1592999789000 1312637261000 Temporary Record object-160909 1760552740627 1760544830000 1760552515359 adlib fitz-online adlib-object-160909 https://data.fitzmuseum.cam.ac.uk/id/object/160909 49e629c6-44f8-3e35-8b29-34c26270f88c 6 reference term-98032 adlib-term-98032 82c0807b-e8e4-3d5c-ac68-1a6390880fea print English Whatman 140lb Ivory hand made paper 1960 - from artist's own store. Torn and deckle edges reference term-106206 adlib-term-106206 da969d02-66a2-3e51-8dde-d1d8613f2ff6 paper Support Height mm 415 Width mm 415 Plate Paintings, Drawings and Prints P.37-2007 1 accession number P.37-2007 160909 priref 160909 uri https://data.fitzmuseum.cam.ac.uk/id/object/160909 https://data.fitzmuseum.cam.ac.uk/id/object/160909 reference agent-149638 adlib-agent-149638 7376d833-d0a7-3be0-916e-9c892b7a24d8 The Fitzwilliam Museum reference agent-175347 adlib-agent-175347 b61cbc19-4863-3321-95ea-85174788d44a The Print Studio, Cambridge 2007 2007 2007 given 2006 CE 2006 2006 printmaker reference agent-42703 adlib-agent-42703 5b415c88-1895-390b-b337-addd5b095c0f Evans, Merlyn Oliver printer reference agent-163401 adlib-agent-163401 3ff77b0a-57fa-3708-b596-2eda734419b5 Gresham, Kip publisher reference agent-180731 adlib-agent-180731 391f13f3-36ef-356b-af7b-a675945c733c The Estate of Merlyn Oliver Evans Edition size 25 (restrikes). Copper plate approx. 2mm thick. Wax covering removed from plate before printing. Decisively worked plate with variable depths in the line work. Lack of technical sophistication in landscape paralleled by crudity of resulting area of image. printed well with graphic chemical intense black ink. a degree of retroussage prob. necessary for truly black image, followed by wiping wiht cotton buds. regular wipe with scrim and tissue gives a good, black, contrasting impression. Whatman paper required at least 2 hours curing in damp book, palest aquatint demands soft white wove - printed well on moulin du gue paper but this was too white. Printed edition: paper softened for 2 days in damp book for even distribution of moisture. inked, scrim wipe clean first then dirty handwipe for plate tone, spot wiped highlights. run with medium pressure and very clean/stiff blankets - one fronting and two thick felts - 28 good copies and 10 experimental pulls achieved reference term-148130 adlib-term-148130 50d21878-bc33-3217-b1cd-1939728d5533 2000s reference term-106176 adlib-term-106176 fb9c829a-d80e-3bb8-bab9-991a7b1a1977 Cambridge (Cambs.) reference term-106215 adlib-term-106215 ebdec595-b7b5-36bb-8a1b-c8d12b4537af coloured ink reference term-98032 adlib-term-98032 82c0807b-e8e4-3d5c-ac68-1a6390880fea print reference agent-149638 adlib-agent-149638 7376d833-d0a7-3be0-916e-9c892b7a24d8 The Fitzwilliam Museum reference term-9168 adlib-term-9168 6b0c59e1-73cc-3b5c-8e54-56f42806ba6f British

reference term-98032 adlib-term-98032 82c0807b-e8e4-3d5c-ac68-1a6390880fea print

print Multi-layered aquatint with pepperpot aquatint. Very specific stopping out to generate highlights. Some small burnishing in the chessboard. reference term-99807 adlib-term-99807 6a23afb4-3d15-3ece-a1f8-29cd185df9ca etching reference term-100239 adlib-term-100239 be1c2c35-9e01-3daa-988a-e38a95c705f2 aquatint reference term-106262 adlib-term-106262 0639d805-2da6-3112-b472-7de9d05b1d84 drypoint object OBJECT