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    <summary_title>Jones, Owen</summary_title>
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    <summary_title>Studio Ceramics</summary_title>
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        <summary_title>enamels</summary_title>
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          <id>term-31526</id>
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        <summary_title>glazes</summary_title>
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    <name>Decoration</name>
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        <summary_title>glazing</summary_title>
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        <summary_title>enamelling</summary_title>
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        <summary_title>drawing</summary_title>
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    <value>Moulded ceramic bowl, carved and decorated with hand drawn patterns, matt glazes and  enamel decals in orange-red, amber and blue. On square, orange plinth.</value>
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  <description>
    <value>Hemispherical bowl with carved rim, decorated with line, colour and enamel decals on the inside, suggesting rounded elements fused together. The surface shapes are matt orange-red, matt dark blue with a shiny dark blue centre, and natural ceramic colour circles and rounded petals of shiny amber. The rounded underside of the bowl sits in a concave indentation in the top of a low, square plinth, which is coloured all over in matt orange.</value>
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    <summary_title>Collect 2018</summary_title>
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    <accession_number>C.10 &amp; A-2018</accession_number>
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    <type>accession number</type>
    <value>C.10 &amp; A-2018</value>
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    <priref>223222</priref>
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    <date>
      <earliest>2018</earliest>
      <latest>2018</latest>
      <value>2018-06-07</value>
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    <source>Fitzwilliam Museum</source>
    <type>Entry form number</type>
    <value>1357</value>
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    <summary_title>The Fitzwilliam Museum</summary_title>
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    <credit_line>Given by Nicholas and Judith Goodison through the Art Fund</credit_line>
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        <summary_title>Goodison, Nicholas and Judith</summary_title>
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        <earliest>2018</earliest>
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          <earliest>2016</earliest>
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          <latest>2016</latest>
          <precision>circa</precision>
          <value>2016</value>
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        <latest>2017</latest>
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          <latest>2017</latest>
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        <summary_title>Priest, Frances</summary_title>
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        <value>Frances Priest (b.1976) studied ceramics in Edinburgh and set up her studio there in 1999. Her early work included slip-cast bone-china geometric forms incised with dark lines, superseded by dynamic paired slab-built forms (see C.3A &amp; B-2004).</value>
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        <value>This piece is typical of her more recent oeuvre, which explores languages of ornament from different cultures, places and periods in history, and is part of a series which takes its name from Owen Jones&#x2019; book &#x2018;The Grammar of Ornament&#x2019;, 1856. Priest draws on the saturated colours of buildings she saw on her own travels in South West India and Jones&#x2019; Indian Ornament motifs to create playful form and surface. She uses clay as a canvas on which to build richly drawn and layered surfaces of inlaid line, glaze colour and enamel decals. The decoration sits on top of the off-white clay vessel, whilst creating an illusion of individual coloured clay elements fused together.</value>
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        <summary_title>21st Century, Early</summary_title>
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        <summary_title>Edinburgh</summary_title>
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      <summary_title>bowl</summary_title>
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    <value>Bought from Craft Scotland, 15 Coburg St, Leith, Edinburgh, on 8 March 2018, by donors</value>
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    <summary_title>ceramic form</summary_title>
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      <notes>Cf. &#x2018;Tall Double Curve&#x2019;, 2004, with text.</notes>
      <page>146-7</page>
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    <summary_title>Contemporary British Crafts: The Goodison Gift to The Fitzwilliam Museum</summary_title>
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    <summary_title>Capturing Decorative Art - The Work of Frances Priest</summary_title>
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  <summary_title>bowl</summary_title>
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      <value>Moulded ceramic bowl, carved and decorated with hand drawn patterns, matt glazes and  enamel decals in orange-red, amber and blue. On square, orange plinth.</value>
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  <title>
    <value>Gathering Places - Grammar of Ornament &#x2013; India i</value>
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    <type>OBJECT</type>
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