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Perspective of the human figure, Anatomy, Proportions, Drapery, Composition and Style"}]}]}],"carries":[{"id":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/38322\/inscription\/1","type":"LinguisticObject","classified_as":[{"id":"http:\/\/vocab.getty.edu\/aat\/300435414","type":"Type","_label":"Inscription Description"},{"id":"http:\/\/vocab.getty.edu\/aat\/300418049","type":"Type","_label":"Brief Text"}],"content":"in the above quotation from Pliny & Pausanias \/ we see the progress of the principles of the Arts of \/ design, from the beginning to[i] first attempts to \/ the Time of Phidias; let us now take these[ii] \/ let now illustrate[iii] consider these elements according \/ to the order of their discovery, & as they are only \/ indicated in the 2 Authors abovementioned, their \/ illustration & explanation must be given from \/ the remaining works of the ancient artists always \/ submitting that which is advanced to tryal[sic] of these \/ ancient authors whenever it may be necessary \/ we shall consider these principles under the \/ following heads \/ 1 Motion \/ 2 Character \/ 3 Perpective of the \/ Human figure \/ 4 Anatomy \/ 5 Proportions \/ 6 Drapery \/ 7 Composition \/ 8 Style ([i] preceding two words crossed through in brown ink; [ii] preceding three words crossed through in brown ink; [iii] preceding word crossed through in brown ink) Brown ink recto."},{"id":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/38322\/inscription\/2","type":"LinguisticObject","classified_as":[{"id":"http:\/\/vocab.getty.edu\/aat\/300435414","type":"Type","_label":"Inscription Description"},{"id":"http:\/\/vocab.getty.edu\/aat\/300418049","type":"Type","_label":"Brief Text"}],"content":"Motion - can be placed \/ The most simple position in which the human figure - \/ is when the human figure[i] it stands perfectly erect \/ resting on[ii] equally on both feet in which case the \/ center of gravity falls from the gullet between the \/ intersecting the pit of the stomach & the[iv] naveal conti- \/ -nuing its perpendicular equally between the knees & ancles[sic] \/ to the ground, as this is the simplest position, so \/ it naturally became the first object of imitation \/ for Art such as we see in the early Egyptian \/ Statues & it is most likely the early greek \/ statues were the same from the supposition \/ of the next article \/ 1st variation from Inaction in the standing \/ figure, when it is poised on one leg, the centre of gravity falls from the gullet on that side of \/ the pit of the stomach & naval next to the leg \/ which supports the weight; it intersects the upper[iii] lower \/ part of the Femur & upper part of the Tibia \/ just on the inside of the knee of the standing leg \/ it continues its perpendicular intersection thro' \/ thro the inner ancle to the ground: in this action \/ from the shoulder to the bottom of the ribs on the side \/ of the standing leg is lower than the other side of \/ the body, on the[v] whilst the ilium or[vi] hip-bone \/ the knee & the ancle are lower than on the same \/ side are higher than the opposite \/ fig 1 & 2 A ([i] preceding three words crossed through in brown ink; [ii] preceding word crossed through in brown ink; [iii] preceding two words crossed through in brown ink; [iv] preceding word crossed through in brown ink; [v] preceding two words crossed through in brown ink; [vi] preceding three words crossed through in brown ink) Brown ink verso."}]}