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right."},{"id":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/37922\/inscription\/2","type":"LinguisticObject","classified_as":[{"id":"http:\/\/vocab.getty.edu\/aat\/300435414","type":"Type","_label":"Inscription Description"},{"id":"http:\/\/vocab.getty.edu\/aat\/300418049","type":"Type","_label":"Brief Text"}],"content":"of a good taste & the building is very \/ handsome their[i] the 2d row of Columns are segments of Octogons, there is a row of Pillasters above which support the cornice \/ Gallerie \/ Tribuna \/ the principal object & which faces \/ the door is the Venus de Medicis \/ the arms were restored by a Flemish Sculptor \/ at Rome employed in the service of the house of \/ Medicis, the Marble is Parian, the left arm \/ is original almost as low as the elbow & by the \/ indentation round it seems formerly to have had a metal bracelet round it, the \/ hair has been painted brown, but the hair \/ has suffered greatly & scarce any traces of the \/ painting remains, the face also has suffered considerably, a new end has been added to \/ the nose & a little bit to the right sides of \/ the chin which gives a little harshness to \/ the countenance, the fiugre has been broke \/ in the following places, across[ii] the neck, the \/ narrow part of the body, the thighs, the \/ legs in 2 places, the Marble is of so tender \/ a tint & transparent, the appearance of \/ the flesh so soft with a gentle polish on \/ it, the attitude is so graceful & has[iii] seems so much \/ the[iv] in motion together with a charming light - \/ -ness of proportions which give it[v] that the whole effect is exquisite \/ this figure was finished intirely[sic] with the tool \/ without a rasp ([i] preceding word crossed through in brown ink; [ii] - preceding word crossed through in brown ink; [iii] preceding word crossed through in brown ink, the following word above the line; [iv] the preceding word crossed through in brown ink; [v] the preceding three words crossed through in brown ink, the following four words above the line) Brown ink recto."},{"id":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/37922\/inscription\/3","type":"LinguisticObject","classified_as":[{"id":"http:\/\/vocab.getty.edu\/aat\/300435414","type":"Type","_label":"Inscription Description"},{"id":"http:\/\/vocab.getty.edu\/aat\/300418049","type":"Type","_label":"Brief Text"}],"content":"the Boxers in Parian marble, white of a delicate colour, has greatly the appearance \/ of flesh it has been much broke but is well \/ restored, by the style of workmanship it seems \/ to have been done[i] be nearly of the same age \/ with the Niobe family, John of Bologna seems \/ to have studied this group particularly by \/ the composition of his Hercules & Centaur \/ 7 the Rape of the Sabines, this is on \/ the right hand of the Venus, on the left \/ is the Rotator a fine figure, next on \/ one side of the door is the young Apollo \/ on the other side is the Dancing Faun \/ round the room are hung pictures by \/ Raffaele, & da Vinci, Perugino, Titian \/ Guercino, Andrea del Sarto & c. \/ on each side of the Tribuna are rooms \/ filled with Ancient Statuary pictures & \/ drawings, in one room on the right hand \/ of the Venus is the fine bust of Cicero \/ the nose & great part of the Ears are modern ([i] preceding three words crossed through in brown ink, the following word above the line) Brown ink verso."}]}