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Centaurs \/ Another ([i] preceding two words crossed through in brown ink; [ii] preceding two words appear above the line) Brown ink recto."},{"id":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/37954\/inscription\/3","type":"LinguisticObject","classified_as":[{"id":"http:\/\/vocab.getty.edu\/aat\/300435414","type":"Type","_label":"Inscription Description"},{"id":"http:\/\/vocab.getty.edu\/aat\/300418049","type":"Type","_label":"Brief Text"}],"content":"the fall of Phaeton into the Po \/ the basrelief from which Raffaele copied \/ the Sacrifice of the Ox to Paul & Barna- \/ -bas, several Processions (copied by \/ Perrier) figures between 4 & 5 ft high \/ two Dogs nearly the [i] alike with scarce \/ any difference, the stands on each side of \/ the door as your[sic] enter the vestibule \/ they are the same as that sold at \/ Mr: Jennings's sale for a 1000\u00a3 \/ 2 of the[ii] as we know there are 3 it is \/ not impossible there were others, which is \/ the original? \/ In the Gallery are 2 fine portraits on of \/ Lawrence the Magnificent the other of \/ Cosmus father of his country painted by Vasari the singular eccellence \/ of these portraits prove, the historical painter \/ will always produce the best portraits \/ Vasari had great skill in the human figure which \/ he used extravagantly in history because he trusted \/ to his own invention, but in portraits the skill he possessed enabled him to copy nature the better \/ but the man who can go no farther the likeness is un...[?] will[iii] \/ to show a[iv] represent any of the contours or accidents of the human \/ figure ([i] preceding two words crossed through in brown ink; [ii] preceding three words crossed through in brown ink; [iii] preceding word crossed through in brown ink; [iv] preceding two words crossed through in brown ink) Brown ink verso."}]}