{"admin":{"added":1593000278000,"created":1580213037000,"flag":"Standard Record","id":"object-240167","indexed":1747160871344,"modified":1714383703000,"processed":1747159409017,"source":"adlib","stream":"fitz-online","uid":"adlib-object-240167","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/240167","uuid":"ecdd3490-d980-3df0-b9d4-c333121572ac","version":7},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-109889","uid":"adlib-term-109889","uuid":"9d2b434a-b03b-3dfa-8bb5-5d0ced5829c3"},"summary_title":"studio glass"},{"@link":{"type":"reference"},"admin":{"id":"term-34868","uid":"adlib-term-34868","uuid":"5f5bd0dc-f5b1-3e8a-9f1d-762972c34217"},"summary_title":"blown glass"}],"department":{"value":"Applied Arts"},"description":[{"value":"Clear glass vase with white cane work, blown."},{"value":"Depressed spherical glass vessel with very small flat base and circular opening at the top. Made from clear glass decorated with fine white canes laid vertically in clusters, such that the pattern separates into ten segments and swirls at the top, and crossed by three wide bands of clustered canes on the lower third. The pattern continues to a point at the base."}],"identifier":[{"accession_number":"C.15-2019","primary":true,"type":"accession number","value":"C.15-2019"},{"priref":"240167","type":"priref","value":"240167"},{"date":[{"earliest":2019,"latest":2019,"value":"2019-11-05"}],"source":"The Fitzwilliam Museum, Department of Applied Art","type":"Entry form no.","value":"1392"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/240167","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/240167"}],"inscription":[{"description":[{"value":"small signature"}],"location":"underside of base","method":"incised","transcription":[{"value":"C Wilson"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Nicholas and Judith Goodison through The Art Fund"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-156032","uid":"adlib-agent-156032","uuid":"3aded83c-6f5c-39b8-a50c-07f712e01b2c"},"summary_title":"Goodison, Nicholas and Judith"}],"date":[{"earliest":2019,"latest":2019,"value":"2019-11-25"}],"method":{"value":"given"}}],"creation":[{"date":[{"earliest":2018,"from":{"earliest":2018,"era":["CE"],"latest":2018,"value":"2018"},"latest":2019,"range":true,"to":{"earliest":2019,"era":["CE"],"latest":2019,"value":"2019"}}],"maker":[{"@link":{"role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-200649","uid":"adlib-agent-200649","uuid":"5d9cb34c-f742-325b-a37d-f18127bb9985"},"summary_title":"Wilson, Clare L."}],"note":[{"value":"Caneworking is an ancient technique first used in southern Italy and later developed on the island of Murano. Here, long fine rods (or canes) of white glass have been used to create the intricate pattern."},{"value":"Clare Wilson (b. 1985) studied at Edinburgh College of Art and in Australia. Now based in the Lake District, she continues to travel widely to work with other skilled makers. She works primarily with cane and murrine techniques, making functional art objects. She is drawn to cane work by the technical challenge it poses and the infinite design possibilities.  Her muted palette and frenetic patterning makes her vessels seem exceptionally light and delicate, despite their weight."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109891","uid":"adlib-term-109891","uuid":"ad6efeb2-90e2-3107-ada3-8348ed09c40f"},"summary_title":"21st Century, Early"},{"@link":{"type":"reference"},"admin":{"id":"term-107700","uid":"adlib-term-107700","uuid":"8f5360fb-b262-3ae9-8942-b81cc0e3e848"},"summary_title":"Elizabeth II"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-106993","uid":"adlib-term-106993","uuid":"1d66fa9e-0484-36d5-9258-f975cb74a4e5"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Cumbria"}],"summary_title":"Cumbria","type":"region"}]],"summary_title":"Cumbria"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-91170","uid":"adlib-term-91170","uuid":"d49ca0b4-ccae-3039-afe0-882c186cff25"},"summary_title":"glass"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"23"},{"dimension":"Height","units":"cm","value":"13"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107667","uid":"adlib-term-107667","uuid":"1b81c806-cfb7-3291-9803-525db5f75e09"},"summary_title":"bowl"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89198","uid":"adlib-term-89198","uuid":"9b93ca03-061f-3c1c-a79f-707511cc4791"},"summary_title":"vessel"}}],"note":[{"type":"history note","value":"Purchased from Contemporary Applied Arts, Paddington Steet, W1."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. in 'Funded', Art Quarterly, Summer 2020, p. 77","page":"77","type":"reference"},"admin":{"id":"publication-400000182","uid":"adlib-publication-400000182","uuid":"46592109-1ab9-3313-b65d-a372c4cdccc2"},"summary_title":"Art Quarterly"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107667","uid":"adlib-term-107667","uuid":"1b81c806-cfb7-3291-9803-525db5f75e09"},"summary_title":"bowl"}},"summary_title":"bowl","techniques":[{"description":[{"value":"Blown glass with cane work"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108322","uid":"adlib-term-108322","uuid":"0340238f-04a0-3e23-b0b0-b5bbfaeb0f3e"},"summary_title":"blowing"}}],"title":[{"value":"Cane Studies No. 29"}],"type":{"base":"object","type":"OBJECT"}}