IDENTIFIERS
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id:	176723
accession number:	Marlay cutting It. 66

DATE AUDIT
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created:	Saturday 6 August 2011
updated:	Wednesday 2 September 2020

DESCRIPTIVE DATA
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object type: PHYSICAL DESCRIPTION: Parchment, 200 x 211 mm (Marlay cutting It. 65) and 189 x 210 mm (Marlay cutting It. 66), both reverse sides obscured by paper mounts, traces of musical staves ruled in red ink and fragmentary text with ruling in brown ink on rectos.

CONTENTS: The initial would have introduced the responsory at Matins for the feast of St Andrew Apostle, Dum perambularet Dominus iuxta mare Galiliaeae, vidit Petrum et Andream (Rom 10:4), or the introit to the Mass for the feast of the Vigil of St Andrew, Dominus secus mare galilaea.

DECORATION: Historiated initial formed of complex foliate motifs and a cherub’s face with wings: [D] Christ calling Saints Peter and Andrew.

ORNAMENTATION: Traces of black penwork flourishing to text.
title:	cutting (manuscript)

NOTES
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type: history note
value: Possibly from the collection of Pierre-Henri Gélis-Didot (1853-1902); not yet identified in the multi-part lots in his sale, Paris 12-13 April 1897


LICENSING
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text license status:	CC0
image license status:	CC-BY-NC-SA

OWNERSHIP
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instutition: The Fitzwilliam Museum
department: Manuscripts and Printed Books
collection:	Charles Brinsley Marlay

STABLE URL
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url:	https://data.fitzmuseum.cam.ac.uk/id/object/176723

PEOPLE
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Marlay, Charles Brinsley
Didot, Pierre-Henri Gélis




TECHNIQUES
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illumination

CATEGORIES
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category: illuminated manuscript
category: manuscript

DATING
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creation date:	1490 - 1490
creation date earliest:	1490
creation date latest:	1490
culture:	15th Century, Late

CREATORS
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maker: Libri, Girolamo dai


EXHIBITIONS HISTORY
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title:	Miniatura Veronese del Rinascimento
title:	Splendours of Italian Illumination
title:	Early Italian Paintings from the Museum's Collection including Drawings and Illuminated Manuscripts
CITATIONS
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Die italienischen Miniaturen des 13.-16. Jahrhunderts
Miniatura Veronese del Rinascimento
A Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge Colleges. Part Two. Vols. 1-2: Italy and the Iberian Peninsula
A descriptive catalogue of the additional illuminated manuscripts in the Fitzwilliam Museum
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