{"admin":{"added":1592997056000,"created":1312637261000,"flag":"Standard Record","id":"object-166814","indexed":1758564088788,"modified":1758534214000,"processed":1758564086831,"source":"adlib","stream":"fitz-online","uid":"adlib-object-166814","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/166814","uuid":"78b0fe19-6d00-32bf-a794-240f6c81b583","version":29},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-114522","uid":"adlib-term-114522","uuid":"76be19ae-554e-3b73-af2d-112e09263aaf"},"summary_title":"manuscript"}],"department":{"value":"Manuscripts and Printed Books"},"description":[{"value":"Jude the Obscure has an iconic status in the history of English literature. A key example of the so-called New Fiction, the transitional stage in the development of the English novel between the Victorian and the modern era, it is representative of fin de si\u00e8cle anxieties. Indeed, Hardy saw Jude the Obscure as the greatest among his \u2018novels of character and environment,\u2019 a story \u2018of a deadly war waged between flesh and spirit.\u2019 \n\nThis autograph manuscript, now bound as one volume,  is Hardy\u2019s handwritten, fair copy of the text. But when Jude was first published in serial form between December 1894 and November 1895 in the English and European editions of Harper\u2019s New Monthly Magazine, he was forced to make numerous and substantial changes to avoid scandalizing its family audience. He entered the changes in blue or green ink on this manuscript, and made it clear that the changes were for this specific purpose only, writing on the first page: \u2018Alterations and deletions in blue and green are for the serial publication only and have no authority beyond.\u2019  When the text was published in book form in 1896, he reversed many of the changes. (See the proof copy of Jude the Obscure, also in our collections: PB 7-2008).\n\nThe Fitzwilliam acquired this manuscript in 1911, after Sydney Cockerell, Director (1908-1937), set himself the task of creating a collection of literary manuscripts unique in the context of fine art museums. He wrote to Thomas Hardy asking him to \u2018give one of his manuscripts to the Fitzwilliam\u2019, and was invited to Max Gate, Hardy\u2019s \u2018modern villa\u2019 outside Dorchester. Cockerell\u2019s diary records that \u2018He received me most kindly and I spent a couple of hours with him talking about Morris, architecture etc.\u2019. In fact, Cockerell became Hardy\u2019s literary executor and distributed his manuscripts among leading public institutions, choosing for the Fitzwilliam this autograph manuscript of Jude the Obscure, and his 1911 collection of poems, Times\u2019 Laughingstock."}],"exhibitions":[{"@link":{"catalogue":"15-080","type":"reference"},"admin":{"id":"exhibition-3315","uid":"adlib-exhibition-3315","uuid":"36578f86-1273-3840-aed2-973e3e65e938"},"summary_title":"The Human Touch: Making Art, Leaving Traces"}],"identifier":[{"accession_number":"MS 1-1911","primary":true,"type":"accession number","value":"MS 1-1911"},{"priref":"166814","type":"priref","value":"166814"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/166814","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/166814"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam 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