<?xml version="1.0"?>
<root>
  <admin>
    <added>1592999344000</added>
    <created>1312637261000</created>
    <flag>Standard Record</flag>
    <id>object-13789</id>
    <indexed>1747246484886</indexed>
    <modified>1719330703000</modified>
    <processed>1747245849311</processed>
    <source>adlib</source>
    <stream>fitz-online</stream>
    <uid>adlib-object-13789</uid>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/13789</uri>
    <uuid>85c45bea-ca51-3b67-a1c6-42a1cb1d44e2</uuid>
    <version>26</version>
  </admin>
  <agents>
    <link>
      <relation>person</relation>
      <type>reference</type>
    </link>
    <admin>
      <id>agent-158179</id>
      <uid>adlib-agent-158179</uid>
      <uuid>88cc0f43-f243-3d8f-9d08-de9ae870caa3</uuid>
    </admin>
    <summary_title>Rawsthorne, Isabel</summary_title>
  </agents>
  <categories>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>term-98228</id>
      <uid>adlib-term-98228</uid>
      <uuid>3d747999-296f-3944-9a84-2936c3ae9f5c</uuid>
    </admin>
    <summary_title>sculpture</summary_title>
  </categories>
  <component>
    <materials>
      <reference>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-4148</id>
          <uid>adlib-term-4148</uid>
          <uuid>d756a195-9618-3d0b-a5a7-f8f5353fdd11</uuid>
        </admin>
        <summary_title>patina</summary_title>
      </reference>
    </materials>
    <name>Surface</name>
  </component>
  <content>
    <motifs>
      <link>
        <type>reference</type>
      </link>
      <admin>
        <id>term-98112</id>
        <uid>adlib-term-98112</uid>
        <uuid>32d115a4-d3ac-33b0-b126-2a3da0fdf139</uuid>
      </admin>
      <summary_title>portrait</summary_title>
    </motifs>
  </content>
  <department>
    <value>Applied Arts</value>
  </department>
  <description>
    <value>Bronze with dark brown patina. The sitter faces front. Her hair is dressed in a short bouffant style reminiscent of Ancient Egyptian wigs.</value>
  </description>
  <exhibitions>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>exhibition-1851</id>
      <uid>adlib-exhibition-1851</uid>
      <uuid>10645b23-4d0e-34f2-8545-e963eb968931</uuid>
    </admin>
    <summary_title>Isabel Rawsthorne 1912-1992</summary_title>
  </exhibitions>
  <exhibitions>
    <link>
      <catalogue>9</catalogue>
      <type>reference</type>
    </link>
    <admin>
      <id>exhibition-1524</id>
      <uid>adlib-exhibition-1524</uid>
      <uuid>42d6e472-23d8-3a56-ad7d-707ecbcddfd9</uuid>
    </admin>
    <summary_title>Alberto Giacometti oeuvres de la maturit&#xE9;</summary_title>
  </exhibitions>
  <exhibitions>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>exhibition-1997</id>
      <uid>adlib-exhibition-1997</uid>
      <uuid>11afac9d-b831-3ee2-b420-f4f8590edde7</uuid>
    </admin>
    <summary_title>Strange Events Permit Themselves the Luxury of Occurring</summary_title>
  </exhibitions>
  <exhibitions>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>exhibition-2829</id>
      <uid>adlib-exhibition-2829</uid>
      <uuid>c9783cb3-0b3b-3c9b-88f5-da6ec6924116</uuid>
    </admin>
    <summary_title>Alberto Giacometti: A Line Through Time</summary_title>
  </exhibitions>
  <exhibitions>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>exhibition-2855</id>
      <uid>adlib-exhibition-2855</uid>
      <uuid>73be90bd-4bbf-3090-a2cc-03555a17f03e</uuid>
    </admin>
    <summary_title>Alberto Giacometti: A Line Through Time</summary_title>
  </exhibitions>
  <identifier>
    <accession_number>M.50-1997</accession_number>
    <primary>1</primary>
    <type>accession number</type>
    <value>M.50-1997</value>
  </identifier>
  <identifier>
    <priref>13789</priref>
    <type>priref</type>
    <value>13789</value>
  </identifier>
  <identifier>
    <source>Art UK</source>
    <type>external ID</type>
    <value>CAM_CCF_M_50_1997</value>
  </identifier>
  <identifier>
    <type>uri</type>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/13789</uri>
    <value>https://data.fitzmuseum.cam.ac.uk/id/object/13789</value>
  </identifier>
  <inscription>
    <location>near lower edge</location>
    <transcription>
      <value>Alberto Giacometti</value>
    </transcription>
    <type>signature</type>
  </inscription>
  <inscription>
    <location>near lower edge at back</location>
    <transcription>
      <value>Susse Fondeur Paris</value>
    </transcription>
    <type>mark</type>
  </inscription>
  <inscription>
    <description>
      <value>rectangular, puce-pink paper</value>
    </description>
    <location>stuck inside neck</location>
    <method>printed in black</method>
    <transcription>
      <value>XXXI Biennale Internazionale d'Arte di Venezi 1962/438</value>
    </transcription>
    <type>label</type>
  </inscription>
  <inscription>
    <description>
      <value>in black at the top '9' and at the bottom '77327', and over the end of 'VISITAT'. '7', the last handwritten</value>
    </description>
    <method>printed in pale purple</method>
    <transcription>
      <value>'MERCI' and 'DOGNA ITALIA' and 'VISITAT[?]', and</value>
    </transcription>
    <type>label</type>
  </inscription>
  <institutions>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>agent-149638</id>
      <uid>adlib-agent-149638</uid>
      <uuid>7376d833-d0a7-3be0-916e-9c892b7a24d8</uuid>
    </admin>
    <summary_title>The Fitzwilliam Museum</summary_title>
  </institutions>
  <legal>
    <credit_line>Purchased with the Ann Ashard Webb Fund, and grants from the National Art Collections Fund, and the Museums and Galleries Commission Regional Fund administered by the Victoria and Albert Museum.</credit_line>
  </legal>
  <lifecycle>
    <acquisition>
      <agents>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>agent-171309</id>
          <uid>adlib-agent-171309</uid>
          <uuid>c8121311-f375-3b7e-98eb-267560569bbc</uuid>
        </admin>
        <summary_title>Morchoisne, Juliet Ryan</summary_title>
      </agents>
      <date>
        <earliest>1997</earliest>
        <latest>1997</latest>
        <value>1997</value>
      </date>
      <method>
        <value>bought</value>
      </method>
      <note>
        <value>Entry date: 1997-04-28</value>
      </note>
    </acquisition>
    <creation>
      <date>
        <earliest>1936</earliest>
        <from>
          <earliest>1936</earliest>
          <era>CE</era>
          <latest>1936</latest>
          <precision>circa</precision>
          <value>1936</value>
        </from>
        <latest>1962</latest>
        <note>
          <value>Cast in 1962 from a plaster model of c. 1936</value>
        </note>
        <range>1</range>
        <to>
          <earliest>1962</earliest>
          <era>CE</era>
          <latest>1962</latest>
          <value>1962</value>
        </to>
      </date>
      <maker>
        <link>
          <role>
            <value>sculptor</value>
          </role>
          <type>reference</type>
        </link>
        <admin>
          <id>agent-51615</id>
          <uid>adlib-agent-51615</uid>
          <uuid>707eb4b2-6680-3857-aed6-85d4f65d0ab0</uuid>
        </admin>
        <summary_title>Giacometti, Alberto</summary_title>
      </maker>
      <note>
        <value>The sitter was English painter and designer, Isabel Rawsthorne (n&#xE9;e Nicholas, 1912-1992). A successful artist in her own right, Rawsthorne studied at the RCA in London, the Acad&#xE9;mie de la Grande Chaumi&#xE8;re in Paris and spent two years in the studio of Jacob Epstein. During the war, she worked for the Poltiical Warfare Executive and subsequently painted, depicting dancers, and later, the Essex countryside where she lived for the last forty years of her life. Her paintings were also adapted into designs for the ballet and opera. 
Her early career brought her into the friendship circles of many high-profile male artists in London and Paris for whom she modelled, including Jacob Epstein, Andre Derain, Pablo Picasso, Alberto Giacometti and Francis Bacon. During the second half of the twentieth century, Rawsthorne was better-known as a muse and model but more recent critical attention has focussed again on her own, impressive, artistic output.</value>
      </note>
      <note>
        <value>The sitter was Isabel Rawsthorne (1912-92), n&#xE9;e Nicholas, (later Delmer, and Lambert).</value>
      </note>
      <note>
        <value>This head, also known as &#x2018;The Egyptian Woman&#x2019;, was produced during Giacometti&#x2019;s period of intense pre-occupation with drawing and modelling from life between 1935 and 1940. Another portrait, Head of Isabel II of about 1938, is in the Sainsbury Collection at the University of East Anglia. The survival of both heads is exceptional because Giacometti destroyed much of his work during the 1930s.</value>
      </note>
      <periods>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-107749</id>
          <uid>adlib-term-107749</uid>
          <uuid>e089b122-3c61-3b88-a645-624a4a54e267</uuid>
        </admin>
        <summary_title>1930s</summary_title>
      </periods>
      <periods>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-107318</id>
          <uid>adlib-term-107318</uid>
          <uuid>d27559f3-e90c-35cd-b7e4-46eaeb9ac521</uuid>
        </admin>
        <summary_title>20th Century</summary_title>
      </periods>
      <places>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-129470</id>
          <uid>adlib-term-129470</uid>
          <uuid>8353db27-fba9-33c1-94a1-f268fd2a2d21</uuid>
        </admin>
        <hierarchies>
          <link>
            <type>literal</type>
          </link>
          <name>
            <value>France</value>
          </name>
          <summary_title>France</summary_title>
          <type>country</type>
        </hierarchies>
        <summary_title>Paris</summary_title>
      </places>
    </creation>
  </lifecycle>
  <materials>
    <reference>
      <link>
        <type>reference</type>
      </link>
      <admin>
        <id>term-40365</id>
        <uid>adlib-term-40365</uid>
        <uuid>d79c75c2-da7b-3187-918e-f7a374e04005</uuid>
      </admin>
      <summary_title>bronze</summary_title>
    </reference>
  </materials>
  <measurements>
    <dimensions>
      <dimension>Depth</dimension>
      <units>cm</units>
      <value>24.4</value>
    </dimensions>
    <dimensions>
      <dimension>Height</dimension>
      <units>cm</units>
      <value>29.1</value>
    </dimensions>
    <dimensions>
      <dimension>Width</dimension>
      <units>cm</units>
      <value>21.8</value>
    </dimensions>
  </measurements>
  <name>
    <reference>
      <link>
        <type>reference</type>
      </link>
      <admin>
        <id>term-107683</id>
        <uid>adlib-term-107683</uid>
        <uuid>9cdf19fa-4af7-3ca3-b180-580dfffebdc0</uuid>
      </admin>
      <summary_title>head</summary_title>
    </reference>
  </name>
  <note>
    <type>history note</type>
    <value>The sitter, Isabel Delmer (1912-92), n&#xE9;e Nicholas (later Lambert and Rawsthorne), by whom lent to The Fitzwilliam Museum in 1987; by descent to Juliet Ryan Morchoisne</value>
  </note>
  <owners>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>agent-149638</id>
      <uid>adlib-agent-149638</uid>
      <uuid>7376d833-d0a7-3be0-916e-9c892b7a24d8</uuid>
    </admin>
    <summary_title>The Fitzwilliam Museum</summary_title>
  </owners>
  <project>
    <link>
      <role>
        <value>reference number</value>
      </role>
      <type>literal</type>
    </link>
    <name>
      <type>name</type>
      <value>Sculpture UK</value>
    </name>
    <summary_title>Sculpture UK</summary_title>
  </project>
  <publications>
    <link>
      <notes>Publ. Illustrated, p. 60, no. 4410, text by Duncan Robinson</notes>
      <page>p. 60</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-1179</id>
      <uid>adlib-publication-1179</uid>
      <uuid>8f4bbc55-73e8-3d82-b635-52e8e6e998fc</uuid>
    </admin>
    <summary_title>The National Art Collections Fund 1997 Review</summary_title>
  </publications>
  <publications>
    <link>
      <notes>Publ. Illustrated, p. 54, no. 9</notes>
      <page>p. 54</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-2870</id>
      <uid>adlib-publication-2870</uid>
      <uuid>9656abc2-61c6-3810-89aa-736ea773536c</uuid>
    </admin>
    <summary_title>Alberto Giacometti oeuvres de la maturit&#xE9;</summary_title>
  </publications>
  <publications>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-8505</id>
      <uid>adlib-publication-8505</uid>
      <uuid>4d81fc96-3d82-3065-b517-573cff5382b9</uuid>
    </admin>
    <summary_title>Alberto Giacometti. A Line through Time</summary_title>
  </publications>
  <publications>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-1177</id>
      <uid>adlib-publication-1177</uid>
      <uuid>c5a39878-2318-34ba-919e-5d7e881070dc</uuid>
    </admin>
    <summary_title>Alberto Giacometti 1901-1966</summary_title>
  </publications>
  <publications>
    <link>
      <notes>Ref. Bonnefoy states that the head was also known as The Egyptian Woman, and the date was 1936, p. 250, pl. 229. See also passing references on p. 252, 254, 268, 269.</notes>
      <page>pp. 250, 252</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-1178</id>
      <uid>adlib-publication-1178</uid>
      <uuid>24ef6040-f7ef-34a5-9359-a87441e1e7d0</uuid>
    </admin>
    <summary_title>Giacometti</summary_title>
  </publications>
  <publications>
    <link>
      <notes>Cf. p. 106, lot 261 a Giacometti portrait of Isabel Rawsthorne, pencil</notes>
      <page>p. 106</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-2248</id>
      <uid>adlib-publication-2248</uid>
      <uuid>b2706302-71fa-3946-beff-68fe1c2e4cff</uuid>
    </admin>
    <summary_title>Impressionist and Modern Art</summary_title>
  </publications>
  <publications>
    <link>
      <notes>Publ.</notes>
      <page>172</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-382</id>
      <uid>adlib-publication-382</uid>
      <uuid>ee5148de-e3eb-3d38-88db-9a331edf70b6</uuid>
    </admin>
    <summary_title>Treasures of the Fitzwilliam Museum</summary_title>
  </publications>
  <publications>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-400002283</id>
      <uid>adlib-publication-400002283</uid>
      <uuid>d0f26f4b-dfe1-39ec-ac8d-3b93d3b85b6a</uuid>
    </admin>
    <summary_title>Picasso&#x2019;s portraits of Isabel Rawsthorne</summary_title>
  </publications>
  <summary>
    <reference>
      <link>
        <type>reference</type>
      </link>
      <admin>
        <id>term-107683</id>
        <uid>adlib-term-107683</uid>
        <uuid>9cdf19fa-4af7-3ca3-b180-580dfffebdc0</uuid>
      </admin>
      <summary_title>head</summary_title>
    </reference>
  </summary>
  <summary_title>head</summary_title>
  <techniques>
    <description>
      <value>bronze, cast, with dark brown patina</value>
    </description>
    <reference>
      <link>
        <type>reference</type>
      </link>
      <admin>
        <id>term-26699</id>
        <uid>adlib-term-26699</uid>
        <uuid>a385eebb-7834-3204-a17f-d9c3cd15d9b8</uuid>
      </admin>
      <summary_title>casting (process)</summary_title>
    </reference>
  </techniques>
  <techniques>
    <note>
      <value>dark brown</value>
    </note>
    <reference>
      <link>
        <type>reference</type>
      </link>
      <admin>
        <id>term-120073</id>
        <uid>adlib-term-120073</uid>
        <uuid>8f03d319-c397-37c8-a0e8-e23ef3cfdbbc</uuid>
      </admin>
      <summary_title>patinating</summary_title>
    </reference>
  </techniques>
  <title>
    <value>Head of Isabel</value>
  </title>
  <type>
    <base>object</base>
    <type>OBJECT</type>
  </type>
</root>
