IDENTIFIERS
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id:	156459
accession number:	M.112-1961

DATE AUDIT
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created:	Saturday 6 August 2011
updated:	Tuesday 26 March 2024

DESCRIPTIVE DATA
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object type: Rectangular slightly convex copper plaque, enamelled in bright blue, dark blue, turquoise, green, yellow, tan-brown, mulberry, purple grey, black, and white, and gilded. The reverse has clear counter-enamel with slight cloudiness here and there, over scratched criss-crossed lines and small groups of horizontal lines.

Christ hangs on the Cross with a titulus inscribed ‘INRI’ in black. Blood streams from his wounds, and he wears a green crown of thorns, and a white loin cloth which billows out on either side of the Cross. Above there are four cherubs' heads, and, on the left the sun, and on the right, the crescent moon with a face. Lower down on each side there is a group of three cherubs' heads amid clouds. The blue sky is scattered with tiny gold stars. The repentant sinner, St Disma, hangs peacefully on a cross on the left. His soul is shown above his cross as a small nude figure being lifted to heaven by two angels. The urepentant sinner hangs contortedly on a rustic cross on the right. His soul is shown above being seized by a green devil. 
On each side of the Cross, there is a crowd with three horsemen on the left and two on the right. One on the left, St Longinus, spears Christ’s side, and another holds a billowing flag. On the extreme left is a man holds a standard with a helmet below, and, on a panel beneath it, the date ‘1536’ in black. Closer to the Cross a youth holding a pole with a panel inscribed ‘.VENI’. On the right of the Cross a man holds a pole with a tabella ansata initialled ‘LL.’. St Mary Magdalene kneels at the foot of the Cross which has a skull on the grass in front of it. In the left foreground, the swooning Virgin Mary is supported by Mary (the mother of James?) and St John. In the foreground to right are three men fighting over Christ’s garment, and in the lower right corner, two playing cards, and three dice on the ground. A panel at bottom centre, is signed ‘LEONARDVS/ LEMOVICVS/.1536’.In the landscape background there are is a large dark blue town or palace, a column of soldiers, and on the right, bushy turquoise trees.  Gilding is used to outline and shade the costume, for the poles and standards, and the graining on the wood of the central Cross. 
The cast gilt-metal alloy frame, is decorated with acanthus leaves alternating with circular cabochon-like motifs, and has at top centre two winged putti holding a coronet over a ducal crown (?). The panel is held in position on the back by flat copper strips soldered to the frame.
object type: Copper enamelled in polychrome and gilded. The Crucifixion,  signed ‘LEONARDVS/ LEMOVICVS/.1536’.
title:	plaque

NOTES
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type: history note
value: Probably Mr Spalding by whom presented to George Spencer, 4th Duke of Marlborough in 1793; if not, before 1862, John Spencer-Churchill, 7th Duke of Marlborough(1822-1883); offered for sale Christie’s, 14 June 1883, Catalogue of the choice collection of Limoges enamels, from Blenheim Palace; comprising upwards of eighty specimens including works of Susanne de Court, Jean Courtois, J. Laudin, F. Limousin, L. Limousin, J. Penicaud, P. Reymond, and other celebrated artists; also a beautiful old Sèvres table, p. 12, lot 58; unsold at £310; uncertain; Louis C.G. Clarke, MA, LL.D., Cambridge.


LICENSING
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text license status:	CC0
image license status:	CC-BY-NC-SA

OWNERSHIP
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instutition: The Fitzwilliam Museum
department: Applied Arts
collection:	Louis C. G. Clarke
creditline: Louis.C.G. Clarke Bequest, 1960

STABLE URL
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url:	https://data.fitzmuseum.cam.ac.uk/id/object/156459

PEOPLE
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Spencer-Churchill, John, 7th Duke of Marlborough (1822–1883)
Christ
Virgin Mary
Mary Magadalene
St John
St Longinus
St Disma

SUBJECTS
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prayer
The Crucifixion
horse
The Crucifixion
horse



CATEGORIES
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category: enamels
category: Limoges painted enamels

DATING
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creation date:	1536 - 1536
creation date earliest:	1536
creation date latest:	1536
culture:	16th Century, second quarter

CREATORS
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maker: Limosin, Léonard


EXHIBITIONS HISTORY
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title:	Catalogue of the Special Loan Exhibition of Enamels on Metal
CITATIONS
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Catalogue Raisonné: or, a List of the Pictures in Blenheim Palace; with Occasional Remarks and Illustrative Notes, Part I and Part II
Catalogue of the Special Loan Exhibition of Enamels on Metal held at the South Kensington Museum London in 1874
Catalogue of the choice collection of Limoges enamels, from Blenheim Palace; comprising upwards of eighty specimens including works of Susanne de Court, Jean Courtois, J. Laudin, F. Limousin, L. Limousin, J. Penicaud, P. Reymond, and other celebrated artists; also a beautiful old Sèvres table
Limoges. Musée muncipal, Une Crucifixion de Léonard Limosin
Zur Auktion der Sammlung M. V. Nemes, II Die Plastik und das Kunstgewerbe
Sammlung Marczell von Nemes, 2 Textilien, Skulpturen, Kunstgewerbe
Enamels the XII to the XVI Century,  a special exhibition at The Martin d’Arcy Gallery of Art
The Nelson-Atkins Museum of Art. A Handbook of the Collection
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