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        <summary_title>panel (wood)</summary_title>
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    <summary_title>In the Presence of Things: Four Centuries of European Still-life Painting</summary_title>
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    <location>lower left</location>
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      <value>peploe</value>
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    <type>signature</type>
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    <summary_title>The Fitzwilliam Museum</summary_title>
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    <credit_line>From Mr and Mrs Vulliamy.</credit_line>
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        <summary_title>Vulliamy, Edward Owen</summary_title>
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        <earliest>1910</earliest>
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          <value>The flowing technique, the rich quality of the paint, and the restrained colour indicate the likely date, a painting of the years preceding Peploe's departure for Paris in 1910 (Goodison, 1977, p. 190).</value>
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        <summary_title>Peploe, Samuel John</summary_title>
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        <summary_title>1900s</summary_title>
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        <summary_title>oil paint</summary_title>
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    <value>With the Goupil Gallery, London, where it was bought by the donors in 1910</value>
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      <notes>pl. 56</notes>
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    <summary_title>cutlery</summary_title>
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    <summary_title>pears</summary_title>
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      </admin>
      <summary_title>painting</summary_title>
    </reference>
  </summary>
  <summary_title>painting</summary_title>
  <techniques>
    <description>
      <value>oil on panel</value>
    </description>
    <reference>
      <link>
        <type>reference</type>
      </link>
      <admin>
        <id>term-30011</id>
        <uid>adlib-term-30011</uid>
        <uuid>13394a8d-f74d-3653-9665-2f427e155819</uuid>
      </admin>
      <summary_title>painting (image-making)</summary_title>
    </reference>
  </techniques>
  <title>
    <value>Still-life</value>
  </title>
  <type>
    <base>object</base>
    <type>OBJECT</type>
  </type>
</root>
