1608595293000 1606848390000 Standard Record object-276991 1752776305514 1752749159000 1752776128072 adlib fitz-online adlib-object-276991 https://data.fitzmuseum.cam.ac.uk/id/object/276991 6d5d86b4-ac60-3411-a6c4-aca543cb141a 5 reference term-134330 adlib-term-134330 dbec789a-771d-3410-8de6-fa7386bef9b4 manuscript (music) content description [1, p. 51-53] [Osana / Habmermann] -- [2, p. 51, lines 8-11] Ever faithful [crossed out] : [sketch 1, 4-7 bars, 2 and 3 voices, D major : 3 or 4 versions, derived from the Sanctus of Habermann's Missa Sancti Procopii, transposed from F major] -- [3, p. 52, line 10] And thy mercies [crossed out] : [sketch 2 : 6 bars, 2 sopranos, D major : two versions, derived from the Osanna in Habermann's Missa Sancti Ioannis Nepomuceni] -- [4, p. 95] Adagio [and] Allegro : [vl, ?2 instruments, b] Manuscripts and Printed Books Language: Latin First work for SATB chorus (lacking words), vl1, vl2, vla, ob1-2, tpt1, tpt2, b (trumpets on p. 52-53 only) First work is the Osanna from F.V. Habermann's Philomela pia, Missa III S. Adalberti (Monarchii, Pedemonti, 1748), used by Handel in the Spiritoso movement of his organ concerto, op. 7, no. 3. "Subject in his 3rd Organ concerto (op. 3, 5th)" -- note in another hand, p. 51. The texts "Ever faithful" and "And thy mercies" appear in the chorus "Theme sublime of endless praise" from Jephtha, but the music of these sketches was not used. Manuscript in the hand of George Frideric Handel, in ink. Watermark: "LVG" below fleur de lis over Strasbourg bend; countermark: "IV" (Burrows C160) 1.1.1 S Spiritoso ma non presto [Osanna] G C-1 xF 6/4 4'GB''D/8G4D'B8G/{6''GFED}8EGDG{8.D3C'B}4''C'B/ 2.1.1 S [Sketch 1] D C-1 xFC 6/4 2''D4'D-{8FGAF}/2B4,B-{8'EFGE}/ 3.1.1 S [Sketch 2] D C-1 xFC 3/4 4-'D4D/BAG+/GFE+/EDxG/G2A 4.1.1 vl Allegro [and] Adagio G C-1 xF 3/4 2'A+{8.A6''E}{6.'A3BAB''CC}/2'B+{8.B6''C}{8'B6''CD}/ Contents [1, p. 51-53] [Osana / Habmermann] -- [2, p. 51, lines 8-11] Ever faithful [crossed out] : [sketch 1, 4-7 bars, 2 and 3 voices, D major : 3 or 4 versions, derived from the Sanctus of Habermann's Missa Sancti Procopii, transposed from F major] -- [3, p. 52, line 10] And thy mercies [crossed out] : [sketch 2 : 6 bars, 2 sopranos, D major : two versions, derived from the Osanna in Habermann's Missa Sancti Ioannis Nepomuceni] -- [4, p. 95] Adagio [and] Allegro : [vl, ?2 instruments, b] MU.MS.262.p.51 1 accession number MU.MS.262.p.51 276991 priref 276991 ALMA control 001 994655993803606 uri https://data.fitzmuseum.cam.ac.uk/id/object/276991 https://data.fitzmuseum.cam.ac.uk/id/object/276991 reference agent-149638 adlib-agent-149638 7376d833-d0a7-3be0-916e-9c892b7a24d8 The Fitzwilliam Museum 1751 1751 [England],[1751?] 1751 composer reference agent-158126 adlib-agent-158126 6316743e-3a7d-3548-87b1-90a36fc1756f Handel, George Frideric composer reference agent-202435 adlib-agent-202435 96327ddc-445e-3140-946b-54ef8793ce03 Habermann, František Václav Habermann, František Václav,1706-1783. 1 ms. score (p. 51-54) ; 24 x 29 cm. reference agent-149638 adlib-agent-149638 7376d833-d0a7-3be0-916e-9c892b7a24d8 The Fitzwilliam Museum Philomela pia. Missa Sancti Adalberti. Sanctus. Osanna object OBJECT