15929970560001312637261000Standard Recordobject-166814170957539838217095638530001709575396019fitz-onlineadlib-object-166814https://data.fitzmuseum.cam.ac.uk/id/object/16681478b0fe19-6d00-32bf-a794-240f6c81b58324referenceterm-114522adlib-term-11452276be19ae-554e-3b73-af2d-112e09263aafmanuscriptManuscripts and Printed BooksJude the Obscure has an iconic status in the history of English literature. A key example of the so-called New Fiction, the transitional stage in the development of the English novel between the Victorian and the modern era, it is representative of fin de siècle anxieties. Indeed, Hardy saw Jude the Obscure as the greatest among his ‘novels of character and environment,’ a story ‘of a deadly war waged between flesh and spirit.’
This autograph manuscript, now bound as one volume, is Hardy’s handwritten, fair copy of the text. But when Jude was first published in serial form between December 1894 and November 1895 in the English and European editions of Harper’s New Monthly Magazine, he was forced to make numerous and substantial changes to avoid scandalizing its family audience. He entered the changes in blue or green ink on this manuscript, and made it clear that the changes were for this specific purpose only, writing on the first page: ‘Alterations and deletions in blue and green are for the serial publication only and have no authority beyond.’ When the text was published in book form in 1896, he reversed many of the changes. (See the proof copy of Jude the Obscure, also in our collections: PB 7-2008).
The Fitzwilliam acquired this manuscript in 1911, after Sydney Cockerell, Director (1908-1937), set himself the task of creating a collection of literary manuscripts unique in the context of fine art museums. He wrote to Thomas Hardy asking him to ‘give one of his manuscripts to the Fitzwilliam’, and was invited to Max Gate, Hardy’s ‘modern villa’ outside Dorchester. Cockerell’s diary records that ‘He received me most kindly and I spent a couple of hours with him talking about Morris, architecture etc.’. In fact, Cockerell became Hardy’s literary executor and distributed his manuscripts among leading public institutions, choosing for the Fitzwilliam this autograph manuscript of Jude the Obscure, and his 1911 collection of poems, Times’ Laughingstock.15-080referenceexhibition-3315adlib-exhibition-331536578f86-1273-3840-aed2-973e3e65e938The Human Touch: Making Art, Leaving TracesMS 1-19111accession numberMS 1-1911166814priref166814urihttps://data.fitzmuseum.cam.ac.uk/id/object/166814https://data.fitzmuseum.cam.ac.uk/id/object/166814referenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam Museumreferenceagent-164264adlib-agent-16426448457cb1-2fa9-35ee-ab75-7a420ed5fecfHardy, Thomas (writer)191119111911given1894CE1894circa1894authorreferenceagent-164264adlib-agent-16426448457cb1-2fa9-35ee-ab75-7a420ed5fecfHardy, Thomas (writer)Heightclosed: h. 275 x w. 232 x d. 70 mmreferencemedia-167318adlib-media-16731821ad4821-bcf6-3ddb-af63-c57b8c12a3d8jpegmsspb/msspb5/MS_201_1911_20_28p1_29.jpg1heightpixels760widthpixels54116162446849081imagejpegmsspb/msspb5/mid_MS_201_1911_20_28p1_29.jpg1heightpixels702widthpixels50016162446849081imagejpegmsspb/msspb5/MS_201_1911_20_28p1_29.jpg1heightpixels760widthpixels54116162446849081imagejpegmsspb/msspb5/preview_MS_201_1911_20_28p1_29.jpg1heightpixels351widthpixels25016162446849081image0media
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imagereferenceterm-102714adlib-term-10271464d419d3-02d0-313d-82de-e1a6c070d8c1novelreferenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam Museum238referencepublication-382adlib-publication-382ee5148de-e3eb-3d38-88db-9a331edf70b6Treasures of the Fitzwilliam Museumreferenceterm-102714adlib-term-10271464d419d3-02d0-313d-82de-e1a6c070d8c1novelnovelJude the obscure: autograph manuscriptobject
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