15929998920001312637261000Standard Recordobject-181235170197596149815991416400001701975719084fitz-onlineadlib-object-181235https://data.fitzmuseum.cam.ac.uk/id/object/181235a671608f-2239-3adc-8d4c-f50b96b25bfd8referenceagent-149674adlib-agent-149674de1bf9dd-2091-39ca-85f6-41e736f6e32bMarlay, Charles Brinsleyreferenceagent-187279adlib-agent-18727913b9c67c-1b3e-32cb-9b8f-40c4602bb8c9Wiesböck, Carlreferenceterm-110558adlib-term-110558ee824bc5-8d70-3060-824d-9ed6f392557billuminated manuscriptreferenceterm-114522adlib-term-11452276be19ae-554e-3b73-af2d-112e09263aafmanuscriptreferenceterm-130282adlib-term-1302827c727b47-7c5f-347c-b1e7-06a3998a6218Charles Brinsley MarlayManuscripts and Printed BooksPHYSICAL DESCRIPTION: Parchment, 91 x 100 mm, one four-line musical stave ruled in red ink, one line of fragmentary text ruled in pale brown ink.
CONTENTS: On reverse, fragmentary text from the Matins Hymn, Virginis proles, for the Common for the Nativity of a Virgin, [et comp]ar tibi [utriusque semper]; the initial, which would have been on the verso of the leaf, introduced the antiphon for the psalms of the first nocturn at Matins for the feast of the Commemoration of St Clare (12 Aug.), O quam pulcra est casta generation; the office for St Clare was mostly taken from the Common of the Nativity of a Virgin.
DECORATION: Historiated initial in pink and green with foliate motifs on a square ground of solid gold: [O] St Clare.40referenceexhibition-2188adlib-exhibition-21889a850e5f-3233-32c7-af19-629d05ff52d0Splendours of Italian Illumination: Romanesque - Gothic - RenaissanceMarlay cutting It. 821accession numberMarlay cutting It. 82181235priref181235project ID1422urihttps://data.fitzmuseum.cam.ac.uk/id/object/181235https://data.fitzmuseum.cam.ac.uk/id/object/181235referenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam Museumreferenceagent-149674adlib-agent-149674de1bf9dd-2091-39ca-85f6-41e736f6e32bMarlay, Charles Brinsley191219121912bequeathed1450CE1450circa1450referenceterm-118913adlib-term-118913da4525bb-b265-33e3-960f-8c1e70f808ea15th Century, Mid#referenceterm-118780adlib-term-118780c5f3b968-f763-357a-b740-9f216e114859parchmentreferenceterm-39593adlib-term-39593e3e2a3f8-2433-3f63-9bcf-e776644d312dgoldreferenceterm-130535adlib-term-1305354ad7f1bf-4ccf-3c0b-8d8b-a7f57d26b491cutting (manuscript)sub-categoryreferenceterm-129790adlib-term-129790f5678158-0020-3cf6-bc58-a9645425e77dantiphonertype of texthistory noteCarl Wiesböck (signature on verso: C. Wiesbochus 1845); pencil note No 8 on verso; Charles Brinsley Marlay (1831-1912); his bequest, 1912.referenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam Museumreference numberliteralnameCambridge IlluminatedCambridge Illuminatedreferencepublication-7879adlib-publication-78795320a5c5-b056-32fa-a5f8-916332a53e8cA Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge Colleges. Part Two. Vols. 1-2: Italy and the Iberian Peninsula142referencepublication-3460adlib-publication-346013e67102-3524-3de8-b0a6-4f35db4197adA descriptive catalogue of the additional illuminated manuscripts in the Fitzwilliam Museumreferenceterm-130535adlib-term-1305354ad7f1bf-4ccf-3c0b-8d8b-a7f57d26b491cutting (manuscript)cutting (manuscript)referenceterm-113770adlib-term-1137709b7e390e-403f-33c7-a177-ce0d74ea82b3penworkreferenceterm-25908adlib-term-2590873499d13-1ec4-30b6-aed9-641f768c023billuminationInitial from an Antiphonerobject
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