IDENTIFIERS
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id:	209497
accession number:	Marlay cutting Fr. 14a

DATE AUDIT
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created:	Tuesday 1 November 2016
updated:	Wednesday 2 September 2020

DESCRIPTIVE DATA
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object type: One of twelve leaves from Hours

PHYSICAL DESCRIPTION: parchment 170 x 110 mm (120 x 60 mm), 34 long lines ruled in faint red ink on reverse

SCRIPT: Gothic bookhand (textualis) 

CONTENTS:
Compline, continuing on reverse

DECORATION:
Large miniature, framed by marble pillars, with the opening words of the liturgical office inscribed beneath on white trompe-l’oeil scrolls: (recto) Compline, Coronation of the Virgin

ORNAMENTATION
Gold and silver initials on red and maroon grounds; gold and silver line-fillers on red and maroon grounds; one-sided borders in the outer margins, predominantly in gold and silver on red and silver grounds incorporating wild men, floral sprays and acanthus on text pages; rubrics in blue; capitals highlighted in yellow
title:	cutting (manuscript)

NOTES
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type: history note
value: Charles Brinsley Marlay (1831-1912); his bequest, 1912


LICENSING
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text license status:	CC0
image license status:	CC-BY-NC-SA

OWNERSHIP
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instutition: The Fitzwilliam Museum
department: Manuscripts and Printed Books
creditline: Bequeathed by Charles Brinsley Marlay

STABLE URL
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url:	https://data.fitzmuseum.cam.ac.uk/id/object/209497





TECHNIQUES
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illumination

CATEGORIES
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category: illuminated manuscript
category: manuscript

DATING
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creation date:	1500 - 1520
creation date earliest:	1500
creation date latest:	1520
culture:	16th Century

CREATORS
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maker: Master of Martainville 183


EXHIBITIONS HISTORY
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title:	Colour: The Art and Science of Illuminated Manuscripts
CITATIONS
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Colour: The Art and Science of Illuminated Manuscripts
A descriptive catalogue of the additional illuminated manuscripts in the Fitzwilliam Museum
‘I would be only too happy to collaborate’: François Avril on Cambridge Manuscripts
---
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