{"admin":{"added":1592951842000,"created":1312637261000,"flag":"Standard Record","id":"object-38141","indexed":1753725822748,"modified":1753696747000,"processed":1753725817637,"source":"adlib","stream":"fitz-online","uid":"adlib-object-38141","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/38141","uuid":"297f56fd-97bf-3f4f-b492-365bc1a39594","version":8},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-101697","uid":"adlib-term-101697","uuid":"613a191a-56ce-3317-8b6e-e5df00e65022"},"summary_title":"sketchbook"}],"component":[{"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37166","uid":"adlib-term-37166","uuid":"feba6d99-fb75-3d35-b009-236d788146f6"},"summary_title":"laid paper"}}],"name":"Support"},{"measurements":{"dimensions":[{"dimension":"Height","units":"mm","value":"213"},{"dimension":"Width","units":"mm","value":"150"}]},"name":"Leaf Size"}],"department":{"value":"Paintings, Drawings and Prints"},"identifier":[{"accession_number":"832\/5.f.17","primary":true,"type":"accession number","value":"832\/5.f.17"},{"priref":"38141","type":"priref","value":"38141"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/38141","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/38141"}],"inscription":[{"location":"upper right","method":"brown ink","transcription":[{"value":"17"}]},{"description":[{"value":"[i] previous four words crossed through in brown ink; [ii] previous two words crossed through in brown ink; [iii] previous two words crossed through in brown ink; [iii] previous two words crossed through in brown ink; [iv] previous word crossed through in brown ink; [v] previous word crossed through in brown ink"}],"location":"recto","method":"brown ink","transcription":[{"value":"-ing Manner, the limbs without drawing & \/ like sticks, the hands & feet without perspective \/ if in a front[i] figures appeared to stand on the \/ points of their toes & the attitudes of the other extre-[ii] limbs \/ -mities few, aukward[sic] & without meaning, the \/ draperies marked chiefly in straight lines \/ or& were[sic] they were bent, one following another; \/ in the picture he Cimabue painted for Santa Maria \/ Novella of the Virgin Mary as large as life \/ as life[iii] sitting with the Infant Jesus on her knee \/ with 3 Angels on each side, about 2 feet along \/ flying in Attitudes of devotion, in this he has[iv] \/ improved the art for 'tho he retained in it \/ general appearance of his predecessors works \/ he gave the Virgin a beautiful simple face \/ an easy turn to the head, he paid consider- \/ -able attention to the folds & their junchons[v] \/ joints in the drapery, he left out the hard \/ outlines the Greeks used to express the features \/ & rounded them & the folds of drapery with \/ Tender Shadows; this is I believe one of the \/ greatest things of Cimabue's remaining. \/ it is much in the style of the whole length \/ of Richard the 2d in Westminster Abbey \/ Andrea Tafi followed his master Cimabue's \/ style in the Mosaic of S:t John's Baptistery"}]},{"description":[{"value":"[i] crossed through in brown ink; [ii] preceding four words crossed through in brown ink; [iii] preceding word crossed through in brown ink; [iv] preceding word crossed through in brown ink; [v] preceding word crossed through in brown ink; [vi] preceding word crossed through in brown ink"}],"location":"verso","method":"brown ink","transcription":[{"value":"Giotto his \/ Cimabue's \/ pupil was \/ a prodigy of genius, his Mosaic picture of \/ of Our Savious stretching out his hand to save \/ peter who is sinking in the Waves, under the Porch \/ of S:t Peter's Church at Rome, is an astonishing \/ improvement on the works of his predecessors, the \/ figures in the boat &[i] S:t Peter & Our Saviour \/ is a well studied composition, is much like \/ the same subject by Ghiberti on one of the gates of \/ the Baptistery & seems to be the foundation \/ of all the compositions of the same subject \/ there are 4 persons in the clouds above \/ looking down on Peter & in the 2 sides lower than \/ corners in[ii] above the Sea are 2 Tritons winds[iii] blowing \/ horns, the figures have figures[iv] natural good \/ heads, cab[v] attitudes well expressed, draperies \/ understood, & a fine &[vi] expression. & just senti- \/ -ment 'thro the whole, he has aimed at giving a Superior Character to Our Saviour, by making \/ the head look straight forward, which however \/ gives stiffness & makes him seem regardless \/ of Peter, in one of the corners of this picture behind \/ our Saviour a Bishop's head is seen in the \/ other corner a man fishing in the Sea"}]}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-153239","uid":"adlib-agent-153239","uuid":"d8e74e61-a4a9-37b7-9e13-326601bb5bec"},"summary_title":"Murray, Charles Fairfax"}],"date":[{"earliest":1916,"latest":1912,"value":"1916-12"}],"method":{"value":"given"}}],"creation":[{"maker":[{"@link":{"role":[{"value":"draughtsman"}],"type":"reference"},"admin":{"id":"agent-45771","uid":"adlib-agent-45771","uuid":"b9e1e92c-edf1-3a4c-a4eb-f5fbaae070a3"},"summary_title":"Flaxman, John"}]}]},"medium":[{"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106299","uid":"adlib-term-106299","uuid":"3926a617-f986-3db0-a8cd-7d8071aa7a46"},"summary_title":"brown ink"}}]}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-101697","uid":"adlib-term-101697","uuid":"613a191a-56ce-3317-8b6e-e5df00e65022"},"summary_title":"sketchbook"}}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9168","uid":"adlib-term-9168","uuid":"6b0c59e1-73cc-3b5c-8e54-56f42806ba6f"},"summary_title":"British"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-101697","uid":"adlib-term-101697","uuid":"613a191a-56ce-3317-8b6e-e5df00e65022"},"summary_title":"sketchbook"}},"summary_title":"sketchbook","techniques":[{"description":[{"value":"pen and brown ink on laid paper"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-27007","uid":"adlib-term-27007","uuid":"326f020c-e0a2-3e7f-8f96-c7ad94fe8767"},"summary_title":"handwriting"}}],"title":[{"type":"recto; assigned","value":"Florentine artists: Cimabue: (continued from f.16 verso); painting for the Santa Maria Novella of the Virgin Mary with Christ child on her knee and angels; Andrea Tafi and the mosaic of St John's Baptistery"},{"type":"verso; assigned","value":"Florentine artists: Giotto: mosaic of God saving St Peter"}],"type":{"base":"object","type":"OBJECT"}}