15929969460001312637261000Standard Recordobject-119204170206231559015681205100001702062267223fitz-onlineadlib-object-119204https://data.fitzmuseum.cam.ac.uk/id/object/1192042807962c-cdb1-333e-8cba-08dd2a91b48e7referenceagent-179546adlib-agent-179546f9bc33d7-0d2f-33d6-ac7f-5ae07f71cdc0Bateman, W. and T.referenceterm-107563adlib-term-10756338dcd825-1de1-3222-82c6-15a95729b5ffenamelsreferenceterm-120007adlib-term-12000700af7c97-d937-3d5c-a1af-d2a83fe2785bFrank McCleandark blue, dark green, dark red, and whitereferenceterm-32638adlib-term-3263897b8d1a5-7b8f-3a2a-a275-7d001aeaae2benamelreferenceterm-39593adlib-term-39593e3e2a3f8-2433-3f63-9bcf-e776644d312dgoldDecorationreferenceterm-28681adlib-term-28681c1f659e2-1209-31cf-8ff4-154e11452559gildingprobablyreferenceterm-40335adlib-term-4033580b8ec5a-ae92-3ae0-8967-f2a28e1658d4brass (alloy)Finialreferenceterm-39588adlib-term-39588b17ff981-06b2-30a2-b9a9-b514fe84a191copperCup And CoverDiametercm14.9BowlDiametercm15.8FootApplied ArtsCopper, enamelled and giltCopper, raised, enamelled in dark blue, dark green, dark red, and white enamels, and gilded with gold leaf; brass finial. The ciborium stands on a stepped and domed circular foot rising into a lobed stem supporting a separately made depressed globular knop with lobes above and below the equator, above which is a rounded calyx with everted petals on which the bowl rests. The deep rounded bowl is lobed round its lower part and has a gilt-copper rim. The domed cover has swirling gadroons on the top, and in the centre a finial in the form of a cross. The ground of both parts is blue with a dark green border round the foot, and dark green petals on the calyx. The blue areas are decorated in gold with palmettes, flower heads and fleurs-de-lys.The lobes on the foot, knop, and cover, and the gadroons on the bowl are white; with stylized flower and foliage ornament in gold with red and blue highlights on the lobed and gadrooned areas. Round the edge of the foot there is a continuous spray of foliage, a row of scallops and a row of flowerheads all in gold.M.25 & A-19041accession numberM.25 & A-1904119204priref119204urihttps://data.fitzmuseum.cam.ac.uk/id/object/119204https://data.fitzmuseum.cam.ac.uk/id/object/119204circular paper labelon underside of foothand-written in faded black inkN.1.187/Cup & Cover of/Venetian Enamel/of the 15 or 16 century/Bought at Florence/by C. Redfern 1857/of extreme Value/& Importance/T.B.labelreferenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam MuseumFrank McClean Bequestreferenceagent-172414adlib-agent-17241473d94f64-8c0d-30c1-9764-25b005f3ce1dMcClean, Frank190419041904bequeathedThe Bateman catalogue gives 1857 as the date when in a Florentine collection.1500CE1500circa1500possiblymakerreferenceagent-149652adlib-agent-1496520d4f90dc-b166-3d4b-b0db-25f4118b6e98UnknownA ciborium is a liturgical vessel in which the consecrated Host (bread or wafers) for the Eucharist is keptEnamels of this type have been attributed to Venice since at least the 1850s, but recent comparisons of scientific analyses of Venetian glass and the enamels indicates that this is unlikely. Possible alternatives are elsewhere in the Veneto, Florence or elsewhere in Tuscany, see Documentation Warren (2019), Verità, et al (2018) Barbe et al (2019)referenceterm-120947adlib-term-1209470367c966-4ef0-36a6-9e79-a629733adbdb15th Century, Late-16th Century, Early#Heightcm33.5referencemedia-146451adlib-media-1464511db7ffc0-9a85-3354-b199-6cd79524c7bfjpegaa/aa20/M_25_1904_20_281_29.jpg1heightpixels760widthpixels50716162438745171imagejpegaa/aa20/mid_M_25_1904_20_281_29.jpg1heightpixels750widthpixels50016162438745171imagejpegaa/aa20/M_25_1904_20_281_29.jpg1heightpixels760widthpixels50716162438745171imagejpegaa/aa20/preview_M_25_1904_20_281_29.jpg1heightpixels375widthpixels25016162438745171image0media
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imagereferenceterm-120403adlib-term-1204031bd6f2c8-db9a-3582-973c-2b80c6318ab4ciboriumcup and coverhistory noteFlorence where bought in 1857 by C. Redfern; W. Bateman and T. Bateman, Lomberdale House, Youlgrave, Derbyshire; sold Sotheby, Wilkson & Hodge, 14 April 1893, The Bateman Heirlooms. Catalogue of the First Portion of the Valuable and Important Collection of Works of Art & Antiquity, formed by the late W. Bateman, Esq., & T. Bateman, Esq. Of Lomberdale House, Youlgrave, Co. Derby, p. 6, lot 22; sold to Frank McClean for £61.referenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam MuseumPubl. p. 6, lot 22; sold for £61 to Frank McClean6referencepublication-3743adlib-publication-37434c11f232-2a31-367a-b5cd-90aecdb8530dThe Bateman HeirloomsPubl. p. 116, no. 75, dated 16th century. The author notes that it bears a papel label stating 'that it was bought in Florence by Mr C. Redfern in 1857116referencepublication-4060adlib-publication-40600f6d91a4-87ab-338c-b868-7d56c66bc250Fitzwilliam Museum, McClean Bequest, Catalogue of the Mediaeval Ivories, Enamels, Jewellery, Gems and Miscellaneous Objects Bequeathed to the Museum by Frank McClean, M.A., F.R.S.Publ. Vol. II, illustrated on p. 69, and p. 176, no. 252. Cf. A ciborium in the Palais des Beaux-Arts, Lille, p. 175, no. 151 (inv. 303)69, 176referencepublication-8619adlib-publication-861963f26cd0-64fc-369b-b85a-425ffcc076b1I Rami smaltati detti Veneziani del Rinascinmento italiano. Les Cuivres émaillés dits Vénitiens de la Renaissance italienne, 2 volsCf. p. 30, no. 191, described as a cup and cover, but the ciborium in the Palais des Beaux-Arts, Lille, inv. 303 mentoned by Barbe, et al. (2019), II, p.175, no. 151.30referencepublication-8692adlib-publication-86929ee74ca2-1122-31a7-be1b-cd335a26754dCatalogue de la collection d'objets d'art et de curiosité composant le Musée Jules de VicqCf. objects decorated in a comparable technique and style, pp. 4-5, no. 3, a standing bowl, p. 8, no. 6 the body of a goblet vase, the latter with similar ornament on the white lobes.4-7referencepublication-6021adlib-publication-60216dafbb49-bc39-3d0c-b5ad-634dbead2cf0The Walters Art Gallery, Catalogue of the Painted Enamels of the Renaissancereferencepublication-5572adlib-publication-5572aaa9403c-e139-3848-9091-2bfcfdfd803fEnamels the XII to the XVI Century, a special exhibition at The Martin d’Arcy Gallery of ArtRef: This article presents the evidence, based on comparison of analyses of the enamels on these copper vessels,and of Venetian, Tuscan, and other Italian glassof the same period, for revising the traditional attribution of these enamels to Venice, possibly to Tuscany233-54referencepublication-200003192adlib-publication-2000031927b01a833-b04f-38fd-91a7-d3d6c1f2f4c6The So-called Venetian Enamelled Copper Artworks of the italian Renaissance: the Technology and Provenance of the Enamels - an Analytical approachRef. The author presents the case for Florence or Tuscany as the possible place of origin of these enamels rather than Venice to which they have been attributed since at least the 1850s55-69referencepublication-200003193adlib-publication-200003193434f2749-6b77-3f94-a53c-972735bc114dVenetian Enamels: The Case for Florencereferenceterm-10618adlib-term-106189ebc0ae1-8cf8-312b-832c-9cf44da02136Renaissanceplantreferenceterm-4778adlib-term-4778e88d3409-86e5-3a3c-8dd7-7ba7856fbe22fleur-de-lisliteralfleur-de-lisfleur-de-lisreferenceterm-120403adlib-term-1204031bd6f2c8-db9a-3582-973c-2b80c6318ab4ciboriumciboriumcopper, raised, enamelled in dark blue, dark green, dark red, and white, and gildedreferenceterm-125937adlib-term-1259377861750a-4734-3bc3-9752-fd76a6601024raisingdark blue, dark green, dark red, and whitereferenceterm-28662adlib-term-28662dd47e505-ccda-3f2b-b576-6104109430e8enamellingobject
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