IDENTIFIERS
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id:	176555
accession number:	Marlay cutting It. 81

DATE AUDIT
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created:	Saturday 6 August 2011
updated:	Thursday 3 September 2020

DESCRIPTIVE DATA
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object type: PHYSICAL DESCRIPTION: Parchment, 110 x 108 mm, two musical staves ruled in red ink, two fragmentary lines of text.

CONTENTS: On reverse, part of the antiphon to the Magnificat for the third day of the third week of Advent, [Elevare, elevare consurge Jerusalem so]lve vincula [colli tui ca]ptiva filia [Sion] (Is. 52:2); the initial, which would have been on the recto of the original leaf, would have introduced the responsory to the first lesson for the third day of the week in the third week of Advent, Aegypte noli flere, quia dominator tuus veniet tibi.

DECORATION: Historiated initial in graded pink on gold ground: [A] The Redeemer appears to two prophets.
title:	cutting (manuscript)

NOTES
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type: history note
value: Pencil note ‘No 10’ on reverse


LICENSING
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text license status:	CC0
image license status:	CC-BY-NC-SA

OWNERSHIP
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instutition: The Fitzwilliam Museum
department: Manuscripts and Printed Books
collection:	Charles Brinsley Marlay

STABLE URL
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url:	https://data.fitzmuseum.cam.ac.uk/id/object/176555

PEOPLE
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Marlay, Charles Brinsley




TECHNIQUES
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penwork
TECHNIQUES
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illumination

CATEGORIES
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category: illuminated manuscript
category: manuscript

DATING
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creation date:	1368 - 1368
creation date earliest:	1368
creation date latest:	1368
culture:	14th Century, third quarter#

CREATORS
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maker: Associate of  Nicolò di Giacomo


EXHIBITIONS HISTORY
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title:	Splendours of Italian Illumination: Romanesque - Gothic - Renaissance
title:	Early Italian Paintings from the Museum's Collection including Drawings and Illuminated Manuscripts
CITATIONS
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A Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge Colleges. Part Two. Vols. 1-2: Italy and the Iberian Peninsula
A descriptive catalogue of the additional illuminated manuscripts in the Fitzwilliam Museum
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