1592999429000 1312637261000 Standard Record object-27268 1747160979962 1714398262000 1747159409017 adlib fitz-online adlib-object-27268 https://data.fitzmuseum.cam.ac.uk/id/object/27268 402f8440-4a26-33da-b412-4b13c0b9982d 16 reference term-91170 adlib-term-91170 d49ca0b4-ccae-3039-afe0-882c186cff25 glass reference term-109791 adlib-term-109791 0b6e55ba-82dd-3c1a-98ad-ec4eb5996fef orange glass reference term-109892 adlib-term-109892 312f1702-e986-3ff2-b25a-e116002245d1 turquoise glass reference term-109894 adlib-term-109894 563fd5ad-bf86-34fc-827b-0d40106586dd yellow glass reference term-109901 adlib-term-109901 63df90db-a7e8-3e78-887c-4f057820e8cc brown glass Parts Decoration reference term-27645 adlib-term-27645 c489df47-4067-3e45-80d3-a0c71cedaaf8 inlay (process) reference term-99807 adlib-term-99807 6a23afb4-3d15-3ece-a1f8-29cd185df9ca etching Applied Arts Free-blown glass, with turquoise, brown, yellow, and orange colour picked up from the marver, inlaid, and etched. Three-cornered, with deep sides rising from a circular, ground flat base. The colours form an abstract design of triangles, streaks, spots, and coiling chains. reference exhibition-3693 adlib-exhibition-3693 9e3cab43-2466-3751-b113-9ee6cbd630f3 Of the Earth, Contemporary Ceramics and Glass from The Fitzwilliam Museum C.19-2000 1 accession number C.19-2000 27268 priref 27268 Fitzwilliam Museum entry form number 138 uri https://data.fitzmuseum.cam.ac.uk/id/object/27268 https://data.fitzmuseum.cam.ac.uk/id/object/27268 on the outside just above the base scratched Pauline Solven 1992 signature reference agent-149638 adlib-agent-149638 7376d833-d0a7-3be0-916e-9c892b7a24d8 The Fitzwilliam Museum Given by Nicholas and Judith Goodison through the National Art Collections Fund reference agent-156032 adlib-agent-156032 3aded83c-6f5c-39b8-a50c-07f712e01b2c Goodison, Nicholas and Judith 2000 2000 2000-10-09 given since 2007 the National Art Collections Fund has been known as The Art Fund 1992 1992 1992 glassmaker reference agent-156049 adlib-agent-156049 09d0d522-9c5c-357b-bdbc-5a17b8218dcc Solven, Pauline Text from object entry in A. Game (2016) ‘Contemporary British Crafts: The Goodison Gift to the Fitzwilliam Museum’. London: Philip Wilson Publishers: Pauline Solven studied at Stourbridge College of Art, followed by the Royal College of Art, London, completing her Masters of Design in 1968. Following a year as studio assistant to Asa Brandt (b.1940) in Sweden, she was invited by Sam Herman (b.1936) to become the studio manager at the Glasshouse, London. She worked as resident member at the Glasshouse for five years before establishing her own studio in Gloucestershire in 1975, followed by setting up the Cowdy Glass studio in 1978 with Harry Cowdy (b.1944). She was a founder member of the British Artists in Glass association and established the Cowdy Gallery in 1990, creating a highly regarded forum for exhibiting and collecting contemporary glass, before closing both Cowdy Glass and Gallery in 2004. Her experimental approach to layering of colour and light has recently found new expression in a body of work in the medium of digital photography. Pauline Solven: ‘My approach has always been painterly, with themes drawn from the natural world and seascapes: the shape of sails against the horizon; triangles of colour and light that developed into a series of three-cornered vessels that allow an element of surprise with each new angle of viewing.’ reference term-109890 adlib-term-109890 825251c2-9904-34be-b6ab-c855347f2247 20th Century, Late reference term-107139 adlib-term-107139 9fd5ef13-3709-388f-b925-702787340e32 literal England England country England Height cm 17.2 Width cm 22.5 reference media-196770 adlib-media-196770 4e502871-90db-32b9-a9cd-ca68abdb7552 jpeg aa/aa33/large_C_19_2000_1_201512_adn21_dc2.jpg 1 height pixels 765 width pixels 1024 1702926386936 1 image jpeg aa/aa33/mid_C_19_2000_1_201512_adn21_dc2.jpg 1 height pixels 374 width pixels 500 1702926386936 1 image jpeg aa/aa33/C_19_2000_1_201512_adn21_dc2.jpg 1 height pixels 766 width pixels 1025 1702926386936 1 image jpeg aa/aa33/preview_C_19_2000_1_201512_adn21_dc2.jpg 1 height pixels 187 width pixels 250 1702926386936 1 image 0 media image reference media-196866 adlib-media-196866 66a68ad0-223e-3bb8-a09b-a75848b6ac84 jpeg aa/aa34/large_C_19_2000_2_201512_adn21_dc2.jpg 1 height pixels 761 width pixels 1024 1702926339082 1 image jpeg aa/aa34/mid_C_19_2000_2_201512_adn21_dc2.jpg 1 height pixels 372 width pixels 500 1702926339082 1 image jpeg aa/aa34/C_19_2000_2_201512_adn21_dc2.jpg 1 height pixels 762 width pixels 1025 1702926339082 1 image jpeg aa/aa34/preview_C_19_2000_2_201512_adn21_dc2.jpg 1 height pixels 186 width pixels 250 1702926339082 1 image 1 media image reference term-107667 adlib-term-107667 1b81c806-cfb7-3291-9803-525db5f75e09 bowl object name reference term-109889 adlib-term-109889 9d2b434a-b03b-3dfa-8bb5-5d0ced5829c3 studio glass category history note Purchased from the Crafts Council in February 1995 by the TSB, London, from which it passed to Lloyds TSB Plc, 71 Lombard Street, London, from whom it was purchased by the donors reference agent-149638 adlib-agent-149638 7376d833-d0a7-3be0-916e-9c892b7a24d8 The Fitzwilliam Museum Publ. p. 137 mentioned under 'Sir Nicholas and Lady Goodison Gift 4530' 137 reference publication-5149 adlib-publication-5149 2e5cd5fc-9bce-38bc-874e-972c5db7328c 2000 Review, The Annual Report of the National Art Collections Fund Publ. pp. 96-7, no. 34, illustrated p. 97. Object description, maker's biography, and quote from maker 96-97 reference publication-8258 adlib-publication-8258 71d79ea2-2385-305e-9044-fbb0cde9ffe7 Contemporary British Crafts: The Goodison Gift to The Fitzwilliam Museum Ref. For an outline biography of the maker up to 1977 see Coburg, Kunstsammlungen der Veste Coburg, p. 183, when the maker was working at Newent, Gloucestershire. None of the pieces illustrated resemble this one. p. 183 reference publication-2067 adlib-publication-2067 7c4cd3a8-a854-3e8b-bc7d-a3fef4951b60 Coburger Glaspreis 1977 Ref. p. 92 for brief career of glassmaker and one example of her work 92 reference publication-2058 adlib-publication-2058 44b6770f-982b-36e5-a24f-867bfb9807fa Contemporary British Glass Cf. Another differently coloured three-cornered bowl of 1990, described as 'freeblown glass; colour picked up and inlaid, etched', see p. 74. He notes 'Solven often uses a method of colour application in which the compositions of glass powders and drawn threads are picked up from the marver and sandwiched between gathers of clear glass prior to blowing. p. 74 reference publication-2068 adlib-publication-2068 eec088de-124a-3931-b1b0-f88c9d224d3a Glass Art reference term-109889 adlib-term-109889 9d2b434a-b03b-3dfa-8bb5-5d0ced5829c3 studio glass

reference term-107667 adlib-term-107667 1b81c806-cfb7-3291-9803-525db5f75e09 bowl

bowl free-blown glass, with turquoise, brown, yellow, and orange colour, picked up, inlaid and etched reference term-115763 adlib-term-115763 277b3d83-1d83-3eda-b327-1484ab7ddca4 free-blown object OBJECT