{"admin":{"added":1593000278000,"created":1579615796000,"flag":"Standard Record","id":"object-240162","indexed":1747246372063,"modified":1711380609000,"processed":1747245849311,"source":"adlib","stream":"fitz-online","uid":"adlib-object-240162","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/240162","uuid":"8d1154ee-7213-3aca-ad6e-8331226b05d1","version":6},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-42825","uid":"adlib-term-42825","uuid":"858e5d17-b554-33d6-936f-25b16f72f39d"},"summary_title":"stoneware"},{"@link":{"type":"reference"},"admin":{"id":"term-42692","uid":"adlib-term-42692","uuid":"68c2b295-0e5f-3e4e-ac86-2aebb8653b91"},"summary_title":"Studio Ceramics"}],"component":[{"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-32652","uid":"adlib-term-32652","uuid":"82d8ae3b-f165-395c-ba93-dfa1c282b7be"},"summary_title":"glaze"}}],"name":"Exterior","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-27616","uid":"adlib-term-27616","uuid":"61e6a95d-84c8-3893-b6c8-213392262987"},"summary_title":"glazing (coating)"}}]},{"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]}],"department":{"value":"Applied Arts"},"description":[{"value":"Grey\/white stoneware, thrown, glaze coated and decorated in brown."},{"value":"Thrown, near-spherical, stoneware pot, opening to a short, wide neck. Coated inside and out with flecked oatmeal glaze. Decorated on the wider part of the body, in brown, with rhythmic abstract marks between two horizontal bands above and two below. Underside turned to form a foot-rim, undecorated."}],"exhibitions":[{"@link":{"type":"reference"},"admin":{"id":"exhibition-2070","uid":"adlib-exhibition-2070","uuid":"d97fd91f-0d94-3cc4-95d0-3c440bec2ec3"},"summary_title":"William Staite Murray"}],"identifier":[{"accession_number":"C.17-2019","primary":true,"type":"accession number","value":"C.17-2019"},{"priref":"240162","type":"priref","value":"240162"},{"date":[{"earliest":2019,"latest":2019,"value":"2019-08-12"}],"source":"The Fitzwilliam Museum","type":"entry form number","value":"1390"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/240162","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/240162"}],"inscription":[{"location":"underside of base","method":"incised\/handwritten","transcription":[{"value":"W. S. Murray \/ London \/ 1923"}],"type":"maker's mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased from the Voicke \/ Mead family"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-200646","uid":"adlib-agent-200646","uuid":"229c9ab2-34da-37b1-90ae-433e65261a1e"},"summary_title":"Mead, Jayne"}],"date":[{"earliest":2019,"latest":2019,"value":"2019-11-25"}],"method":{"value":"bought"},"note":[{"value":"Entry date: 1947-12-02"}]}],"creation":[{"date":[{"earliest":1923,"era":["CE"],"latest":1923,"value":"1923"}],"maker":[{"@link":{"role":[{"value":"potter"}],"type":"reference"},"admin":{"id":"agent-161068","uid":"adlib-agent-161068","uuid":"414f75b2-4695-3553-bdb5-7f3c968fb1f0"},"summary_title":"Staite Murray, William"}],"note":[{"value":"This and another similarly designed pot in the collection (C.18-2019) display some of Murray\u2019s earliest forays into abstraction. C.18-2019 appears in a contemporary photograph of Murray\u2019s stand at the Red Rose Guild Exhibition, Manchester, 1923 (see Haslam 1984)."},{"value":"William Staite Murray (1881-1962) was originally a painter who turned to ceramics as way of exploring three dimensional form after attending evening classes at Camberwell School of Arts & Crafts. In a 1930s interview he explained his view that: \u2018pottery stands between painting & sculpture in the plastic arts, it inclines to either and includes both.\u2019 He was part of a modernist craft movement that emerged during the 1920s, seeking simplified, directly expressive forms and valuing both design and craft skills. His associates included Ben and Winifred Nicholson; he collaborated for several years with the Vorticist painter Cuthbert Hamilton; and he took part in mixed exhibitions with both painters and sculptors. After WWI he set up his own studio at Rotherhithe and, from 1925, taught ceramics at the Royal College of Art, where his students included Sam Haile, Robert Washington, Heber Matthews and Henry Hammond. From 1939 Staite Murray settled in Zimbabwe (then Rhodesia) and ceased making pots altogether."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-107318","uid":"adlib-term-107318","uuid":"d27559f3-e90c-35cd-b7e4-46eaeb9ac521"},"summary_title":"20th Century"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-106216","uid":"adlib-term-106216","uuid":"825b8379-ec94-388e-9a59-624e40c090d0"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"London"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42825","uid":"adlib-term-42825","uuid":"858e5d17-b554-33d6-936f-25b16f72f39d"},"summary_title":"stoneware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"16"},{"dimension":"Height","units":"cm","value":"12.5"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42687","uid":"adlib-term-42687","uuid":"7823354c-791a-3aa9-ba6f-1b56ea6c3cdf"},"summary_title":"pot"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89389","uid":"adlib-term-89389","uuid":"c00f24e8-508b-3432-9eec-6ddac5df8732"},"summary_title":"jar"}}],"note":[{"type":"history note","value":"Purchased from the Voicke \/ Mead family, using the Dr Shakeshaft Acquisitions Fund"}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-240165","uid":"adlib-object-240165","uuid":"b83db947-17f2-3d1f-8bcc-23d7e4b77c66"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-42687","uid":"adlib-term-42687","uuid":"7823354c-791a-3aa9-ba6f-1b56ea6c3cdf"},"summary_title":"pot"}},"summary_title":"pot"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Ref. For the potter, see pp. 42-3, and for the mark, see p. 54, fig. 17.","page":"42-3, 54","type":"reference"},"admin":{"id":"publication-5213","uid":"adlib-publication-5213","uuid":"fef24f96-55ed-336c-bc9d-fb7e517df493"},"summary_title":"Artist Potters in England"},{"@link":{"type":"reference"},"admin":{"id":"publication-6324","uid":"adlib-publication-6324","uuid":"05ac54af-25b2-3dc8-9f7d-63f124b9b84b"},"summary_title":"William Staite Murray"},{"@link":{"type":"reference"},"admin":{"id":"publication-200002241","uid":"adlib-publication-200002241","uuid":"9bc1f6e2-1142-303c-95ba-6c29a2b56ebe"},"summary_title":"W.S. Murray"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-42692","uid":"adlib-term-42692","uuid":"68c2b295-0e5f-3e4e-ac86-2aebb8653b91"},"summary_title":"Studio Ceramics"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42687","uid":"adlib-term-42687","uuid":"7823354c-791a-3aa9-ba6f-1b56ea6c3cdf"},"summary_title":"pot"}},"summary_title":"pot","techniques":[{"description":[{"value":"stoneware, thrown, glazed, painted brown."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120082","uid":"adlib-term-120082","uuid":"ea83ed85-6b07-3e7e-83fc-440cfda22f7e"},"summary_title":"throwing"}}],"title":[{"value":"Pot"}],"type":{"base":"object","type":"OBJECT"}}