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  <admin>
    <added>1592999442000</added>
    <created>1312637261000</created>
    <flag>Standard Record</flag>
    <id>object-31133</id>
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    <modified>1702908384000</modified>
    <processed>1747159409017</processed>
    <source>adlib</source>
    <stream>fitz-online</stream>
    <uid>adlib-object-31133</uid>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/31133</uri>
    <uuid>9a8904d4-14eb-3f19-b28b-7b87ef943128</uuid>
    <version>6</version>
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    <link>
      <relation>person</relation>
      <type>reference</type>
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    <summary_title>woman</summary_title>
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  <categories>
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      <type>reference</type>
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      <id>term-98228</id>
      <uid>adlib-term-98228</uid>
      <uuid>3d747999-296f-3944-9a84-2936c3ae9f5c</uuid>
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    <summary_title>sculpture</summary_title>
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  <component>
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      <dimensions>
        <dimension>Height</dimension>
        <units>cm</units>
        <value>130.8</value>
      </dimensions>
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    <name>Figure</name>
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  <component>
    <measurements>
      <dimensions>
        <dimension>Height</dimension>
        <units>cm</units>
        <value>5</value>
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    <name>Plinth</name>
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  <department>
    <value>Applied Arts</value>
  </department>
  <description>
    <value>White marble, carved in the round. The figure is draped in a robe of many folds, leaning with her left hand upon a tree stump. Her head is lowered and looking slightly to her right, and her right forefinger is laid against her cheek. Her hair is drawn back into a knot, with a garland of rose-buds round her head. She wears sandles. Signed and dated on a bole of the tree stump 'ALBERTONI ROMA/1845'</value>
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    <accession_number>M.1-1845</accession_number>
    <primary>1</primary>
    <type>accession number</type>
    <value>M.1-1845</value>
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    <priref>31133</priref>
    <type>priref</type>
    <value>31133</value>
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  <identifier>
    <source>Art UK</source>
    <type>external ID</type>
    <value>CAM_CCF_M_1_1845</value>
  </identifier>
  <identifier>
    <type>uri</type>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/31133</uri>
    <value>https://data.fitzmuseum.cam.ac.uk/id/object/31133</value>
  </identifier>
  <inscription>
    <location>on a bole of the tree stump</location>
    <transcription>
      <value>ALBERTONI ROMA/1845</value>
    </transcription>
    <type>signature</type>
  </inscription>
  <institutions>
    <link>
      <type>reference</type>
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    <summary_title>The Fitzwilliam Museum</summary_title>
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    <credit_line>Bequeathed by George Skillbeck Maude</credit_line>
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          <type>reference</type>
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          <uid>adlib-agent-156732</uid>
          <uuid>95a5b774-1686-3332-a0ae-5935c542f255</uuid>
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        <summary_title>Skilbeck Maude, George</summary_title>
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      <date>
        <earliest>1844</earliest>
        <latest>1844</latest>
        <value>1844</value>
      </date>
      <method>
        <value>bequeathed</value>
      </method>
      <note>
        <value>Entry date: 1845-09-01</value>
      </note>
    </acquisition>
    <creation>
      <date>
        <earliest>1845</earliest>
        <era>CE</era>
        <latest>1845</latest>
        <value>1845</value>
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      <maker>
        <link>
          <role>
            <value>sculptor</value>
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          <type>reference</type>
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          <uuid>39742c8a-aa9d-316f-a8c9-8b3004566a72</uuid>
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        <summary_title>Albertoni, Giovanni Giuseppe</summary_title>
      </maker>
      <note>
        <value>The statue was commissioned by the testator from Albertoni, a pupil of the Danish sculptor Bertel Thorwaldsen, in Rome during the winter of 1843. Maude had travelled to Italy in October 1843. When Maude wrote his will on 9 August 1944, the statue was as yet unfinished and still with Albertoni in Rome (see notes for excerpt from his will.)</value>
      </note>
      <periods>
        <link>
          <type>reference</type>
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          <id>term-106851</id>
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          <uuid>e155f998-1e0b-3f2a-851c-24f44d05dd59</uuid>
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        <summary_title>19th Century, Mid</summary_title>
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      <places>
        <link>
          <type>reference</type>
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          <id>term-106366</id>
          <uid>adlib-term-106366</uid>
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        <hierarchies>
          <link>
            <type>literal</type>
          </link>
          <name>
            <value>Italy</value>
          </name>
          <summary_title>Italy</summary_title>
          <type>country</type>
        </hierarchies>
        <summary_title>Rome</summary_title>
      </places>
    </creation>
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  <materials>
    <reference>
      <link>
        <type>reference</type>
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      <admin>
        <id>term-37963</id>
        <uid>adlib-term-37963</uid>
        <uuid>929f6c25-5677-3624-90d4-f6d882da98ec</uuid>
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      <summary_title>white marble</summary_title>
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  </materials>
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      <type>reference</type>
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      <id>media-15848</id>
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            <dimension>width</dimension>
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      <summary_title>figure</summary_title>
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  <note>
    <type>history note</type>
    <value>Presumably commissioned by the testator during his visit to Rome between October 1843 and the spring of 1844.</value>
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  <owners>
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      <id>agent-149638</id>
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    <summary_title>The Fitzwilliam Museum</summary_title>
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    <summary_title>Sculpture UK</summary_title>
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    <link>
      <notes>Ref. For George Skilbeck Maude, see vol. IV, p. 365</notes>
      <page>365</page>
      <type>reference</type>
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    <summary_title>Alumni cantabrigienses: a biographical list of all known students, graduates and holders of office at the University of Cambridge, from the earliest times to 1900</summary_title>
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    <summary_title>Neoclassical</summary_title>
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    <summary_title>silence</summary_title>
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    <summary_title>silence</summary_title>
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      <summary_title>figure</summary_title>
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    <description>
      <value>white marble, carved</value>
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        <type>reference</type>
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    <value>Silence</value>
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  <type>
    <base>object</base>
    <type>OBJECT</type>
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