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    <uid>adlib-object-223081</uid>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/223081</uri>
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    <summary_title>Studio Ceramics</summary_title>
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    <summary_title>ceramic</summary_title>
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    <name>Decoration</name>
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        <summary_title>painting</summary_title>
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        <summary_title>burnishing</summary_title>
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        <summary_title>polishing</summary_title>
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  <department>
    <value>Applied Arts</value>
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  <description>
    <value>Pinched clay vessel, decorated with slips and burnished.</value>
  </description>
  <description>
    <value>Wide bowl, hand-built by pinching, with thin, gently curved walls rising from a small rounded base to a wide open mouth., the whole not quite symmetrical. Layers of coloured slip are painted over the surface, inside and outside. The vessel has been burnished, low-fired to around 1000oc and lightly polished with beeswax.</value>
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  <identifier>
    <accession_number>C.47-2017</accession_number>
    <primary>1</primary>
    <type>accession number</type>
    <value>C.47-2017</value>
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  <identifier>
    <priref>223081</priref>
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    <value>223081</value>
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  <identifier>
    <source>The Fitzwilliam Museum, Department of Applied Art</source>
    <type>Entry form no.</type>
    <value>1346</value>
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  <identifier>
    <type>uri</type>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/223081</uri>
    <value>https://data.fitzmuseum.cam.ac.uk/id/object/223081</value>
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  <inscription>
    <location>undersid of base</location>
    <method>rectangular paper label printed in black</method>
    <transcription>
      <value>E O 138</value>
    </transcription>
    <type>label</type>
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    <summary_title>The Fitzwilliam Museum</summary_title>
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  <legal>
    <credit_line>Given by Nicholas and Judith Goodison through The Art Fund</credit_line>
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    <acquisition>
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        <summary_title>Goodison, Nicholas and Judith</summary_title>
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      <date>
        <earliest>2017</earliest>
        <latest>2017</latest>
        <value>2017-11-20</value>
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      <method>
        <value>given</value>
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      <date>
        <earliest>2010</earliest>
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          <earliest>2010</earliest>
          <era>CE</era>
          <latest>2010</latest>
          <precision>circa</precision>
          <value>2010</value>
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        <latest>2017</latest>
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          <earliest>2017</earliest>
          <era>CE</era>
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        <summary_title>Owen, Elspeth</summary_title>
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        <value>Elspeth Owen (b.1938), came to ceramics after a BA in modern history at Oxford and engagement with the Women&#x2019;s Movement in the 1970s. She lives in Grantchester, near Cambridge. Elspeth produces pinched pots, each from a single ball of clay, which are then finished with subtly coloured slips, burnished, fired (sometimes with smoke) and polished. Her delicate open bowls, pillows and jars explore form, texture, tactility and colour. Finely balanced on small rounded bases, their body and surface suggest natural materials, landscape or perhaps egg-shell. She describes the thin permeable walls as &#x2018;suggesting a link between inside and outside which has &#x2018;fluency and ease. Water can seep in and out. A breath might pass through'.  She chooses not to mark her pots.</value>
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        <summary_title>21st Century, Early</summary_title>
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        <summary_title>Elizabeth II</summary_title>
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        <summary_title>Grantchester</summary_title>
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      <summary_title>clay</summary_title>
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      <summary_title>bowl</summary_title>
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    <value>Oxford Ceramics Gallery, 29 Walton St, Oxford, from where purchased by the donors</value>
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    <summary_title>Finding One's Way With Clay: Creating Pinched Pottery and Working With Colored Clays</summary_title>
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      <summary_title>pinching</summary_title>
    </reference>
  </techniques>
  <type>
    <base>object</base>
    <type>OBJECT</type>
  </type>
</root>
