15929911030001331126939000Standard Recordobject-186309170249414808116080412610001702494117301fitz-onlineadlib-object-186309https://data.fitzmuseum.cam.ac.uk/id/object/18630978f9b0fc-9f3e-3d66-9393-bbeb8eebd43610referenceterm-42825adlib-term-42825858e5d17-b554-33d6-936f-25b16f72f39dstonewarebluereferenceterm-34794adlib-term-34794de23d2db-1e19-38a6-9db0-80f062e799caslipSurfaceApplied ArtsHand-built stoneware clay, sanded and coated with vitrifying blue slip sprayed on to achieve an even colourC.1-20121accession numberC.1-2012186309priref186309201220122012-05-24Entry Form Number1068urihttps://data.fitzmuseum.cam.ac.uk/id/object/186309https://data.fitzmuseum.cam.ac.uk/id/object/186309referenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam MuseumGift of Nicholas and Judith Goodison through The Art Fundreferenceagent-156032adlib-agent-1560323aded83c-6f5c-39b8-a50c-07f712e01b2cGoodison, Nicholas and Judith201220122012-03-05givenGiven by Sir Nicholas and Judith Goodison through the Art Fund2011CE20112011sculptorreferenceagent-188565adlib-agent-18856578107741-f7ce-31aa-a224-a7fc88a4c738Rasmussen, MereteText from object entry in A. Game (2016) ‘Contemporary British Crafts: The Goodison Gift to the Fitzwilliam Museum’. London: Philip Wilson Publishers: Merete Rasmussen studied at Designskolen Kolding in Denmark before establishing her studio in London in 2005. She hand-builds clay sculptures which explore the ways in which space is animated through physical form. A particular characteristic of her work is the complex curved form that, like a Möbius strip, appears to have only one edge. Pieces are given even surfaces of strong colour to emphasise the visual affect and she cites the fluid forms of Danish modernism as an influence together with an interest in the structures of the natural world.referenceterm-109891adlib-term-109891ad6efeb2-90e2-3107-ada3-8348ed09c40f21st Century, Earlyreferenceterm-107700adlib-term-1077008f5360fb-b262-3ae9-8942-b81cc0e3e848Elizabeth IIreferenceterm-106216adlib-term-106216825b8379-ec94-388e-9a59-624e40c090d0literalEnglandEnglandcountryLondonreferenceterm-42825adlib-term-42825858e5d17-b554-33d6-936f-25b16f72f39dstonewareDiametercm52.5Heightcm31Lengthcm57.5referencemedia-192128adlib-media-192128f676cd6f-5226-37a5-a8cf-0ac720efb4b0jpegaa/aa30/C_1_2012_201203_adn21_dc1.jpg1heightpixels764widthpixels102416162857887171imagejpegaa/aa30/mid_C_1_2012_201203_adn21_dc1.jpg1heightpixels373widthpixels50016162857887171imagejpegaa/aa30/C_1_2012_201203_adn21_dc1.jpg1heightpixels764widthpixels102416162857887171imagejpegaa/aa30/preview_C_1_2012_201203_adn21_dc1.jpg1heightpixels187widthpixels25016162857887171image0media
imagereferenceterm-113583adlib-term-11358373c59440-1406-3c5d-b0a6-69fcbf111c14ceramic formceramic sculpturehistory noteSarah Myerscough Gallery, 15-16 Brooks Mews, London, W1K 4DS, from whom purchased in January 2012 by Nicholas and Judith Goodisonreferenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam MuseumPubl. pp. 236-7, no. 95, object description, illustration, and maker's biographyno. 95236-237referencepublication-8258adlib-publication-825871d79ea2-2385-305e-9044-fbb0cde9ffe7Contemporary British Crafts: The Goodison Gift to The Fitzwilliam Museumreferenceterm-113583adlib-term-11358373c59440-1406-3c5d-b0a6-69fcbf111c14ceramic formceramic formbluereferenceterm-120058adlib-term-1200589e43c4bc-1f48-3a76-b4ea-7075449f5addslip-coatingcoilingreferenceterm-121339adlib-term-121339fe31cda6-a5d3-310d-a0e7-facf379d7f84hand-buildingBlue Twisted Form, 2011object
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