<?xml version="1.0"?>
<root>
  <admin>
    <added>1592984171000</added>
    <created>1312637261000</created>
    <flag>Standard Record</flag>
    <id>object-15299</id>
    <indexed>1760552786233</indexed>
    <modified>1702908262000</modified>
    <processed>1760552421129</processed>
    <source>adlib</source>
    <stream>fitz-online</stream>
    <uid>adlib-object-15299</uid>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/15299</uri>
    <uuid>dea90039-1bcb-368e-a8bc-e0c82d62f4c0</uuid>
    <version>5</version>
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      <id>agent-131198</id>
      <uid>adlib-agent-131198</uid>
      <uuid>3b1b93a4-84ce-386d-9889-35680d7304df</uuid>
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    <summary_title>Stretch, Matt</summary_title>
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    <link>
      <type>reference</type>
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      <id>agent-153862</id>
      <uid>adlib-agent-153862</uid>
      <uuid>33509660-1263-3fa6-948b-e86a550b2855</uuid>
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    <summary_title>Stretch, Matthew</summary_title>
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      <uid>adlib-agent-153861</uid>
      <uuid>5829274a-6eae-39a2-947f-b714363b5f26</uuid>
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    <summary_title>Stretch, Dan</summary_title>
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      <id>term-108657</id>
      <uid>adlib-term-108657</uid>
      <uuid>c170cd8e-fc63-3446-81a4-6682b5979808</uuid>
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    <summary_title>lead-glazed earthenware</summary_title>
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  <categories>
    <link>
      <type>reference</type>
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      <id>term-42688</id>
      <uid>adlib-term-42688</uid>
      <uuid>4df03958-5ee6-3a50-ada9-491bb6445fdf</uuid>
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    <summary_title>Art Pottery</summary_title>
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          <type>reference</type>
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          <uid>adlib-term-32638</uid>
          <uuid>97b8d1a5-7b8f-3a2a-a275-7d001aeaae2b</uuid>
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        <summary_title>enamel</summary_title>
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      <reference>
        <link>
          <type>reference</type>
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          <uuid>0a28530e-cea8-3d08-b792-a30bf68f524f</uuid>
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        <summary_title>clear glaze</summary_title>
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    <name>Decoration</name>
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          <type>reference</type>
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        <summary_title>painting overglaze</summary_title>
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      <reference>
        <link>
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        <summary_title>glazing</summary_title>
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    <motifs>
      <link>
        <type>reference</type>
      </link>
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        <uid>adlib-term-98314</uid>
        <uuid>6682fa07-596f-3477-929e-249e72303d17</uuid>
      </admin>
      <summary_title>caricature</summary_title>
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  <department>
    <value>Applied Arts</value>
  </department>
  <description>
    <value>Square, white earthenware tile with over-glaze image painted in brown enamel.</value>
  </description>
  <description>
    <value>Two comic figures stand between two tall flowers, between them is a small pear tree and above an upturned horseshoe radiating light. The man on the left wears tight hose and braces; he has a long, ragged moustache and wears glasses and a small hat and gazes off to the upper left. The other man is portly, with mutton-chop whiskers, and wears a guard&#x2019;s uniform with a horseshoe containing a wine glass cap-badge; he is face-forward and saluting. At bottom left is a monogram, &#x2018;MS&#x2019;, and at bottom right the initials &#x2018;D.S&#x2019;. The tile is an industrially produced blank; on the reverse is an impressed diamond pattern.  It is fixed in a (later) wooden frame and stand.</value>
  </description>
  <identifier>
    <accession_number>C.5G-1949</accession_number>
    <primary>1</primary>
    <type>accession number</type>
    <value>C.5G-1949</value>
  </identifier>
  <identifier>
    <priref>15299</priref>
    <type>priref</type>
    <value>15299</value>
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  <identifier>
    <type>uri</type>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/15299</uri>
    <value>https://data.fitzmuseum.cam.ac.uk/id/object/15299</value>
  </identifier>
  <inscription>
    <location>on back of tile</location>
    <method>inscribed on label</method>
    <transcription>
      <value>MATTHEW STRETCH AND DAN (ARTISTS)</value>
    </transcription>
    <type>label</type>
  </inscription>
  <institutions>
    <link>
      <type>reference</type>
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    <admin>
      <id>agent-149638</id>
      <uid>adlib-agent-149638</uid>
      <uuid>7376d833-d0a7-3be0-916e-9c892b7a24d8</uuid>
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    <summary_title>The Fitzwilliam Museum</summary_title>
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    <acquisition>
      <agents>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>agent-151852</id>
          <uid>adlib-agent-151852</uid>
          <uuid>35fa6457-fce0-3704-8fd5-c106f018fd10</uuid>
        </admin>
        <summary_title>Barnard, Dorothy</summary_title>
      </agents>
      <date>
        <earliest>1949</earliest>
        <latest>1949</latest>
        <value>1949</value>
      </date>
      <method>
        <value>bequeathed</value>
      </method>
      <note>
        <value>Entry date: 1949</value>
      </note>
    </acquisition>
    <creation>
      <date>
        <earliest>1880</earliest>
        <era>CE</era>
        <latest>1880</latest>
        <precision>circa</precision>
        <value>1880</value>
      </date>
      <maker>
        <link>
          <role>
            <value>production</value>
          </role>
          <type>reference</type>
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          <id>agent-7301</id>
          <uid>adlib-agent-7301</uid>
          <uuid>23a1696f-3ce8-3d6d-a9dc-4d54905e9daa</uuid>
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        <summary_title>Barnard, Frederick</summary_title>
      </maker>
      <note>
        <value>Fred(erick) Barnard (1846-96), the son of a silversmith, was an illustrator, caricaturist, genre painter and portraitist. After training in Paris, he contributed to journals, such as 'Punch', &#x2018;Harper&#x2019;s Weekly&#x2019; and the 'Illustrated London News' and became known as an illustrator of Dickens and Bunyan. He also showed large-scale canvasses at the Royal Academy which commented on urban social conditions; a reviewer greeted his &#x2018;Saturday Night in the East End&#x2019;, 1876, as amongst &#x2018;the most remarkable illustrations of London low-life [&#x2026;] full of grime and flare, and of human uncouthness&#x2019;.  He settled for a time in Broadway, Gloucestershire, where John Singer Sargent painted his wife Alice Faraday (&#x2018;Mrs Frederick Barnard&#x2019;, 1885), and his two daughters Polly and Dorothy (&#x2018;Carnation, Lily, Lily, Rose&#x2019;, 1885-86) [Tate, nos. N05901 and N01615] , and his neighbours included Henry James and Edmund Gosse, the latter recording him wearing an &#x2018;enormous stage slouch hat&#x2019;. The Fitzwilliam Museum also holds a portrait of Dorothy Barnard, the donor, painted by Sargent in 1889.</value>
      </note>
      <note>
        <value>One of a series of seven tiles, each depicting a fellow contemporary artist, this design is a caricature of both Matt and Dan Stretch; like Barnard they were both painters/illustrators. A pen and ink drawing of William J. Hill (William Hill Jones) (1834-1888), actor, 1876, by Matt Stretch (active 1872-96), is held by the National Portrait Gallery. The image here seems to depict the two (brothers?) as actors</value>
      </note>
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        <link>
          <type>reference</type>
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          <id>term-108070</id>
          <uid>adlib-term-108070</uid>
          <uuid>7e278258-23e3-3d5b-a4ff-ab5ecacb4bf3</uuid>
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        <summary_title>19th Century, Late</summary_title>
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        <link>
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          <id>term-106216</id>
          <uid>adlib-term-106216</uid>
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        <hierarchies>
          <link>
            <type>literal</type>
          </link>
          <name>
            <value>England</value>
          </name>
          <summary_title>England</summary_title>
          <type>country</type>
        </hierarchies>
        <note>
          <value>possibly London</value>
        </note>
        <summary_title>London</summary_title>
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        <id>term-107611</id>
        <uid>adlib-term-107611</uid>
        <uuid>790e5a19-a186-34d5-a16e-2d8dff9f6247</uuid>
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      <summary_title>white earthenware</summary_title>
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    <dimensions>
      <dimension>Height</dimension>
      <units>cm</units>
      <value>15.2</value>
    </dimensions>
    <dimensions>
      <dimension>Width</dimension>
      <units>cm</units>
      <value>15.2</value>
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      <id>media-12448</id>
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            <dimension>height</dimension>
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          <dimensions>
            <dimension>width</dimension>
            <units>pixels</units>
            <value>570</value>
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            <dimension>height</dimension>
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            <dimension>width</dimension>
            <units>pixels</units>
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      <summary_title>tile</summary_title>
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    <type>history note</type>
    <value>Bequeathed by Miss Dorothy Barnard, the artist&#x2019;s daughter</value>
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    <summary_title>tile</summary_title>
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    <summary_title>The Fitzwilliam Museum</summary_title>
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    <summary_title>Dictionary of Artists 1760-1893</summary_title>
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  <publications>
    <link>
      <notes>Ref. For details of Frederick Barnard's contributions to Punch from 1863</notes>
      <page>pp. 518-9</page>
      <type>reference</type>
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    <summary_title>The History of Punch</summary_title>
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    <summary_title>The Royal Academy Exhibitors 1769-1904</summary_title>
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    <summary_title>Dictionnaire des Peintres, Sculpteurs, Dessinateurs et Graveurs</summary_title>
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    <summary_title>Arts and Crafts (movement)</summary_title>
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    <summary_title>illustration</summary_title>
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    <summary_title>straw hat</summary_title>
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    </link>
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    <base>object</base>
    <type>OBJECT</type>
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</root>
