<?xml version="1.0"?>
<root>
  <admin>
    <added>1592970582000</added>
    <created>1312637261000</created>
    <flag>Standard Record</flag>
    <id>object-140257</id>
    <indexed>1752602741064</indexed>
    <modified>1714468103000</modified>
    <processed>1752602690710</processed>
    <source>adlib</source>
    <stream>fitz-online</stream>
    <uid>adlib-object-140257</uid>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/140257</uri>
    <uuid>e57237ed-9d51-3ad3-88a7-49b697fd9f4a</uuid>
    <version>6</version>
  </admin>
  <agents>
    <link>
      <relation>person</relation>
      <type>reference</type>
    </link>
    <admin>
      <id>agent-160644</id>
      <uid>adlib-agent-160644</uid>
      <uuid>aeae9a88-2833-30a1-81d7-3a8409f6e39d</uuid>
    </admin>
    <summary_title>Ariadne</summary_title>
  </agents>
  <agents>
    <link>
      <relation>person</relation>
      <type>reference</type>
    </link>
    <admin>
      <id>agent-152170</id>
      <uid>adlib-agent-152170</uid>
      <uuid>3f19d216-3342-3b4b-bc58-8b7418ab616a</uuid>
    </admin>
    <summary_title>Bacchus</summary_title>
  </agents>
  <agents>
    <link>
      <relation>person</relation>
      <type>reference</type>
    </link>
    <admin>
      <id>agent-152759</id>
      <uid>adlib-agent-152759</uid>
      <uuid>5c091042-4a5e-35cc-b5f3-2152afa269e4</uuid>
    </admin>
    <summary_title>putto</summary_title>
  </agents>
  <categories>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>term-37627</id>
      <uid>adlib-term-37627</uid>
      <uuid>254febfe-0021-3e45-89a7-d57ba40044c7</uuid>
    </admin>
    <summary_title>hard-paste porcelain</summary_title>
  </categories>
  <component>
    <materials>
      <note>
        <value>clear and brownish where it lies thickly</value>
      </note>
      <reference>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-32652</id>
          <uid>adlib-term-32652</uid>
          <uuid>82d8ae3b-f165-395c-ba93-dfa1c282b7be</uuid>
        </admin>
        <summary_title>glaze</summary_title>
      </reference>
    </materials>
    <name>Front</name>
    <techniques>
      <note>
        <value>clear and brownish where it lies thickly</value>
      </note>
      <reference>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-122641</id>
          <uid>adlib-term-122641</uid>
          <uuid>d5fb75d8-097d-3fd7-8e70-87e9d96d77f7</uuid>
        </admin>
        <summary_title>glazing</summary_title>
      </reference>
    </techniques>
  </component>
  <component>
    <measurements>
      <dimensions>
        <dimension>Depth</dimension>
        <units>cm</units>
        <value>2.6</value>
      </dimensions>
    </measurements>
    <name>Highest Relief</name>
  </component>
  <department>
    <value>Applied Arts</value>
  </department>
  <description>
    <value>Greyish-white hard-paste porcelain, press-moulded and glazed</value>
  </description>
  <description>
    <value>Greyish-white hardpaste porcelain, press-moulded in high relief, and coated on the front with glaze which appears brownish where it lies thickly. Rectangular; warped in firing so that the unglazed reverse is slightly convex. Ariadne reclines on a couch on the right under two trees with a curtain draped over their branches to form an awning. Further to the right is a dancing putto, and a woman kneeling with her back to the viewer, holding a shallow basket of flowers. Ariadne looks towards her, while holding out a fruit/flower to a putto who is climbing onto the end of the couch. Behind him another  putto kneels supporting on his head a shallow basket of fruit. Behind him are two trees in low relief.  Further to the left girl and boy move to the left, the latter blowing a long pipe towards three birds flying overhead. Below, a putto plays with a swan, and on the extreme left there is a seated putto and a standing putto beside a bearded herm of Bacchus bedecked with a garland of flowers.</value>
  </description>
  <exhibitions>
    <link>
      <catalogue>D11</catalogue>
      <type>reference</type>
    </link>
    <admin>
      <id>exhibition-1070</id>
      <uid>adlib-exhibition-1070</uid>
      <uuid>2cb713dc-899f-35df-9c15-515a05f38d48</uuid>
    </admin>
    <summary_title>Plagiarism Personified? European Pottery and Porcelain Figures</summary_title>
  </exhibitions>
  <identifier>
    <accession_number>C.3207-1928</accession_number>
    <primary>1</primary>
    <type>accession number</type>
    <value>C.3207-1928</value>
  </identifier>
  <identifier>
    <priref>140257</priref>
    <type>priref</type>
    <value>140257</value>
  </identifier>
  <identifier>
    <source>Glaisher MS Catalogue, vol. 27</source>
    <type>old object number</type>
    <value>4470</value>
  </identifier>
  <identifier>
    <type>uri</type>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/140257</uri>
    <value>https://data.fitzmuseum.cam.ac.uk/id/object/140257</value>
  </identifier>
  <institutions>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>agent-149638</id>
      <uid>adlib-agent-149638</uid>
      <uuid>7376d833-d0a7-3be0-916e-9c892b7a24d8</uuid>
    </admin>
    <summary_title>The Fitzwilliam Museum</summary_title>
  </institutions>
  <legal>
    <credit_line>Dr J.W.L. Glaisher Bequest</credit_line>
  </legal>
  <lifecycle>
    <acquisition>
      <agents>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>agent-152564</id>
          <uid>adlib-agent-152564</uid>
          <uuid>c20df94d-f096-3e0b-a9b5-6ddd12161fb7</uuid>
        </admin>
        <summary_title>Glaisher, J. W. L., Dr</summary_title>
      </agents>
      <date>
        <earliest>1928</earliest>
        <latest>1928</latest>
        <value>1928</value>
      </date>
      <method>
        <value>bequeathed</value>
      </method>
      <note>
        <value>Entry date: 1928-12-07</value>
      </note>
    </acquisition>
    <creation>
      <date>
        <earliest>1745</earliest>
        <from>
          <earliest>1745</earliest>
          <era>CE</era>
          <latest>1745</latest>
          <precision>circa</precision>
          <value>1745</value>
        </from>
        <latest>1750</latest>
        <range>1</range>
        <to>
          <earliest>1750</earliest>
          <era>CE</era>
          <latest>1750</latest>
          <value>1750</value>
        </to>
      </date>
      <maker>
        <link>
          <role>
            <value>factory</value>
          </role>
          <type>reference</type>
        </link>
        <admin>
          <id>agent-166157</id>
          <uid>adlib-agent-166157</uid>
          <uuid>23fd678a-dde8-3d1b-bc25-0d84c569975e</uuid>
        </admin>
        <summary_title>Doccia Porcelain Factory</summary_title>
      </maker>
      <maker>
        <link>
          <qualifier>after</qualifier>
          <role>
            <value>painter</value>
          </role>
          <type>reference</type>
        </link>
        <admin>
          <id>agent-92063</id>
          <uid>adlib-agent-92063</uid>
          <uuid>8fff94e0-6663-314b-82c1-3ed281bfacb9</uuid>
        </admin>
        <summary_title>Mignard, Pierre</summary_title>
      </maker>
      <maker>
        <link>
          <qualifier>after</qualifier>
          <role>
            <value>engraver</value>
          </role>
          <type>reference</type>
        </link>
        <admin>
          <id>agent-175074</id>
          <uid>adlib-agent-175074</uid>
          <uuid>eaea9729-061c-3df1-b434-0ee67b78f4c2</uuid>
        </admin>
        <summary_title>Poilly, Jean-Baptiste de</summary_title>
      </maker>
      <note>
        <value>The wax model for this relief, and another of a Bacchanale with Bacchus and Ariadne, are at the Doccia factory museum at Sesto Fiorentino.. One or other is probably &#x2018;Un piccolo bassorilievo esprimente un Baccanale, con forme di cera&#x2019; in the factory&#x2019;s late 18th century inventory of models. In Die Modellsammlung der Porzellan-manufaktur Doccia, Klaus Lankeit also noted a payment to Vincenzo Foggini in 1746 for a &#x2018;bassorilievo di un baccanale&#x2019;, which might also refer to one or other relief. Dr Jennifer Montagu pointed out that the Fitzwilliam&#x2019;s relief was ultimately derived from he central part of a French engraving, Le Printems: L'hymen de Zephyr et de Flore by Jean Baptiste de Poilly (1669-1728) after the first of Pierre I Mignard (1612-95) cycle of four seasons painted in 1677 for the Galerie d'Apollon in the Chateau de Sait-Cloud.</value>
      </note>
      <periods>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-106451</id>
          <uid>adlib-term-106451</uid>
          <uuid>9cdfd62c-ee07-3884-ae08-c797aad08631</uuid>
        </admin>
        <summary_title>18th Century, Mid</summary_title>
      </periods>
      <periods>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-120391</id>
          <uid>adlib-term-120391</uid>
          <uuid>497501dd-eadb-380b-bb74-525ba197c6cc</uuid>
        </admin>
        <summary_title>Marchese Ginori period</summary_title>
      </periods>
      <places>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-117018</id>
          <uid>adlib-term-117018</uid>
          <uuid>577d78b9-6ccb-3b87-a80b-3a69b68c9473</uuid>
        </admin>
        <hierarchies>
          <link>
            <type>literal</type>
          </link>
          <name>
            <value>Italy</value>
          </name>
          <summary_title>Italy</summary_title>
          <type>country</type>
        </hierarchies>
        <hierarchies>
          <link>
            <type>literal</type>
          </link>
          <name>
            <value>Tuscany</value>
          </name>
          <summary_title>Tuscany</summary_title>
          <type>region</type>
        </hierarchies>
        <summary_title>Doccia</summary_title>
      </places>
    </creation>
  </lifecycle>
  <materials>
    <note>
      <value>greyish-white</value>
    </note>
    <reference>
      <link>
        <type>reference</type>
      </link>
      <admin>
        <id>term-37627</id>
        <uid>adlib-term-37627</uid>
        <uuid>254febfe-0021-3e45-89a7-d57ba40044c7</uuid>
      </admin>
      <summary_title>hard-paste porcelain</summary_title>
    </reference>
  </materials>
  <measurements>
    <dimensions>
      <dimension>Height</dimension>
      <units>cm</units>
      <value>15.2</value>
    </dimensions>
    <dimensions>
      <dimension>Width</dimension>
      <units>cm</units>
      <value>21.6</value>
    </dimensions>
  </measurements>
  <name>
    <reference>
      <link>
        <type>reference</type>
      </link>
      <admin>
        <id>term-110143</id>
        <uid>adlib-term-110143</uid>
        <uuid>7880ba6f-ffc7-3954-a9b0-88af32dbff6c</uuid>
      </admin>
      <summary_title>panel</summary_title>
    </reference>
  </name>
  <note>
    <type>history note</type>
    <value>Sotheby&#x2019;s, 14 November, 1924, lot 30; bought for &#xA3;2.5.0 by Dr J.W.L. Glaisher, Trinity College, Cambridge</value>
  </note>
  <owners>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>agent-149638</id>
      <uid>adlib-agent-149638</uid>
      <uuid>7376d833-d0a7-3be0-916e-9c892b7a24d8</uuid>
    </admin>
    <summary_title>The Fitzwilliam Museum</summary_title>
  </owners>
  <publications>
    <link>
      <notes>Publ. Vol. I, p. 414, no. 3207</notes>
      <page>414</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-1031</id>
      <uid>adlib-publication-1031</uid>
      <uuid>a5cc6cb3-2b6f-390a-af51-7e9d123e55ed</uuid>
    </admin>
    <summary_title>Catalogue of the Glaisher Collection of Pottery and Porcelain in the Fitzwilliam Museum Cambridge</summary_title>
  </publications>
  <publications>
    <link>
      <notes>Publ. p. 32, D11</notes>
      <page>32</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-992</id>
      <uid>adlib-publication-992</uid>
      <uuid>e26b9de8-5607-3d6e-82c1-bba7d8cb57c4</uuid>
    </admin>
    <summary_title>Plagiarism Personified? European Pottery and Porcelain Figures</summary_title>
  </publications>
  <publications>
    <link>
      <notes>Publ. p. 100-01, illustrated p. 101, fig. 1; the print source, p. 102, fig. 1a</notes>
      <page>100-02</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-200003003</id>
      <uid>adlib-publication-200003003</uid>
      <uuid>11573bb7-662c-3f88-8d43-9202e761565b</uuid>
    </admin>
    <summary_title>Doccia Porcelain in the Fitzwilliam Museum</summary_title>
  </publications>
  <publications>
    <link>
      <notes>Cf.  p. 134, no. 70 and pl. 200, the wax model for this relief</notes>
      <page>134</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-1259</id>
      <uid>adlib-publication-1259</uid>
      <uuid>11e54f3d-a022-3a0d-829d-eed19240fd5e</uuid>
    </admin>
    <summary_title>Die Modellsammlung der Porzellanmanufaktur Doccia</summary_title>
  </publications>
  <publications>
    <link>
      <notes>Cf. p. 41, figure 21 Jean Baptiste de Poilly after Pierre I. Mignard. Le Printems, c. 1710. Engraving 51.7 x 769.4 cm. British Museum 1951-1-6-21 (may be incorrectly hyphenated). The right side of the engraving and two flying winged figures were omitted; the figures to the left of the putto kneeling with a basket on his head are different. . The bearded herm is not included.</notes>
      <page>35-52</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-200002221</id>
      <uid>adlib-publication-200002221</uid>
      <uuid>1693d3c4-0624-3fc4-a052-73af7c71def5</uuid>
    </admin>
    <summary_title>Two Pieces of Porcelain Decorated by Ignaz Preissler in the J. Paul Getty Museum</summary_title>
  </publications>
  <subjects>
    <link>
      <relation>object name</relation>
      <type>reference</type>
    </link>
    <admin>
      <id>term-67570</id>
      <uid>adlib-term-67570</uid>
      <uuid>4eb45990-2f34-3650-beff-c2c56ea7274c</uuid>
    </admin>
    <summary_title>couch</summary_title>
  </subjects>
  <subjects>
    <link>
      <relation>animal</relation>
      <type>reference</type>
    </link>
    <admin>
      <id>term-106419</id>
      <uid>adlib-term-106419</uid>
      <uuid>6a020a7a-d710-3cb6-af17-8cd664abcf90</uuid>
    </admin>
    <summary_title>bird</summary_title>
  </subjects>
  <subjects>
    <link>
      <type>literal</type>
    </link>
    <name>
      <value>couch</value>
    </name>
    <summary_title>couch</summary_title>
  </subjects>
  <subjects>
    <link>
      <type>literal</type>
    </link>
    <name>
      <value>bird</value>
    </name>
    <summary_title>bird</summary_title>
  </subjects>
  <summary>
    <reference>
      <link>
        <type>reference</type>
      </link>
      <admin>
        <id>term-110143</id>
        <uid>adlib-term-110143</uid>
        <uuid>7880ba6f-ffc7-3954-a9b0-88af32dbff6c</uuid>
      </admin>
      <summary_title>panel</summary_title>
    </reference>
  </summary>
  <summary_title>panel</summary_title>
  <techniques>
    <description>
      <value>greyish-white soft-paste porcelain, press-moulded, and glazed.</value>
    </description>
    <reference>
      <link>
        <type>reference</type>
      </link>
      <admin>
        <id>term-120085</id>
        <uid>adlib-term-120085</uid>
        <uuid>68c62b7c-aaf4-38a5-a1be-4d6c615c0714</uuid>
      </admin>
      <summary_title>press-moulding</summary_title>
    </reference>
  </techniques>
  <title>
    <value>Bacchanale with reclining Ariadne</value>
  </title>
  <type>
    <base>object</base>
    <type>OBJECT</type>
  </type>
</root>
