15929998540001312637261000Standard Recordobject-176544170197594203516944437910001701975718976fitz-onlineadlib-object-176544https://data.fitzmuseum.cam.ac.uk/id/object/17654425504e9c-c5e5-3d52-b4ed-405cd3a9e0ed20referenceagent-149674adlib-agent-149674de1bf9dd-2091-39ca-85f6-41e736f6e32bMarlay, Charles Brinsleyreferenceagent-186174adlib-agent-186174104c51d2-d0b0-3b69-9f90-d7bfddca3633Whitehead, Thomas Millerreferenceagent-101772adlib-agent-10177291c6be71-bfc2-3abe-8410-db6a791a3f7eOttley, William Youngreferenceterm-110558adlib-term-110558ee824bc5-8d70-3060-824d-9ed6f392557billuminated manuscriptreferenceterm-114522adlib-term-11452276be19ae-554e-3b73-af2d-112e09263aafmanuscriptreferenceterm-130282adlib-term-1302827c727b47-7c5f-347c-b1e7-06a3998a6218Charles Brinsley Marlayreferenceterm-118780adlib-term-118780c5f3b968-f763-357a-b740-9f216e114859parchmentSupportManuscripts and Printed BooksPHYSICAL DESCRIPTION: Parchment, trimmed initial 230 x 165 mm, three lines of fragmentary text ruled in plummet and three four-line musical staves ruled in red ink on reverse.
CONTENTS: The initial introduced the Introit to the Mass on Palm Sunday, D[omine ne longe facias auxilium tuum a me]; fragmentary text on reverse, Sis pius ac… / …tu et nos fi… /…llus. V[ersiculum] Te.
DECORATION: Historiated initial in blue with delicate white floral pattern and fleshy acanthus on burnished gold background: [D] Entry into Jerusalem.
ORNAMENTATION: Two one-line pen-flourished initials on reverse, S in blue with red pen-flourishing and T in red with blue pen-flourishing.5referenceexhibition-2154adlib-exhibition-21540fbf8320-0359-3282-ac35-0ad1beeb0f7fCatalogue of a Series of Illuminations from Manuscripts principally of the Italian and French Schools46referenceexhibition-184adlib-exhibition-18401cf4a69-a350-33c8-90b7-8b927b8aca41Early Italian Paintings and Works of Art 1300-148047referenceexhibition-2188adlib-exhibition-21889a850e5f-3233-32c7-af19-629d05ff52d0Splendours of Italian Illumination: Romanesque - Gothic - Renaissancereferenceexhibition-2180adlib-exhibition-2180770d7892-890a-3e95-be91-381a6a37b700Cambridge 1991Marlay cutting It. 201accession numberMarlay cutting It. 20176544priref176544project ID1371urihttps://data.fitzmuseum.cam.ac.uk/id/object/176544https://data.fitzmuseum.cam.ac.uk/id/object/176544referenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam Museumreferenceagent-149674adlib-agent-149674de1bf9dd-2091-39ca-85f6-41e736f6e32bMarlay, Charles Brinsley191219121912bequeathed14101410CE1410circa1410142011420CE1420circa1420artistreferenceagent-30632adlib-agent-30632578051de-855f-3393-9c2c-74638cedd372Cortese, Cristofororeferenceterm-129558adlib-term-129558ffe0eb02-6912-3542-9eda-247f41ecbe8115th Century, Early#referenceterm-106518adlib-term-106518e3082340-b0d5-357a-ab15-283024f9bed7Venicereferenceterm-39593adlib-term-39593e3e2a3f8-2433-3f63-9bcf-e776644d312dgoldreferencemedia-158514adlib-media-158514a0c37013-ee12-3f38-bf35-9da91595b0ddjpegmsspb/msspb3/Marlay_20Cutting_20It__2020.jpg1heightpixels760widthpixels57016162696475051imagejpegmsspb/msspb3/mid_Marlay_20Cutting_20It__2020.jpg1heightpixels667widthpixels50016162696475051imagejpegmsspb/msspb3/Marlay_20Cutting_20It__2020.jpg1heightpixels760widthpixels57016162696475051imagejpegmsspb/msspb3/preview_Marlay_20Cutting_20It__2020.jpg1heightpixels333widthpixels25016162696475051image0media
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imagereferenceterm-130535adlib-term-1305354ad7f1bf-4ccf-3c0b-8d8b-a7f57d26b491cutting (manuscript)sub-categoryreferenceterm-103868adlib-term-10386886801a7d-79a3-340a-a7d8-bad1e86333d3gradualtype of texthistory noteWilliam Young Ottley (1771-1836); inscription in black ink on reverse containing the subject matter, dating the initial to c.1490 and identifying the initial as from the ‘Ottley collection’; numbers and codes on reverse: ‘79’ in pencil, ‘K’ in black ink, ‘2390’ in black ink, ‘2398 – ku’ in pencil; Thomas Miller Whitehead, acquired by 1885; (1831-1912), Charles Brinsley Marlay (1831-1912), acquired in April 1886; his bequest, 1912.referenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam Museumreference numberliteralnameCambridge IlluminatedCambridge Illuminatedreferencepublication-6755adlib-publication-6755c13ecf3c-20b4-3ab0-981f-2361291f9a21Catalogue of a Series of Illuminations from Mss. Principally of the Italian and French Schoolsreferencepublication-6945adlib-publication-6945547c013e-0a8d-30fb-9ff9-93b9ed765dc7Early Italian Paintings and Works of Art, 1300-1480referencepublication-7879adlib-publication-78795320a5c5-b056-32fa-a5f8-916332a53e8cA Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge Colleges. Part Two. Vols. 1-2: Italy and the Iberian Peninsulareferencepublication-7221adlib-publication-7221cf5c7e68-4005-3066-a22b-a1c7429b1e40Cristoforo Cortese in Cambridge113-14referencepublication-3460adlib-publication-346013e67102-3524-3de8-b0a6-4f35db4197adA descriptive catalogue of the additional illuminated manuscripts in the Fitzwilliam Museumreferenceterm-130535adlib-term-1305354ad7f1bf-4ccf-3c0b-8d8b-a7f57d26b491cutting (manuscript)cutting (manuscript)referenceterm-113770adlib-term-1137709b7e390e-403f-33c7-a177-ce0d74ea82b3penworkreferenceterm-25908adlib-term-2590873499d13-1ec4-30b6-aed9-641f768c023billuminationHistoriated initial from a Gradualobject
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