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right."},{"id":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/37936\/inscription\/2","type":"LinguisticObject","classified_as":[{"id":"http:\/\/vocab.getty.edu\/aat\/300435414","type":"Type","_label":"Inscription Description"},{"id":"http:\/\/vocab.getty.edu\/aat\/300418049","type":"Type","_label":"Brief Text"}],"content":"in the first Chamber on the right hand \/ of Venus are 2 figures of the Infant Hercules \/ the same with that of which we have a cast in \/ England but the right hand in each of these \/ is stretched out & the left holds a bird \/ I prefer the restoration with[i] which makes \/ the child in the act of strangling a Serpent \/ another Infant Herac \/ les P:8 \/ Hall of Niobe \/ The mother is at one End with her infant daughter \/ the Father Amphio is at the opposite end, this is a mean \/ poor figure inferior in Character & workmanship \/ to the others, & I think of a later age, one of the \/ figures which is placed for a son of Niobe is confess- \/ - sed not to belong to them, & they suppose it to \/ be an Endymion, the Arms & feet of Most of them \/ are restored & tolerably well, all that is the[ii] \/ most likely as Pliny says by Scopas much[iii] many \/ of the figures are of the sublimest Character & \/ Expression the countenances & attitudes Noble \/ actions full of the finest[iv] force & Expression, [*] there is \/ a wonderful roundess & perfection of form in \/ the limbs & naked parts of the women, the \/ bodies & limbs of the men particularly, the dead \/ figure is done with wonderful attention ([i] preceding word crossed through in brown ink; [ii] preceding four words crossed through in brown ink; [iii] - preceding word crossed through in brown ink; [iv] preceding two words crossed through in brown ink, the following two words appearing above the line; [*] from this point, grey ink) Brown ink, last 4 lines and 2 words of the 5 in grey ink recto."},{"id":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/37936\/inscription\/3","type":"LinguisticObject","classified_as":[{"id":"http:\/\/vocab.getty.edu\/aat\/300435414","type":"Type","_label":"Inscription Description"},{"id":"http:\/\/vocab.getty.edu\/aat\/300418049","type":"Type","_label":"Brief Text"}],"content":"to nature without exaggeration, there \/ is no affectation of Style, beautiful nature \/ was chosen by the Artist & copied with so much spirit judgment[sic] & truth of Anatomy \/ and outlines with a delicasy of execution that \/ when seen in proper light the naked parts \/ seem capable of Motion, the draperies are of \/ fine clothes light beautifully disposed to contrast \/ the limbs & shew them, as well as to add \/ dignity to the figures particularly 2 of the \/ sons who have wrapped their Pallice[i] Chlamydae round \/ their arms, one stretches his arm out \/ the other covers his head with it & thus produces \/ sublimity in the upper part of the figure \/ some of these figures particularly the dead \/ son seems to have been worked intirely[sic] \/ with the Chissel[sic] others have been finished \/ with a rasp \/ In another chamber is the beautiful \/ delicate figure of the Hermaphrodite & c \/ Chamber of Bronzes \/ John of Bologna's Mercury going to \/ rise into the air (the first line and the next 5 words in grey ink, the remainder brown ink; [i] preceding word crossed through by two lines of brown ink, the following word appears above the line) Grey and brown inks verso."}]}