<?xml version="1.0"?>
<root>
  <admin>
    <added>1592999866000</added>
    <created>1312637261000</created>
    <flag>Standard Record</flag>
    <id>object-178423</id>
    <indexed>1755194565286</indexed>
    <modified>1731925990000</modified>
    <processed>1755194515997</processed>
    <source>adlib</source>
    <stream>fitz-online</stream>
    <uid>adlib-object-178423</uid>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/178423</uri>
    <uuid>5b4ca196-fcc8-37d2-bc49-e7c9f498abff</uuid>
    <version>13</version>
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      <id>agent-149807</id>
      <uid>adlib-agent-149807</uid>
      <uuid>e699d770-0f16-32bf-b0b1-da62f9118c29</uuid>
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    <summary_title>Cunliffe, Leonard Daneham</summary_title>
  </agents>
  <agents>
    <link>
      <note>
        <value>his sale, Sotheby&#x2019;s London, 12 July 1927, lot 11; purchased for &#xA3;340 by Colnaghi for Leonard D. Cunliffe (d. 1937)</value>
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      <type>reference</type>
    </link>
    <admin>
      <id>agent-186887</id>
      <uid>adlib-agent-186887</uid>
      <uuid>6bbec3ea-2b1e-30f3-944c-3339aa81cf15</uuid>
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    <summary_title>Holford, Sir George</summary_title>
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  <agents>
    <link>
      <note>
        <value>Probably belonged to William Young Ottley (1771-1836) and may have been sold at his sale, Sotheby&#x2019;s, London, 11 May 1838, as part of lot 76; in a French collection by the nineteenth century (&#x2018;Joubert&#x2019; stamped on the red damask backing of the frame in which the initial arrived at the Museum in 1937, round label inscribed &#x2018;L.D.l. B 45&#x2019; glued onto damask);</value>
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      <type>reference</type>
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    <admin>
      <id>agent-101772</id>
      <uid>adlib-agent-101772</uid>
      <uuid>91c6be71-bfc2-3abe-8410-db6a791a3f7e</uuid>
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    <summary_title>Ottley, William Young</summary_title>
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  <categories>
    <link>
      <type>reference</type>
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    <admin>
      <id>term-110558</id>
      <uid>adlib-term-110558</uid>
      <uuid>ee824bc5-8d70-3060-824d-9ed6f392557b</uuid>
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    <summary_title>illuminated manuscript</summary_title>
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  <categories>
    <link>
      <type>reference</type>
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    <admin>
      <id>term-114522</id>
      <uid>adlib-term-114522</uid>
      <uuid>76be19ae-554e-3b73-af2d-112e09263aaf</uuid>
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    <summary_title>manuscript</summary_title>
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    <materials>
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        <link>
          <type>reference</type>
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        <admin>
          <id>term-118780</id>
          <uid>adlib-term-118780</uid>
          <uuid>c5f3b968-f763-357a-b740-9f216e114859</uuid>
        </admin>
        <summary_title>parchment</summary_title>
      </reference>
    </materials>
    <name>Support</name>
  </component>
  <department>
    <value>Manuscripts and Printed Books</value>
  </department>
  <description>
    <value>PHYSICAL DESCRIPTION: Parchment, 183 x 180 mm, two four-line staves ruled in red ink and two lines of fragmentary text on reverse, largely obscured by paper to which they were formerly pasted.

CONTENTS: Part of the second antiphon at Vespers for Trinity Sunday, [Laus et perenni]s glo[ria Deo Patri et Filio], on reverse; the initial G would have introduced the first antiphon, Gloria tibi Trinitas.

DECORATION: Historiated initial formed of stylized acanthus and architectural motifs on burnished gold ground: [G, height of two musical staves and two text lines] Throne of Mercy with heavenly choir, the Father&#x2019;s triangular halo is inscribed with the initials P[ater], F[ilius] and S[piritus sanctus].</value>
  </description>
  <exhibitions>
    <link>
      <catalogue>73</catalogue>
      <type>reference</type>
    </link>
    <admin>
      <id>exhibition-2173</id>
      <uid>adlib-exhibition-2173</uid>
      <uuid>1caff4ef-e9a4-3982-967d-32795da4698d</uuid>
    </admin>
    <summary_title>Miniatura Veronese del Rinascimento</summary_title>
  </exhibitions>
  <exhibitions>
    <link>
      <catalogue>62</catalogue>
      <type>reference</type>
    </link>
    <admin>
      <id>exhibition-2188</id>
      <uid>adlib-exhibition-2188</uid>
      <uuid>9a850e5f-3233-32c7-af19-629d05ff52d0</uuid>
    </admin>
    <summary_title>Splendours of Italian Illumination: Romanesque - Gothic - Renaissance</summary_title>
  </exhibitions>
  <exhibitions>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>exhibition-2186</id>
      <uid>adlib-exhibition-2186</uid>
      <uuid>db900a05-1c83-3211-adaa-83b15518aa23</uuid>
    </admin>
    <summary_title>Early Italian Paintings from the Museum's Collection including Drawings and Illuminated Manuscripts</summary_title>
  </exhibitions>
  <identifier>
    <accession_number>MS 378</accession_number>
    <primary>1</primary>
    <type>accession number</type>
    <value>MS 378</value>
  </identifier>
  <identifier>
    <priref>178423</priref>
    <type>priref</type>
    <value>178423</value>
  </identifier>
  <identifier>
    <source>Cambridge Illuminated</source>
    <type>project ID</type>
    <value>3530</value>
  </identifier>
  <identifier>
    <type>uri</type>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/178423</uri>
    <value>https://data.fitzmuseum.cam.ac.uk/id/object/178423</value>
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  <institutions>
    <link>
      <type>reference</type>
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    <admin>
      <id>agent-149638</id>
      <uid>adlib-agent-149638</uid>
      <uuid>7376d833-d0a7-3be0-916e-9c892b7a24d8</uuid>
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    <summary_title>The Fitzwilliam Museum</summary_title>
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    <acquisition>
      <agents>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>agent-149807</id>
          <uid>adlib-agent-149807</uid>
          <uuid>e699d770-0f16-32bf-b0b1-da62f9118c29</uuid>
        </admin>
        <summary_title>Cunliffe, Leonard Daneham</summary_title>
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      <date>
        <earliest>1937</earliest>
        <latest>1937</latest>
        <value>1937</value>
      </date>
      <method>
        <value>bequeathed</value>
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    </acquisition>
    <creation>
      <date>
        <earliest>1540</earliest>
        <from>
          <earliest>1540</earliest>
          <era>CE</era>
          <latest>1540</latest>
          <precision>circa</precision>
          <value>1540</value>
        </from>
        <latest>1550</latest>
        <range>1</range>
        <to>
          <earliest>1550</earliest>
          <era>CE</era>
          <latest>1550</latest>
          <precision>circa</precision>
          <value>1550</value>
        </to>
      </date>
      <maker>
        <link>
          <role>
            <value>artist</value>
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          <type>reference</type>
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          <id>agent-186230</id>
          <uid>adlib-agent-186230</uid>
          <uuid>90715260-0088-3335-bedb-f71b3230e4d3</uuid>
        </admin>
        <summary_title>Libri, Girolamo dai</summary_title>
      </maker>
      <periods>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-120009</id>
          <uid>adlib-term-120009</uid>
          <uuid>690a6332-cfc1-3411-a716-4dd4ec7d9a65</uuid>
        </admin>
        <summary_title>16th Century, second quarter</summary_title>
      </periods>
      <places>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-106404</id>
          <uid>adlib-term-106404</uid>
          <uuid>bdec486e-4482-3aec-9785-0ff286880b8f</uuid>
        </admin>
        <summary_title>Verona</summary_title>
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    </creation>
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      <reference>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-39593</id>
          <uid>adlib-term-39593</uid>
          <uuid>e3e2a3f8-2433-3f63-9bcf-e776644d312d</uuid>
        </admin>
        <summary_title>gold</summary_title>
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      <type>reference</type>
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    <admin>
      <id>media-2411120226</id>
      <source>portfolio</source>
      <uid>portfolio-media-2411120226</uid>
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      <base>media</base>
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      <id>media-3741712127</id>
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      <base>media</base>
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    <type>history note</type>
    <value>Probably belonged to William Young Ottley (1771-1836) and may have been sold at his sale, Sotheby&#x2019;s, London, 11 May 1838, as part of lot 76; in a French collection by the nineteenth century (&#x2018;Joubert&#x2019; stamped on the red damask backing of the frame in which the initial arrived at the Museum in 1937, round label inscribed &#x2018;L.D.l. B 45&#x2019; glued onto damask); Sir George Holford (1860-1926); his sale, Sotheby&#x2019;s London, 12 July 1927, lot 11; purchased for &#xA3;340 by Colnaghi for Leonard D. Cunliffe (d. 1937)</value>
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      <type>reference</type>
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    <summary_title>The Fitzwilliam Museum</summary_title>
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      <type>literal</type>
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      <type>reference</type>
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      <uid>adlib-publication-7012</uid>
      <uuid>01da6cb8-f81a-3d75-a8f3-15bd44e47633</uuid>
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    <summary_title>Die italienischen Miniaturen des 13.-16. Jahrhunderts</summary_title>
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    <link>
      <type>reference</type>
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    <admin>
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      <uid>adlib-publication-6933</uid>
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    <summary_title>The Wildenstein Collection of Illuminations: The Lombard School</summary_title>
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    <summary_title>A Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge Colleges. Part Two. Vols. 1-2: Italy and the Iberian Peninsula</summary_title>
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    <summary_title>A descriptive catalogue of the additional illuminated manuscripts in the Fitzwilliam Museum</summary_title>
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      <summary_title>cutting (manuscript)</summary_title>
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      <summary_title>illumination</summary_title>
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  <title>
    <value>Historiated initial from an Antiphoner</value>
  </title>
  <type>
    <base>object</base>
    <type>OBJECT</type>
  </type>
</root>
