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also carved the mouldings with Egg & ton \/ que & leaves with different numbers of \/ points like those on the best Sarcophagi & c of \/ Antiquities with Arabesque friezes in \/ a fine taste, these decorations shew the \/ opportunies[sic] & judgment[sic] this Artist \/ possessed were very superior to his ([i] preceding word crossed through in brown ink; [ii] preceding two words crossed through in brown ink, following two above the line) Brown ink recto."},{"id":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/38140\/inscription\/3","type":"LinguisticObject","classified_as":[{"id":"http:\/\/vocab.getty.edu\/aat\/300435414","type":"Type","_label":"Inscription Description"},{"id":"http:\/\/vocab.getty.edu\/aat\/300418049","type":"Type","_label":"Brief Text"}],"content":"contempories northward, his abilities as \/ a builder are sufficiently established \/ by the permanence & perfection in which \/ this Cathderal & the Palazzo Vecchio \/ remain to this day, ' tho this Church \/ is of a more Square & heavy taste \/ than the Cathedral of Milan, the \/ Mosaics in the colored[sic] Marbles on white \/ ground, & the pure Antique greek orna- \/ -ments on the mouldings, & the Roman \/ orments[sic] on the Friezes give it a most beautiful effect in the parts, [?] is \/ the oldest building in Florences;[i] Lapo \/ died 1300 \/ Cimabue \/ born 1240 'tho he is[ii] found the Art of \/ painting, as practised by the Greek painters \/ (under whom he studied the rudiments] in the \/ very lowest state, their figures in general were in perpendicular upright Attitudes whether sitting \/ or standing. the heads standing erect on the \/ necks or leaning to one side in an unmean- ([i] preceding seven words crossed through in brown ink; [ii] preceding three words crossed through in brown ink) Brown ink verso."}]}