15929957870001312637261000Standard Recordobject-13902170292699859117029081950001702926926835fitz-onlineadlib-object-13902https://data.fitzmuseum.cam.ac.uk/id/object/139028f553aea-79b9-32fe-b9f0-bb9fc165480513personreferenceagent-154123adlib-agent-1541232fef3fa1-e550-35f4-b4de-2ced0eb2272aVirgin Marypersonreferenceagent-149696adlib-agent-149696c1d7b5bf-63d4-3ba4-a080-9810b80bf16cChristpersonreferenceagent-149649adlib-agent-14964994539a8b-dbbb-3f21-8501-c4bf2d8b0190St Josephpersonreferenceagent-149975adlib-agent-149975e6f5b711-54e0-351d-a83c-758cad4cba19angelreferenceterm-98228adlib-term-982283d747999-296f-3944-9a84-2936c3ae9f5csculpturereferenceterm-23385adlib-term-233854c17df77-7d4e-32bf-8ec9-921b71d218a2religionApplied ArtsOctagonal relief, of bronze, cast, chased and gilt.Bronze, cast and chased in relief, and gilt. Octagonal. The Holy Family is shown resting in a landscape setting, the Virgin sits in the centre, about to wrap a cloth around the sleeping Christ Child on the left. The cloth, tied to a tree to the right, is held aloft behind Mary and the Christ Child by an angel looking reverently down on the sleeping baby. To the right, Joseph, sitting on bended knee under the tree, looks up from the book he is holding his left hand towards his wife and son.69referenceexhibition-201adlib-exhibition-20114c86d72-5b3b-32f3-85f5-cf71b1bb9878Treasures from the Fitzwilliam, "The Increase of Learning and other great Objects of that Noble Foundation"49referenceexhibition-1114adlib-exhibition-111431147902-d96b-38e0-9fa0-65e77e26f8b2Effigies and Ecstasies, Roman Baroque Sculpture and Design in the Age of Berninino. 17referenceexhibition-1675adlib-exhibition-167510c2903c-a764-3da2-b2d5-7d3ba2352474Renaissance and Baroque Bronzes from the Fitzwilliam Museum, Cambridgereferenceexhibition-1887adlib-exhibition-1887ad7b6b61-9df3-34cb-9675-b711ea766ba9Renaissance and Baroque Bronzes from the Fitzwilliam Museum, Cambridge (2005)M.1-19391accession numberM.1-193913902priref13902external IDCAM_CCF_M_1_1939urihttps://data.fitzmuseum.cam.ac.uk/id/object/13902https://data.fitzmuseum.cam.ac.uk/id/object/13902referenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam MuseumGiven by Miss Alys Kingsleyreferenceagent-153258adlib-agent-153258e08ea822-1f1b-32aa-a0a3-dfedef6f4fa7Kingsley, Alys193919391939givenEntry date: 1939-02-2116001600CE1600circa1600165011650CE16501650sculptorreferenceagent-1661adlib-agent-1661d7cc9057-e473-3e09-b87a-17f80e7a5ef0Algardi, AlessandroAlthough there is no documentary evidence for Algardi being the author of this composition has so far emerged, the attribution is supported by strong stylistic evidence and the fact that an engraving after the relief by Edward Le Davis (c.1640-c.1684) is inscribed with Algardi as the author. One of Algardi's most popular designs, it is known in a number of variants and replicas. For further discussion, see Avery 2002, pp. 142-3.referenceterm-110396adlib-term-11039678423590-8dfa-3476-bb76-46a672c4d4b717th Century, first half#referenceterm-106366adlib-term-106366b3c6d1ca-fe9f-38c0-bdd4-f8d83ac87a8fliteralItalyItalycountryRomeprobably bronzereferenceterm-39741adlib-term-3974147d44741-af05-37c3-b21e-0e278b114f3bcopper alloyreferenceterm-27716adlib-term-27716246eefd8-f18b-3c47-8338-d68140b3497egiltHeightcm29.3Widthcm35.5referencemedia-12051adlib-media-120515c221b5a-3f6d-39cd-959e-9c25c8d8d126jpegaa/aa19/M_1_1939.jpg1heightpixels619widthpixels76017029266818001imagejpegaa/aa19/mid_M_1_1939.jpg1heightpixels407widthpixels50017029266818001imagejpegaa/aa19/M_1_1939.jpg1heightpixels619widthpixels76017029266818001imagejpegaa/aa19/preview_M_1_1939.jpg1heightpixels204widthpixels25017029266818001image0media
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imagereferencemedia-3879162954portfolio-media-3879162954863ff2af-c31d-3b40-9b0e-1aeca42ea2ecjpegportfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/640/442/large_M_1_1939_mas.jpg1heightpixels844widthpixels102415547678820001imagejpegportfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/640/442/mid_M_1_1939_mas.jpg1heightpixels412widthpixels50015547678820001imagejpegportfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/640/442/M_1_1939_mas.jpg1heightpixels4084widthpixels49531554767882000111imagejpegportfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/640/442/preview_M_1_1939_mas.jpg1heightpixels206widthpixels25015547678820001image2media
imagereferenceterm-98879adlib-term-98879a807b416-0933-32ec-ac29-34611d921ed9reliefhistory noteunknown before donorreferenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam Museumreference numberliteralnameSculpture UKSculpture UKPubl. Ill. pl. 189 and p. 307, 4.C.2p. 307referencepublication-1201adlib-publication-1201172a4246-b64a-3811-9f3c-1389c69ec04cAlessandro AlgardiPubl. No. 69, p. 65, repr. (entry by Robin Crighton)p. 65referencepublication-1119adlib-publication-11198b3701d3-a6b9-3cdf-8f20-d50dda99c46cTreasures from the Fitzwilliam: ''The Increase of Learning and other great Objects of that Noble Foundation''Publ.142referencepublication-382adlib-publication-382ee5148de-e3eb-3d38-88db-9a331edf70b6Treasures of the Fitzwilliam Museumreferencepublication-3280adlib-publication-3280c31523f6-c333-3d10-82a1-9efed17892ccFrench Sculptors of the 17th and 18th Centuries: The Reign of Louis XIV. Illustrated Catalogue: Supplementary Volume A-ZPubl. No. 49, ill. in colour, p. 96 (entry by C. Avery)pp. 96-7referencepublication-1200adlib-publication-12005f8873ff-8bdd-3cdf-a433-c1f82cf9bc04Effigies and Ecstasies, Roman Baroque Sculpture and Design in the Age of BerniniPubl. p. 122 (under no. 13: entry by P. Cannata)p. 122referencepublication-3281adlib-publication-3281dade6180-9ad3-39b7-bd67-8f43dddedf99Algardi: L'Altra Faccia del BaroccoPubl. pp. 140-143, 263, no. 17pp. 140-143referencepublication-3259adlib-publication-3259a66336df-0598-3f93-8c6d-4d1fa070ea38Renaissance and Baroque Bronzes from the Fitzwilliam Museum, CambridgePubl. Illustrated p. 44referencepublication-200001942adlib-publication-200001942c78e44c5-f591-3be1-9a58-b607e3fa9dacUpcoming Exhibition, Renaissance and Baroque Bronzes from the Fitzwilliam MuseumPubl. Illustrated in review of Renaissance and Baroque Bronzes from the Fitzwilliam Museum, Cambridge, held at the Frick Collection, 15 February - 24 April 200515referencepublication-200001950adlib-publication-20000195045155c57-593a-3a30-87d0-7cea444b6c66Frick Collection To Exhibit Remarkable Bronzes From The Fitzwilliam MuseumPubl. Illustrated in review of exhibition of bronzes at the Frick Collection10referencepublication-200001953adlib-publication-200001953c37ab0ae-816c-3dbf-b6eb-9859a1f8a9a2Expositions. La Frick Collection célèbre le bronze européenreferencepublication-200000752adlib-publication-2000007522a83c191-1eac-3c57-a7cc-5881d34ca7dcBurlington Magazine, January 1966referencepublication-1199adlib-publication-119964940808-7aca-3310-95d3-abe876b025d1Catalogue of Sculpture in the Victoria and Albert MuseumCf. Fig. 3, p. 297p. 297referencepublication-200000507adlib-publication-2000005077b90b993-748d-3f5a-9f0e-0e510c24c976Antonio and Gioseppe Giorgett: Sculptors to Cardinal Franceso Barberinireferencepublication-2250adlib-publication-22509960fe77-d78f-3f66-ba3b-3023266299f3Important Sculpture and Works of Art, including the 19th Century, 23rd June 1982Cf. An octagonal bronze with brown patina, attributed to Antonio Giorgetti (d.1667), showing the Nativity, 31.8 cm high, p. 64, lot 185. Examples of this relief, paired respectively with Algardi's relief of the Flight into Egypt and Pietà, are recorded by J. Montagu, Alessandro Algardi, New Haven and London, 1985, pp. 309, 342. See also J. Montagu, Antonio and Gioseppe Giorgett: Sculptors to Cardinal Francesco Barberini, Art Bulletin, LII, (1970), p. 297, fig. 3.p. 64referencepublication-2251adlib-publication-2251055803e2-e569-36fb-b699-07865b3516f3Important European Works of Art and Sculpture, 2nd July 1996Cf. p. 268, lot 452, an example of a lead plaquette after Algardi's Rest on the Flight, second half of 17th century268referencepublication-5636adlib-publication-5636c60e3436-285f-3c4f-84e2-b97d3a7fd91fOld Master Paintings including European Works of Artreferenceterm-10624adlib-term-10624c882b99a-0b49-320e-8d8a-fd72a34d8848Baroqueplantreferenceterm-58471adlib-term-58471ce00216e-da4e-37b3-974c-c2b6377d6c19treeeventreferenceterm-108536adlib-term-108536afe995b2-96d2-3b63-bc2f-8c24839c2b9eThe Flight into EgyptliteraltreetreeliteralThe Flight into EgyptThe Flight into Egyptreferenceterm-98879adlib-term-98879a807b416-0933-32ec-ac29-34611d921ed9reliefreliefcopper alloy, probably bronze, cast and chased in relief, and giltreferenceterm-26699adlib-term-26699a385eebb-7834-3204-a17f-d9c3cd15d9b8casting (process)referenceterm-107706adlib-term-10770634ea76d8-25e7-3c35-a7cc-c564e6087841gilt-bronzeThe Rest on the Flight to Egyptobject
OBJECT