9c892b7a24d8</uuid>
    </admin>
    <summary_title>The Fitzwilliam Museum</summary_title>
  </institutions>
  <legal>
    <credit_line>C.B. Marlay Bequest</credit_line>
  </legal>
  <lifecycle>
    <acquisition>
      <agents>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>agent-149674</id>
          <uid>adlib-agent-149674</uid>
          <uuid>de1bf9dd-2091-39ca-85f6-41e736f6e32b</uuid>
        </admin>
        <summary_title>Marlay, Charles Brinsley</summary_title>
      </agents>
      <date>
        <earliest>1912</earliest>
        <latest>1912</latest>
        <value>1912</value>
      </date>
      <method>
        <value>bequeathed</value>
      </method>
      <note>
        <value>Entry date: 1912</value>
      </note>
    </acquisition>
    <creation>
      <date>
        <earliest>100</earliest>
        <from>
          <earliest>100</earliest>
          <era>CE</era>
          <latest>100</latest>
          <precision>circa</precision>
          <value>0100</value>
        </from>
        <latest>200</latest>
        <note>
          <value>mount late 19th century</value>
        </note>
        <range>1</range>
        <to>
          <earliest>200</earliest>
          <era>CE</era>
          <latest>200</latest>
          <value>0200</value>
        </to>
      </date>
      <maker>
        <link>
          <qualifier>cameo</qualifier>
          <role>
            <value>cameo cutter</value>
          </role>
          <type>reference</type>
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        <admin>
          <id>agent-149652</id>
          <uid>adlib-agent-149652</uid>
          <uuid>0d4f90dc-b166-3d4b-b0db-25f4118b6e98</uuid>
        </admin>
        <summary_title>Unknown</summary_title>
      </maker>
      <maker>
        <link>
          <qualifier>frame</qualifier>
          <role>
            <value>jeweller</value>
          </role>
          <type>reference</type>
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        <admin>
          <id>agent-53001</id>
          <uid>adlib-agent-53001</uid>
          <uuid>deff52e8-5e34-30c6-9ecd-233859277c0a</uuid>
        </admin>
        <summary_title>Giuliano, Carlo</summary_title>
      </maker>
      <maker>
        <link>
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            <value>designer</value>
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          <type>reference</type>
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        <admin>
          <id>agent-99969</id>
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          <uuid>ee7edfd2-051b-3414-9091-fd76b86fc208</uuid>
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        <summary_title>Novissimo, Pasquale</summary_title>
      </maker>
      <note>
        <value>This pendant unites a second century Roman Imperial cameo of Medusa with a Renaissance Revival style mount, by Carlo Giuliano one of the leading jewellers who worked in both the Renaissance and Archeological Revival styles. The mount is typical of Renaissance Revival designs by Pasquale Novissimo (1844-1914), a jeweller who worked with Carlo Giuliano in London. However the cameo may be a later addition to the mount, perhaps replacing a large cabochon stone, which were more common.

Founded by Carlo Giuliano, who was born in Naples and had trained in Castellani&#x2019;s workshop, the successful family firm of Giuliano was praised for the spirited and varied nature of its historicist jewellery. Its best-known work was made under the direction of Carlo Giuliano, between 1860 and 1895.</value>
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      <periods>
        <link>
          <type>reference</type>
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          <id>term-134283</id>
          <uid>adlib-term-134283</uid>
          <uuid>12555763-9915-31a2-a92f-ec88f36dffb4</uuid>
        </admin>
        <summary_title>2nd Century</summary_title>
      </periods>
      <periods>
        <link>
          <type>reference</type>
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        <admin>
          <id>term-106853</id>
          <uid>adlib-term-106853</uid>
          <uuid>25492eb4-1164-35eb-8dce-3601486f3415</uuid>
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        <summary_title>19th Century</summary_title>
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      <places>
        <link>
          <type>reference</type>
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          <id>term-106216</id>
          <uid>adlib-term-106216</uid>
          <uuid>825b8379-ec94-388e-9a59-624e40c090d0</uuid>
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        <hierarchies>
          <link>
            <type>literal</type>
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          <name>
            <value>Italy</value>
          </name>
          <summary_title>Italy</summary_title>
          <type>country</type>
        </hierarchies>
        <summary_title>London</summary_title>
      </places>
    </creation>
  </lifecycle>
  <measurements>
    <dimensions>
      <dimension>Height</dimension>
      <units>cm</units>
      <value>8.2</value>
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    <dimensions>
      <dimension>Width</dimension>
      <units>cm</units>
      <value>3.8</value>
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      <id>media-206970</id>
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