1593000279000 1578573200000 Standard Record object-240134 1747159822756 1673432102000 1747159409017 adlib fitz-online adlib-object-240134 https://data.fitzmuseum.cam.ac.uk/id/object/240134 9c159e14-5b82-3e8b-8bea-c2476d6f44e5 6 reference term-98032 adlib-term-98032 82c0807b-e8e4-3d5c-ac68-1a6390880fea print Paintings, Drawings and Prints After the portrait by Sir Joshua Reynolds (Probably painted in 1776; exh. R.A., 1777, no.283, as 'Portrait of a Lady; whole length'; Mannings 104; Tate Britain, 3343). Catherine Moore married Sir Charles Bampfylde of Poltimore in Devon in 1776. Standing full-length to front, within a parkland landscape, head turned towards the left, looking slightly downwards. Left elbow rests upon a stone block to the right and right arm reaches outwards slightly. She wears an elaborate wig topped with a scarf and plait looped over her right shoulder. A string of pearls around her neck and bunched at the breast. A shawl billows around her arms over a pale gown. A stem of Madonna lilies grow in the foreground to the right. P.15106-R 1 accession number P.15106-R 240134 priref 240134 Goodwin (Watson) 36.II Chaloner Smith 2.II Gainsborough and Reynolds (British Museum) 124 uri https://data.fitzmuseum.cam.ac.uk/id/object/240134 https://data.fitzmuseum.cam.ac.uk/id/object/240134 reference agent-149638 adlib-agent-149638 7376d833-d0a7-3be0-916e-9c892b7a24d8 The Fitzwilliam Museum Bequeathed by Charles Brinsley Marlay, 1912 reference agent-149674 adlib-agent-149674 de1bf9dd-2091-39ca-85f6-41e736f6e32b Marlay, Charles Brinsley 1912 1912 1912 bequeathed 1779 1779 1779-05-01 1779 printmaker reference agent-171884 adlib-agent-171884 7f1d9815-82f3-34f0-92dc-ff7393b206e5 Watson, Thomas publisher reference agent-171884 adlib-agent-171884 7f1d9815-82f3-34f0-92dc-ff7393b206e5 Watson, Thomas publisher reference agent-36643 adlib-agent-36643 4d5bc3c1-c7f9-321b-8d82-058d4dc67859 Dickinson, William after painter reference agent-114271 adlib-agent-114271 caff4b6f-c91d-36a3-b2ab-38cf4c81da19 Reynolds, Joshua Mezzotint. Proof before title. Trimmed within the platemark, publication line missing. Engraved below the image to left: 'Painted by Sir Joshua Reynolds.' and right: 'Engraved by Thomas Watson.' Inscribed on the verso in graphite: 'Fine Print'; 'Lady Bampfylde' and print references. See same state BM 1902,1011.6533 with untrimmed publication line as given in Chaloner Smith/Goodwin: 'London Publish'd May 1.st 1779, for Watson & Dickinson, No. 158 New Bond Street.' reference term-136481 adlib-term-136481 ff114b08-4aa4-38d7-be1c-bf772a6edbea 18th Century reference term-98032 adlib-term-98032 82c0807b-e8e4-3d5c-ac68-1a6390880fea print reference agent-149638 adlib-agent-149638 7376d833-d0a7-3be0-916e-9c892b7a24d8 The Fitzwilliam Museum reference term-9168 adlib-term-9168 6b0c59e1-73cc-3b5c-8e54-56f42806ba6f British

reference term-98032 adlib-term-98032 82c0807b-e8e4-3d5c-ac68-1a6390880fea print

print reference term-29420 adlib-term-29420 cdde8bbf-3351-30b6-a408-35afb32359aa mezzotint object OBJECT