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did not excel Hippocrates in this science. \/ hence it follows that as those Illustrious artists \/ had not the same[i] advantage of an intimate \/ knowledge of the muscular forms by means \/ of dissection in order to produce the eccelent[sic] \/ works which they have left, they must have \/ made amends for that defect by a more \/ diligent study of the living figure under all it's forms & circumstances \/ assisted by Philosophy & Geometry \/ In what manner the different Char[ii] Anatomical \/ Character of the figure was ascertained according to \/ the gradations of Divine, Heroic, & Common Nature \/ we may determine by the following observations \/ In the early productions of Art in every Country \/ Divinities & men are represented by forms copied from Common \/ Nature \/ When[iii] Philosophy afterwards teaches that \/ supernatural beings shou[iv] should be represented \/ X Pliny l34: C: 8"}]},{"description":[{"value":"the following in grey ink: [i] preceding word crossed through; [ii] preceding word crossed through; [iii] preceding four words crossed through; [iv] preceding word crossed through"}],"location":"verso","method":"grey ink","transcription":[{"value":"human forms in their perfect simple[i] principles, the divisions \/ being few, & those, simple[ii] Geometrical figures little \/ compounded, these simple representations as they \/ repres express[iii] of first principles express the Ideas of \/ sublimity & perfection X \/ Common life must be represented by a faithful representation[iv] copy of Common Nature \/ Note X In the statue of Apollo Belvidere, the figures \/ of Monte cavallo the Copy from the Gem of Mercury \/ in this book, &c the pectoral muscles are of a curve \/ little compounded, the lines of the ribs almost half \/ a circle the division of the Abdomenal muscles \/ by the Linea Albis a perpendicular line intersected \/ at right angles, the Thigh is little divided the \/ general form of the knee is nearly an oval, the interior \/ line of the 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