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        <units>mm</units>
        <value>230</value>
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    <value>Paintings, Drawings and Prints</value>
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    <accession_number>832/7.f.23</accession_number>
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    <location>upper right</location>
    <method>grey ink</method>
    <transcription>
      <value>14</value>
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  <inscription>
    <location>upper right</location>
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      <value>23</value>
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    <description>
      <value>the following in grey ink: [i] preceding word crossed through; [ii] preceding word crossed through; [iii] preceding word crossed through; [iv] preceding word crossed through</value>
    </description>
    <location>recto</location>
    <method>grey ink</method>
    <transcription>
      <value>As the Physician and the Surgeon must be / better acquainted with Anatomy than the / painter or Sculptor, we must therefore beleive[sic] / that the artists of the age of Hippocrates / Phidias, Alcamenes, Critias Praxiteles X &amp;c &amp;c / did not excel Hippocrates in this science. / hence it follows that as those Illustrious artists / had not the same[i] advantage of an intimate / knowledge of the muscular forms by means / of dissection in order to produce the eccelent[sic] / works which they have left, they must have / made amends for that defect by a more / diligent study of the living figure under all it's forms &amp; circumstances / assisted by Philosophy &amp; Geometry / In what manner the different Char[ii] Anatomical / Character of the figure was ascertained according to / the gradations of Divine, Heroic, &amp; Common Nature / we may determine by the following observations / In the early productions of Art in every Country / Divinities &amp; men are represented by forms copied from Common / Nature / When[iii] Philosophy afterwards teaches that / supernatural beings shou[iv] should be represented / X Pliny l34: C: 8</value>
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  <inscription>
    <description>
      <value>the following in grey ink: [i] preceding word crossed through; [ii] preceding word crossed through; [iii] preceding four words crossed through; [iv] preceding word crossed through</value>
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    <location>verso</location>
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    <transcription>
      <value>human forms in their perfect simple[i] principles, the divisions / being few, &amp; those, simple[ii] Geometrical figures little / compounded, these simple representations as they / repres express[iii] of first principles express the Ideas of / sublimity &amp; perfection X / Common life must be represented by a faithful representation[iv] copy of Common Nature / Note X In the statue of Apollo Belvidere, the figures / of Monte cavallo the Copy from the Gem of Mercury / in this book, &amp;c the pectoral muscles are of a curve / little compounded, the lines of the ribs almost half / a circle the division of the Abdomenal muscles / by the Linea Albis a perpendicular line intersected / at right angles, the Thigh is little divided the / general form of the knee is nearly an oval, the interior / line of the Tibia from the lower Apophysis[iv] head of the / said bone to the inner Ancle[sic], as nearly a regular curve / of 30 degrees - the Anatomical divisions of figures / in violent action as the Group of the Boxers, the figure commonly called the fighting Gladiator, their / Anatomical forms will be ascertained by subjects of / common nature</value>
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    <summary_title>The Fitzwilliam Museum</summary_title>
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        <summary_title>Murray, Charles Fairfax</summary_title>
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        <earliest>1916</earliest>
        <latest>1912</latest>
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        <summary_title>Flaxman, John</summary_title>
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    <value>Anatomy: the artist concentrating on the study of the living form; anatomical character of the Divine, Heroic and Common Nature</value>
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    <value>Anatomy: continuation of recto; a note on musculature representation</value>
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