<?xml version="1.0"?>
<root>
  <admin>
    <added>1592997036000</added>
    <created>1312637261000</created>
    <flag>Standard Record</flag>
    <id>object-156456</id>
    <indexed>1747160603581</indexed>
    <modified>1711379454000</modified>
    <processed>1747159409017</processed>
    <source>adlib</source>
    <stream>fitz-online</stream>
    <uid>adlib-object-156456</uid>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/156456</uri>
    <uuid>db8b28cb-144b-36e1-b6c2-b960b5e05a5e</uuid>
    <version>8</version>
  </admin>
  <categories>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>term-107563</id>
      <uid>adlib-term-107563</uid>
      <uuid>38dcd825-1de1-3222-82c6-15a95729b5ff</uuid>
    </admin>
    <summary_title>enamels</summary_title>
  </categories>
  <component>
    <materials>
      <reference>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-28681</id>
          <uid>adlib-term-28681</uid>
          <uuid>c1f659e2-1209-31cf-8ff4-154e11452559</uuid>
        </admin>
        <summary_title>gilding</summary_title>
      </reference>
    </materials>
    <name>Decoration</name>
    <techniques>
      <note>
        <value>in dark blue, dark green, turquoise, red, and white</value>
      </note>
      <reference>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-28662</id>
          <uid>adlib-term-28662</uid>
          <uuid>dd47e505-ccda-3f2b-b576-6104109430e8</uuid>
        </admin>
        <summary_title>enamelling</summary_title>
      </reference>
    </techniques>
    <techniques>
      <reference>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-28681</id>
          <uid>adlib-term-28681</uid>
          <uuid>c1f659e2-1209-31cf-8ff4-154e11452559</uuid>
        </admin>
        <summary_title>gilding</summary_title>
      </reference>
    </techniques>
  </component>
  <department>
    <value>Applied Arts</value>
  </department>
  <description>
    <value>Copper, enamelled and gilt</value>
  </description>
  <description>
    <value>Copper, enamelled in dark blue, dark green, turquoise, red, and white, and gilded. Circular with a broad rim, slightly upturned at the edge, a deep curved well, with a slightly convex central medallion, standing on a footring. The central medallion is decorated with a gold rosette on a dark green ground. The sides of the well are white decorated in gold with a circle of wavy rays and a scrolling foliated line enclosing palmettes with turquoise centres. The dark blue rim is decorated with gold scrolls and palmettes with turquoise or red centres. The outer edge is white with gold slanting lines over it to resemble knurling on metalwork. The centre of the back is white, decorated in gold with a star formed by eight leaves, surrounded by scattered stars. The sides and rim are dark blue scattered with gold stars, and are edged with borders of small scalloped gold swags round the footring, shoulder and outer edge</value>
  </description>
  <identifier>
    <accession_number>M.16-1951</accession_number>
    <primary>1</primary>
    <type>accession number</type>
    <value>M.16-1951</value>
  </identifier>
  <identifier>
    <priref>156456</priref>
    <type>priref</type>
    <value>156456</value>
  </identifier>
  <identifier>
    <type>uri</type>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/156456</uri>
    <value>https://data.fitzmuseum.cam.ac.uk/id/object/156456</value>
  </identifier>
  <inscription>
    <description>
      <value>circular paper label</value>
    </description>
    <location>on back of rim</location>
    <method>hand-written in black ink</method>
    <transcription>
      <value>'Venetian Enamel/dish/c 1520/&#xA3;25' and '877cAJ'</value>
    </transcription>
    <type>label</type>
  </inscription>
  <inscription>
    <description>
      <value>rectangular paper label; the words GLORIA ANTICA are in larger letters than the rest of the label; the address is in the lower right corner of the label and the telephone number at top left; the rest of the text is in the middle</value>
    </description>
    <location>on back of rim opposite to the other label</location>
    <method>printed in black</method>
    <transcription>
      <value>TEL.: KENSINGTON 0367/GLORIA ANTICA/MEMBER OF THE BRITISH ANTIQUE/DEALERS ASSOCIATION/170 BROMPTON ROAD,/LONDON, S.W. 3</value>
    </transcription>
    <type>label</type>
  </inscription>
  <institutions>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>agent-149638</id>
      <uid>adlib-agent-149638</uid>
      <uuid>7376d833-d0a7-3be0-916e-9c892b7a24d8</uuid>
    </admin>
    <summary_title>The Fitzwilliam Museum</summary_title>
  </institutions>
  <legal>
    <credit_line>Purchased with the Leverton Harris Fund</credit_line>
  </legal>
  <lifecycle>
    <acquisition>
      <agents>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>agent-178518</id>
          <uid>adlib-agent-178518</uid>
          <uuid>d4fd2f4a-22d5-33e4-8998-9459bf471b16</uuid>
        </admin>
        <summary_title>Messrs. Gloria Antica (London)</summary_title>
      </agents>
      <date>
        <earliest>1951</earliest>
        <latest>1951</latest>
        <value>1951-08-02</value>
      </date>
      <method>
        <value>bought</value>
      </method>
    </acquisition>
    <creation>
      <date>
        <earliest>1500</earliest>
        <from>
          <earliest>1500</earliest>
          <era>CE</era>
          <latest>1500</latest>
          <precision>circa</precision>
          <value>1500</value>
        </from>
        <latest>1525</latest>
        <range>1</range>
        <to>
          <earliest>1525</earliest>
          <era>CE</era>
          <latest>1525</latest>
          <value>1525</value>
        </to>
      </date>
      <maker>
        <link>
          <qualifier>possibly</qualifier>
          <role>
            <value>maker</value>
          </role>
          <type>reference</type>
        </link>
        <admin>
          <id>agent-159932</id>
          <uid>adlib-agent-159932</uid>
          <uuid>8e09fac5-9ce5-3a1f-8d07-45f48dec536a</uuid>
        </admin>
        <summary_title>uncertain</summary_title>
      </maker>
      <note>
        <value>The shape of the bowl is similar to maiolica tondini of the same period.</value>
      </note>
      <periods>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-124749</id>
          <uid>adlib-term-124749</uid>
          <uuid>3cb14eef-9414-324c-8abb-f4e5e0d52ff1</uuid>
        </admin>
        <summary_title>16th Century, Early</summary_title>
      </periods>
      <places>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-106508</id>
          <uid>adlib-term-106508</uid>
          <uuid>f7f1399b-d092-3a3d-8f96-c3aee3ad8fd5</uuid>
        </admin>
        <hierarchies>
          <link>
            <type>literal</type>
          </link>
          <name>
            <value>Italy</value>
          </name>
          <summary_title>Italy</summary_title>
          <type>country</type>
        </hierarchies>
        <hierarchies>
          <link>
            <type>literal</type>
          </link>
          <name>
            <value>Tuscany</value>
          </name>
          <summary_title>Tuscany</summary_title>
          <type>region</type>
        </hierarchies>
        <summary_title>Florence</summary_title>
      </places>
    </creation>
  </lifecycle>
  <materials>
    <note>
      <value>dark blue, dark green, turquoise, red, and white</value>
    </note>
    <reference>
      <link>
        <type>reference</type>
      </link>
      <admin>
        <id>term-32638</id>
        <uid>adlib-term-32638</uid>
        <uuid>97b8d1a5-7b8f-3a2a-a275-7d001aeaae2b</uuid>
      </admin>
      <summary_title>enamel</summary_title>
    </reference>
  </materials>
  <materials>
    <note>
      <value>presumed as not visible</value>
    </note>
    <reference>
      <link>
        <type>reference</type>
      </link>
      <admin>
        <id>term-39588</id>
        <uid>adlib-term-39588</uid>
        <uuid>b17ff981-06b2-30a2-b9a9-b514fe84a191</uuid>
      </admin>
      <summary_title>copper</summary_title>
    </reference>
  </materials>
  <measurements>
    <dimensions>
      <dimension>Diameter</dimension>
      <units>cm</units>
      <value>19.8</value>
    </dimensions>
    <dimensions>
      <dimension>Diameter</dimension>
      <units>in</units>
      <value>7 3/4</value>
    </dimensions>
    <dimensions>
      <dimension>Height</dimension>
      <units>cm</units>
      <value>3.9</value>
    </dimensions>
    <dimensions>
      <dimension>Height</dimension>
      <units>in</units>
      <value>1  9/16</value>
    </dimensions>
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      <id>media-136177</id>
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        <type>main title</type>
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    <sort>3</sort>
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        <value>Venetian enamelled bowl or tondino (base)</value>
      </title>
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      <base>media</base>
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  </name>
  <note>
    <type>history note</type>
    <value>Purchased from Gloria Antica, 170 Brompton Road, London, SW3.</value>
  </note>
  <owners>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>agent-149638</id>
      <uid>adlib-agent-149638</uid>
      <uuid>7376d833-d0a7-3be0-916e-9c892b7a24d8</uuid>
    </admin>
    <summary_title>The Fitzwilliam Museum</summary_title>
  </owners>
  <publications>
    <link>
      <notes>Publ. Vol. II, p. 82, no. 7. This volume provides a Corpus of all the located examples of this type of enamelling. Cf. p. 82, no. 6, an example in the Louvre (R 283); p, 81, no. 5, an example in the Hermitage (F1545)</notes>
      <page>82</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-8619</id>
      <uid>adlib-publication-8619</uid>
      <uuid>63f26cd0-64fc-369b-b85a-425ffcc076b1</uuid>
    </admin>
    <summary_title>I Rami smaltati detti Veneziani del Rinascinmento italiano. Les Cuivres &#xE9;maill&#xE9;s dits V&#xE9;nitiens de la Renaissance italienne, 2 vols</summary_title>
  </publications>
  <publications>
    <link>
      <notes>Cf. objects decorated in a similar technique: pp. 4-6, no. 3, a bowl and cover, and pp. 6-7, no. 4, a candlestick, and pp. 6-7 a reliquary, and p. 8, no. 6 the body of a globular vase, the first dated late 15th century and the others c. 1500</notes>
      <page>6-7</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-6021</id>
      <uid>adlib-publication-6021</uid>
      <uuid>6dafbb49-bc39-3d0c-b5ad-634dbead2cf0</uuid>
    </admin>
    <summary_title>The Walters Art Gallery, Catalogue of the Painted Enamels of the Renaissance</summary_title>
  </publications>
  <publications>
    <link>
      <notes>Cf. p. 13, lot 15, a dish with a comparable design (but possibly not identical in shape), 19.7 cm in diameter. Estimate &#xA3;7-10,000; fetched &#xA3;</notes>
      <page>13</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-2192</id>
      <uid>adlib-publication-2192</uid>
      <uuid>10d8557f-f1ca-3bc5-806b-e0314d4e7b30</uuid>
    </admin>
    <summary_title>Important European Sculpture and Works of Art</summary_title>
  </publications>
  <publications>
    <link>
      <notes>Ref. This article provides the results of scientific analyses of the enamel (glass) on this group of vessels, and that of Venetian, Tuscan, and other Italian glass of the period, and concludes that they are unlikely to have been made in Venice, but possibly in Tuscany</notes>
      <page>233-54</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-200003192</id>
      <uid>adlib-publication-200003192</uid>
      <uuid>7b01a833-b04f-38fd-91a7-d3d6c1f2f4c6</uuid>
    </admin>
    <summary_title>The So-called Venetian Enamelled Copper Artworks of the italian Renaissance: the Technology and Provenance of the Enamels - an Analytical approach</summary_title>
  </publications>
  <publications>
    <link>
      <notes>Ref. Vol. I of book. The author suggests revising the attribution of this group of enamels to Florence from Venice, on the basis of various points which he discusses</notes>
      <page>55-69</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-200003193</id>
      <uid>adlib-publication-200003193</uid>
      <uuid>434f2749-6b77-3f94-a53c-972735bc114d</uuid>
    </admin>
    <summary_title>Venetian Enamels: The Case for Florence</summary_title>
  </publications>
  <school_or_style>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>term-10618</id>
      <uid>adlib-term-10618</uid>
      <uuid>9ebc0ae1-8cf8-312b-832c-9cf44da02136</uuid>
    </admin>
    <summary_title>Renaissance</summary_title>
  </school_or_style>
  <summary>
    <reference>
      <link>
        <type>reference</type>
      </link>
      <admin>
        <id>term-125345</id>
        <uid>adlib-term-125345</uid>
        <uuid>044a81eb-350e-3229-9e5e-72ab4fb784aa</uuid>
      </admin>
      <summary_title>bowl with broad rim</summary_title>
    </reference>
  </summary>
  <summary_title>bowl with broad rim</summary_title>
  <techniques>
    <description>
      <value>copper, enamelled in dark blue, dark green, turquoise, red, and white, and gilded</value>
    </description>
    <reference>
      <link>
        <type>reference</type>
      </link>
      <admin>
        <id>term-28810</id>
        <uid>adlib-term-28810</uid>
        <uuid>c6a00cef-33f7-3107-8666-d791bd49707c</uuid>
      </admin>
      <summary_title>raising (metal forming process)</summary_title>
    </reference>
  </techniques>
  <type>
    <base>object</base>
    <type>OBJECT</type>
  </type>
</root>
