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right."},{"id":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/37939\/inscription\/2","type":"LinguisticObject","classified_as":[{"id":"http:\/\/vocab.getty.edu\/aat\/300435414","type":"Type","_label":"Inscription Description"},{"id":"http:\/\/vocab.getty.edu\/aat\/300418049","type":"Type","_label":"Brief Text"}],"content":"Donatello's[i] David in bronze another by Francorelli \/ or Vincenzo Rossi[ii] \/ a Copy of \/ mean nature in a hard poor Gothic manner \/ &c many antiques some beautiful \/ in one of these rooms, the most particular[iii] there is a modern \/ is a[iv] Cupid by Donatello[v] the size of a boy of 10 years old \/ with the symbols of many other Divinities \/ in his person & on the plinth, from a passage \/ in Dante \/ Painters Portraits \/ A Cupid either seems to[vi] throwing an \/ apple at Jupiter from the same[vii] an Idea in \/ one of Horace's odes, a most beautiful statue \/ for originality of conception, perfection of \/ character, &[viii] life motion & delicacy, has \/ scarcely an equa[ix] no equal I think in the \/ Gallery, this stands in the middle of the \/ same chamber with the portrait of M:e \/ Angleo, this portrait seems to me to be a \/ copy from that of the same great man \/ in the Senator Caprara's Palace in \/ Bologna, in the next chamber is, the vase \/ said to be by Phidias, also the portraits of \/ Raffeale[sic], Vinci Massaccio, Romano, &c \/ Christ:n Seybolt has finished his picture so wonderfully \/ as to paint a face reflected from the glass in which he saw \/ his face in the eyes of the portrait ([i] partially covered by a patch of a lighter brown ink; [ii] the preceding five words above the line; [iii] the preceding three words crossed through by brown ink line, the following three words appearing above the line; [iv] the preceding two words crossed through in brown ink; [v] preceding two words appear above the line in a lighter brown ink; [vi] the preceding three words crossed through by a pair of brown ink lines; [vii] preceding word crossed through in brown ink; [viii] preceding word crossed through in brown ink; [ix] preceding word crossed through in brown ink) Brown ink recto."},{"id":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/37939\/inscription\/3","type":"LinguisticObject","classified_as":[{"id":"http:\/\/vocab.getty.edu\/aat\/300435414","type":"Type","_label":"Inscription Description"},{"id":"http:\/\/vocab.getty.edu\/aat\/300418049","type":"Type","_label":"Brief Text"}],"content":"Corridore against the wall are hung pictures \/ specimens of the great masters a collection so \/ prodigious & excellent as to astonish the beholder \/ above these historical specimens & near the \/ cieling[sic] are hung p[i] authentic portraits of the great Characters of Modern universal history \/ Kings of France, Kings of England, Kings \/ of Sweden Naples &c Emperors of the Turks \/ The Houses of Sforza, Estesse[?] with great & distin- \/ quished Characters in Religion Politics Arts \/ & Sciences; here is a set of Antique Marble \/ busts of Emperors, Empresses & their Children \/ from Julius to Carinus with very few omissions \/ very useful as well for the likenesses as for[ii] to \/ shew the style of sculpture in the different \/ ages, amongst other works which for number \/ & beauty almost exceed description are the \/ following statues, Drunken Bacchus by M:l Angelo \/ A lesser Bacchus holding up a bunch of grapes \/ with a little faun sitting by his side by \/ Sansovino a cast of this in the Royal Academy \/ of London   Antiques \/ A group of Bacchus standing leaning on a faun, extraordinary grace in both the attitudes, the whole finely composed & exceeding ([i] crossed out; [ii] crossed through) Brown ink verso."}]}