1592999776000 1312637261000 Standard Record object-156441 1755194595476 1754040043000 1755194515997 adlib fitz-online adlib-object-156441 https://data.fitzmuseum.cam.ac.uk/id/object/156441 3820d3ad-ccde-34de-ba66-3809719445c4 11 reference agent-83744 adlib-agent-83744 0425c4cf-7e24-317e-91ee-38840b1cc6aa Magniac, Hollingworth person reference agent-149696 adlib-agent-149696 c1d7b5bf-63d4-3ba4-a080-9810b80bf16c Christ person reference agent-180034 adlib-agent-180034 53452a02-005c-3d51-9863-57eef2d9b8b0 disciple reference term-107563 adlib-term-107563 38dcd825-1de1-3222-82c6-15a95729b5ff enamels reference term-125750 adlib-term-125750 2b10ac09-63c3-34ed-87d5-487058c1c344 Limoges painted enamels reference term-120007 adlib-term-120007 00af7c97-d937-3d5c-a1af-d2a83fe2785b Frank McClean brown, black and white reference term-32638 adlib-term-32638 97b8d1a5-7b8f-3a2a-a275-7d001aeaae2b enamel reference term-39593 adlib-term-39593 e3e2a3f8-2433-3f63-9bcf-e776644d312d gold Decoration rectangular, slightly convex copper plaque with incurved edge on the reverse, the front enamelled en grisaille and brown on a black ground and gilded. The drawing is in black with enlevage. The reverse has clear counter-enamel with a red veined appearance. reference term-28662 adlib-term-28662 dd47e505-ccda-3f2b-b576-6104109430e8 enamelling reference term-28681 adlib-term-28681 c1f659e2-1209-31cf-8ff4-154e11452559 gilding reference term-39588 adlib-term-39588 b17ff981-06b2-30a2-b9a9-b514fe84a191 copper Plaque Applied Arts Copper enamelled in grisaille and brown on a black ground, and gilded. Christ and the twelve apostles are seated at a round table in a polygonal room. Signed '•P•R•’ and dated ‘154Z’ in the right top corner. Rectangular, slightly convex copper plaque with incurved edge on the reverse. Copper, enamelled en grisaille and brown on a black ground and gilded. The drawing is in black with enlevage. The reverse has clear counter-enamel with a red veined appearance, much of the central area covered by a black subsance. The Last Supper is taking place in a polygonal room. It has a brick wall in the middle, two oval windows on either side with a cornice above, and a chandelier in the middle. The twelve disciples are seated round a table with Christ below the chandelier. Two on each side sit with their backs to the viewer on wooden benches with carved scrolling foliage on the sides. The end of one is carved with a reclining putto, and the other with two struggling men. One of the men on the right holds a money bag identifying him as Judas. The floor tiles are decorated alternatively with a heraldic lion and a floral motif on a white ground. Gold is used for Christ’s halo, the string on the money bag, and for a narrow gold line running round the edge of the scene The black border has been painted white. Signed '•P•R•’ and dated ‘154Z’ in brownish-black in the right top corner 223 reference exhibition-3305 adlib-exhibition-3305 534a3247-91a9-398f-abe9-7b419586f568 Feast and Fast: The Art of Food in Europe (1500-1800) M.52-1904 1 accession number M.52-1904 156441 priref 156441 uri https://data.fitzmuseum.cam.ac.uk/id/object/156441 https://data.fitzmuseum.cam.ac.uk/id/object/156441 on front top right corner painted in brownish-black •P•R• maker's mark on front top right corner painted in brownish-black 154Z date reference agent-149638 adlib-agent-149638 7376d833-d0a7-3be0-916e-9c892b7a24d8 The Fitzwilliam Museum Frank McClean Bequest reference agent-172414 adlib-agent-172414 73d94f64-8c0d-30c1-9764-25b005f3ce1d McClean, Frank 1904 1904 1904 bequeathed 1542 CE 1542 dated 1542 enameller reference agent-114217 adlib-agent-114217 d84e37de-af7e-3317-8a55-c97eb4e99bcc Reymond, Pierre This devotional plaque shows The Last Supper which is described in three of the Gospels - Matthew 26, 20-30; Mark 14, 17-26, and Luke 22,14-38 - and is briefly mentioned in St John 13, 1-3. It was Jesus’ final meal before he was crucified, when he commanded his disciples to eat and drink in remembrance of him. The ritual re- enactment of this holy meal – the Eucharist or Holy Communion – became the central act of Christian worship, when the body and blood of Christ (in the form of bread and wine) were consumed for spiritual nourishment. During the Reformation the interpretation of Jesus' words was one of major sources of contention between Catholics and Protestants. The plaque would probably have formed part of a framed series depicting the Passion of Christ which traditionally began with Christ’s entry into Jerusalem on Palm Sunday and ended with his Entombment, but was frequently continued to his Resurrection, or Ascension. Very few groups of grisaille Passion plaques have survived together, so it is not possible to say whether this was part of a large series forming an altar piece for a church, or a smaller group for private devotions. Although clearly influenced by Albrecht Dürer's 'Last Supper in his series of woodcuts known as the 'Small Passion' executed in 1509-10, neither the majority of the figures, nor the setting are the same. The young St John is depicted on the viewer's right of Christ, and not leaning across in front of him as if falling asleep, a chandelier, and a tiled floor have been inserted, and a large flagon has been omitted. Pierre Reymond's earliest enamels were made in the 1530s, and his workshop was to become one of the most prolific in Limoges in the third quarter of the century. Of his grisaille Passion plaques dating from after 1540, the largest group is of six plaques in the Detroit Institute of Arts, all initialled ‘·P·R·’ or ‘P·R’ and three dated ‘1542’, derived from prints by Dürer, Schongauer, Schäufelein, and possibly Monogrammist AG (inv. nos. 21.171-21.176). Although the Fitzwilliam's plaque is a little less high, it is possible that it was once part of the same group. A plaque of the 'Arrest of Christ', also initialled ‘·P·R·’ and dated ‘1542’, in an American private collection, also seems likely to have been from the same series. However, it is also possible that Reymond produced more than one series of Passion plaques in 1542. reference term-120009 adlib-term-120009 690a6332-cfc1-3411-a716-4dd4ec7d9a65 16th Century, second quarter reference term-15498 adlib-term-15498 61725bf5-360f-3837-8aab-3c90b956a537 literal France France country Limoges Height cm 14.9 Width cm 12.4 reference media-136155 adlib-media-136155 5587b0fd-d0bc-3a01-b3c9-32a88e5bd8e7 jpeg aa/aa20/M_52_1904_20_283_29.jpg 1 height pixels 760 width pixels 635 1742591837470 1 image jpeg aa/aa20/mid_M_52_1904_20_283_29.jpg 1 height pixels 598 width pixels 500 1742591837470 1 image jpeg aa/aa20/M_52_1904_20_283_29.jpg 1 height pixels 760 width pixels 635 1742591837470 1 image jpeg aa/aa20/preview_M_52_1904_20_283_29.jpg 1 height pixels 299 width pixels 250 1742591837470 1 image 0 media image reference media-136156 adlib-media-136156 86da3499-690b-33b0-a812-171d234543e9 jpeg aa/aa20/M_52_1904_20_284_29.jpg 1 height pixels 760 width pixels 649 1742591831587 1 image jpeg aa/aa20/mid_M_52_1904_20_284_29.jpg 1 height pixels 586 width pixels 500 1742591831587 1 image jpeg aa/aa20/M_52_1904_20_284_29.jpg 1 height pixels 760 width pixels 649 1742591831587 1 image jpeg aa/aa20/preview_M_52_1904_20_284_29.jpg 1 height pixels 293 width pixels 250 1742591831587 1 image 1 media image reference media-2542556481 portfolio portfolio-media-2542556481 01515bd7-f212-3a38-acd5-5a21935218d9 jpeg portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/505/273/large_M_52_1904_3_200801_mfj22_mas.jpg 1 height pixels 1536 width pixels 1024 1529370847000 1 image jpeg portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/505/273/mid_M_52_1904_3_200801_mfj22_mas.jpg 1 height pixels 750 width pixels 500 1529370847000 1 image M.52-1904_3_200801_mfj22_mas.tif 1529370847000 1 1 image jpeg portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/505/273/preview_M_52_1904_3_200801_mfj22_mas.jpg 1 height pixels 375 width pixels 250 1529370847000 1 image pyramid tiff portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/505/273/M_52_1904_3_200801_mfj22_mas.ptif 1 height pixels 4992 width pixels 3328 1529370847000 1 image 2 media image reference media-3911290751 portfolio portfolio-media-3911290751 1f65796b-33b2-3040-a010-aea16bc16dfc jpeg portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/505/275/large_M_52_1904_4_200801_mfj22_mas.jpg 1 height pixels 1536 width pixels 1024 1529370853000 1 image jpeg portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/505/275/mid_M_52_1904_4_200801_mfj22_mas.jpg 1 height pixels 750 width pixels 500 1529370853000 1 image M.52-1904_4_200801_mfj22_mas.tif 1529370853000 1 1 image jpeg portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/505/275/preview_M_52_1904_4_200801_mfj22_mas.jpg 1 height pixels 375 width pixels 250 1529370853000 1 image pyramid tiff portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/505/275/M_52_1904_4_200801_mfj22_mas.ptif 1 height pixels 4992 width pixels 3328 1529370853000 1 image 3 media image reference media-1865642889 portfolio portfolio-media-1865642889 51f4ad25-2c1a-3106-8b67-0089386b6ad2 jpeg portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/627/946/large_M_52_1904_3_200801_mfj22_dc1.jpg 1 height pixels 1245 width pixels 1024 1550049234000 1 image jpeg portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/627/946/mid_M_52_1904_3_200801_mfj22_dc1.jpg 1 height pixels 608 width pixels 500 1550049234000 1 image jpeg portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/627/946/M_52_1904_3_200801_mfj22_dc1.jpg 1 height pixels 3182 width pixels 2618 1550049234000 1 image jpeg portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/627/946/preview_M_52_1904_3_200801_mfj22_dc1.jpg 1 height pixels 304 width pixels 250 1550049234000 1 image 4 media image reference term-107484 adlib-term-107484 935e21d3-0b7f-3ca6-9987-b79c82e054fd plaque history note Hollingworth Magniac, Colworth, Bedfordshire; his son,Charles Magniac (1827–91); sold Christie’s, 2 ,4-8 and 11-15 July 1892 ,Catalogue of the renowned collection of works of art chiefly formed by the late Hollingworth Magniac Esq. (known as the Colworth Collection, 3rd day, July 5, lot 230, sold for £27.6.0 to Frank McClean, Tonbridge Wells. reference agent-149638 adlib-agent-149638 7376d833-d0a7-3be0-916e-9c892b7a24d8 The Fitzwilliam Museum Publ., p. 110, no. 65, pl. XXII 110 reference publication-4060 adlib-publication-4060 0f6d91a4-87ab-338c-b868-7d56c66bc250 Fitzwilliam Museum, McClean Bequest, Catalogue of the Mediaeval Ivories, Enamels, Jewellery, Gems and Miscellaneous Objects Bequeathed to the Museum by Frank McClean, M.A., F.R.S. Publ. p. 191, fig. 6.15, and p. 252, cat. 223. 191, 252 reference publication-8743 adlib-publication-8743 a86a8f73-aae5-372c-930d-aa215bd02c9b Feast & Fast. The Art of Food in Europe 1500-1800 reference term-10618 adlib-term-10618 9ebc0ae1-8cf8-312b-832c-9cf44da02136 Renaissance named event reference term-110113 adlib-term-110113 3ad0b1d1-980f-3d3a-acf0-86c128f79936 Last Supper literal Last Supper Last Supper

reference term-107484 adlib-term-107484 935e21d3-0b7f-3ca6-9987-b79c82e054fd plaque

plaque object OBJECT