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    <added>1592995634000</added>
    <created>1312637261000</created>
    <flag>Standard Record</flag>
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    <uid>adlib-object-2677</uid>
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    <summary_title>peasants</summary_title>
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    <summary_title>painting</summary_title>
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  <component>
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          <id>term-89190</id>
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        <summary_title>tin</summary_title>
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    <name>Support</name>
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    <value>Paintings, Drawings and Prints</value>
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      <id>exhibition-3324</id>
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      <uuid>56640011-f918-37fc-b9cb-9ffb74dd9d03</uuid>
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    <summary_title>True to Nature: Open-Air Painting in Europe, 1780&#x2013;1870</summary_title>
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  <exhibitions>
    <link>
      <catalogue>117</catalogue>
      <type>reference</type>
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      <id>exhibition-385</id>
      <uid>adlib-exhibition-385</uid>
      <uuid>2cfec137-ce05-345c-b71c-3ba76fbd80ea</uuid>
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    <summary_title>(Paris, 1925)</summary_title>
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  <exhibitions>
    <link>
      <catalogue>4</catalogue>
      <type>reference</type>
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    <admin>
      <id>exhibition-386</id>
      <uid>adlib-exhibition-386</uid>
      <uuid>fbde22dd-bf1d-3d41-a05c-d3302e5b89af</uuid>
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    <summary_title>Old Masters (1963)</summary_title>
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  <exhibitions>
    <link>
      <catalogue>14</catalogue>
      <type>reference</type>
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      <id>exhibition-387</id>
      <uid>adlib-exhibition-387</uid>
      <uuid>504239c4-9d37-3d46-b031-aefaa19b7e60</uuid>
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    <summary_title>The Art of Claude Lorrain</summary_title>
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    <link>
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      <id>exhibition-388</id>
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    <summary_title>Claude Lorrain: Tercentenary Exhibition</summary_title>
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    <accession_number>PD.950-1963</accession_number>
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    <type>accession number</type>
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  <identifier>
    <priref>2677</priref>
    <type>priref</type>
    <value>2677</value>
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  <identifier>
    <type>uri</type>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/2677</uri>
    <value>https://data.fitzmuseum.cam.ac.uk/id/object/2677</value>
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    <description>
      <value>shows the Barberini arms of three bees, with coronet above and wide mantling, which in style suggests the Napoleonic period (there is another wax seal impression, but it is not clearly defined)</value>
    </description>
    <location>verso</location>
    <method>wax</method>
    <type>seal</type>
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  <inscription>
    <location>verso</location>
    <transcription>
      <value>Camera dell' ancona No 3.</value>
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    <summary_title>The Fitzwilliam Museum</summary_title>
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  <legal>
    <credit_line>From funds bequeathed by Miss I.M.E. Hitchcock, and L.D. Cunliffe, with grants from the National Art Collections Fund (&#xA3;5,000) and the Victoria and Albert Museum (&#xA3;3, 500).</credit_line>
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          <id>agent-150572</id>
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        <summary_title>Colnaghi</summary_title>
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      <date>
        <earliest>1963</earliest>
        <latest>1963</latest>
        <value>1963</value>
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      <method>
        <value>bought</value>
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      <date>
        <earliest>1639</earliest>
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        <value>1639</value>
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        <summary_title>Claude Lorrain</summary_title>
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        <summary_title>1630s</summary_title>
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        <summary_title>oil paint</summary_title>
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      <summary_title>painting</summary_title>
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  <note>
    <type>history note</type>
    <value>Pope Urban VIII (a Barberini, d. 1644), for whom it was painted; remained in the possession of the family in the Barberini Palace, Rome until after the dissolution of the Fidecommisio Barberini in April 1934; bought from Princess Berberini by Messrs Colnaghi late in 1962</value>
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      <id>agent-149638</id>
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    <summary_title>The Fitzwilliam Museum</summary_title>
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    <link>
      <page>42</page>
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    <summary_title>Treasures of the Fitzwilliam Museum</summary_title>
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    <link>
      <page>414</page>
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      <id>publication-200000003</id>
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    <summary_title>[Unknown; Illustrated London News; 1960]</summary_title>
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    <summary_title>Galerie Barberini, Catalogue</summary_title>
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    <link>
      <notes>no. 73 (quoting an inscription on the back of the picture, "Claudio fecit in V.R. faict per papa Urbano")</notes>
      <page>148</page>
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      <id>publication-536</id>
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      <uuid>e71cbf46-673e-36ed-8470-15e5d1e2fc41</uuid>
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    <summary_title>Rome</summary_title>
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  <publications>
    <link>
      <notes>repro.</notes>
      <page>39</page>
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      <uuid>45d6221c-66b2-3fe6-ab04-f4d67da2b4c9</uuid>
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    <summary_title>(Friedlander)</summary_title>
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    <summary_title>(Gerstenberg)</summary_title>
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    <link>
      <page>103</page>
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    <summary_title>Emporium</summary_title>
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    <link>
      <notes>under CXCIII, p. 95-96</notes>
      <page>575-576</page>
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    <admin>
      <id>publication-538</id>
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    <summary_title>Inventory of Drawings in the Turner Bequest</summary_title>
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    <summary_title>Cat. Gab. Fot. Naz.</summary_title>
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    <link>
      <notes>no. LV 35</notes>
      <page>164</page>
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    <summary_title>Claude Lorrain: the paintings</summary_title>
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    <link>
      <notes>reproduced fig. 2 (monochrome)</notes>
      <page>447</page>
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    <summary_title>'A question of a nose'</summary_title>
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      <notes>fig. 35</notes>
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    <summary_title>'Current and Forthcoming Exhibitions'</summary_title>
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      <notes>pl. 138</notes>
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    <summary_title>Corot in Italy; Open-Air Painting and the Classical- Landscape Tradition</summary_title>
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    <summary_title>French</summary_title>
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