15929994380001312637261000Standard Recordobject-28202170292699937417029083580001702926922987fitz-onlineadlib-object-28202https://data.fitzmuseum.cam.ac.uk/id/object/282029e40b9bb-3b06-3f29-b3c5-7a7f613ad6cf12personreferenceagent-139324adlib-agent-139324412c46d0-b7b7-3980-8ca2-6c1babc8909aVenuspersonreferenceagent-150796adlib-agent-150796ec5a0c8a-e54c-3735-adea-0fd5dd14f994Cupidpersonreferenceagent-156207adlib-agent-156207a10552be-ad74-3e3b-9e9f-7e936171acdbChastitypersonreferenceagent-152761adlib-agent-152761016c4341-7669-3e60-9fad-c28c09c8013ewomenreferenceterm-40838adlib-term-40838319bf2b3-9274-3904-b885-9e5334550df1stained glassreferenceterm-91170adlib-term-91170d49ca0b4-ccae-3039-afe0-882c186cff25glassreferenceterm-109823adlib-term-109823e4a79eb2-59e5-32a4-b127-65ba8e0e677cblue glassBorderreferenceterm-1111adlib-term-111146c949dd-f376-3538-878f-397baee5be09mythologyApplied ArtsClear glass, silver-stained and painted, yellow and brown with border of blue glass. The Triumph of Chastity over Love. Chastity sits in a golden car drawn by two unicorns over the prostrate bodies of Venus and Cupid. She carries a palm, as do the five women in the landscape background and the man and woman following the car.C.37-19831accession numberC.37-198328202priref28202urihttps://data.fitzmuseum.cam.ac.uk/id/object/28202https://data.fitzmuseum.cam.ac.uk/id/object/28202referenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam MuseumGiven by the Friends of the Fitzwilliam Museum, with a grant-in-aid from the Victoria and Albert Museumreferenceagent-149645adlib-agent-14964510925b71-6838-30f7-a8dd-b68a2afaa14dThe Friends of the Fitzwilliam Museum198319831983-07-25givenEntry date: 1983-07-2515401540CE1540circa1540155011550CE15501550style ofproductionreferenceagent-28501adlib-agent-28501ec20d64b-0d89-300d-a139-5b0e0e9ffc29Coecke van Aelst, Pieter IStyle of Pieter Coecke van Aelst (c.1502-50), probably from his workshop or that of a glass painter influenced by him.referenceterm-106356adlib-term-106356172bc668-c96c-3553-a7e3-9adbe68c760a16th Century, Mid#referenceterm-106715adlib-term-106715490b251e-2de6-3f83-a13b-7f81a75bb458literalFlandersFlandersregionAntwerpreferenceterm-109903adlib-term-109903473f1455-0b03-373f-a568-6724f64f7a3dclear glassDiametercm32referencemedia-200416adlib-media-2004165eee142e-5c02-3823-b027-1f667c28321ejpegaa/aa35/C_37_1983_1_201301_amt49_dc2.jpg1heightpixels941widthpixels102417029264282651imagejpegaa/aa35/mid_C_37_1983_1_201301_amt49_dc2.jpg1heightpixels459widthpixels49917029264282651imagejpegaa/aa35/C_37_1983_1_201301_amt49_dc2.jpg1heightpixels941widthpixels102417029264282651imagejpegaa/aa35/preview_C_37_1983_1_201301_amt49_dc2.jpg1heightpixels230widthpixels25017029264282651image0media
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imagereferenceterm-109984adlib-term-10998480b6458a-e550-3214-bc10-9c2dd23d78deroundelhistory noteFrom the collection of Dr C.A. Ralegh Radford, FSA. In the possession of the vendor's father at Bradninch Manor from at least 1918-21 to his death in 1925 and then in the possession of the vendor and his mother there until 1949 when the panel and its companion were removed. See letter of 16th September, 1983. They may have been in the vendor's father's possession since 1914.referenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam MuseumPubl. Illustrated, p. 161, fig. 4, see text to no. 82 on p. 160pp. 160-1referencepublication-2139adlib-publication-2139d94901eb-b946-3797-a131-898c0263b34eThe Luminous Image, Painted Glass Roundels in the Lowlands, 1480-1560referencepublication-200000743adlib-publication-200000743f09a3d0a-bf02-3f43-b583-307b6df5cab6Pierre Langlois: A further note on the Fitzwilliam commodeCf. A roundel of The Triumph of Venus in the Kunsthaus Heylshof, Worms (see colour illustration in object file), p. 57, no. 229, ill. pl. LXVII. Attributed to Zurich (?) c.1600. D. 25.2 cm. It then hung in the library of the Freiherr Cornelius Wilhelm Heyl zu Herrnshim. When Prof. M. Jaffé saw the roundel he noted that 'the paint appeared to be on the viewer's side; but so are the marks of wear, pitting etc.'. He thought it measured c. 25.6 cms but as it was sunk in a wooden frame of the light box could not measure exactly. (see note in object file) This panel is not the same as the Fitzwilliam's.p. 57referencepublication-2141adlib-publication-2141e5db228b-2f1d-3fc9-b648-0690ba953275Die Kunstsammlung im Heylshof zu Worms: beschreibender Katalog von Georg SwarzenskiCf. A design for the Triumph of Chastity is in the Ecole des Beaux-Arts, Paris, see Paris, Ecole natural Superieure des Beaux-Arts, 16th October-16th December, 1985, p. 102, no. 50, ill. p. 104, Triomphe de la Chastité, attributed to Atelier de Pieter Coecke Van Aelst. See also p. 102, no. 49, Triomphe de l'Amour, ill. p. 103 and p. 106, ill. p. 105, Triomphe de Temps and p. 106, no. 52, ill. p. 107, Triomphe de la Divinitépp. 102-107referencepublication-2142adlib-publication-21428c681a16-b4bf-35b8-a177-59191ce5c166Renaissance et Manièrism dans les Ecoles du Nord. Dessins des collections de l'Ecole des Beaux-Artsreferenceterm-8407adlib-term-8407a471a86d-e890-3b26-a34f-b6a1286b64f3Flemishreferenceterm-10618adlib-term-106189ebc0ae1-8cf8-312b-832c-9cf44da02136Renaissanceanimalreferenceterm-109986adlib-term-10998686055db2-7206-31ba-b1e2-efa231177eadunicornsplantreferenceterm-109932adlib-term-109932df6d5783-53ff-360a-ac7c-9412175fa95cpalmsliteralunicornsunicornsliteralpalmspalmsreferenceterm-109984adlib-term-10998480b6458a-e550-3214-bc10-9c2dd23d78deroundelroundelclear glass, silver-stained and painted, yellow and brown with border of blue glassreferenceterm-26622adlib-term-2662283c03551-8f0e-3d7e-b17a-13a6959e1123stainingreferenceterm-106226adlib-term-106226194567f2-2bcd-3446-ae31-652386611815paintingThe Triumph of Chastity over Loveobject
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