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characteristic of Unity & from \/ it is produced variety. \/ 3 by Gentle variations of the Simple the Beautiful \/ is produced \/ 4 by the Gentle Motion of the simple the graceful \/ is produced \/ 5 by violent variation the[i] or motion the \/ Passionate & Deformed are produced \/ These principles are evident to the Understanding \/ sinsible[sic] representations must be regulated by them \/ The Character of Jupiter holds the first rank \/ amongst the Divinities represented by the Greeks \/ It was necessary that he should be Beautiful in \/ form, Strong in Size, perfect in Age, Awefull[sic] in \/ Countenance \/ The characterss of the Gods are more simple than inferior Characters, & so on to the lowest classes of \/ Humanity \/ Ch[ii] Jupiter. \/ Beautiful in form, Strong in size, perfect in Age, Awefull[sic] in Countenance. the above of jupiter[iii] be (the following in brown ink: [i] preceding word crossed through; [ii] preceding word crossed through; [iii] preceding four words crossed through) Brown ink recto."},{"id":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/38733\/inscription\/4","type":"LinguisticObject","classified_as":[{"id":"http:\/\/vocab.getty.edu\/aat\/300435414","type":"Type","_label":"Inscription Description"},{"id":"http:\/\/vocab.getty.edu\/aat\/300418049","type":"Type","_label":"Brief Text"}],"content":"appears to be of 40 years[i] a middle age a period in which the strength \/ of[ii] & activity of Man[iii] Man is the same as at any \/ earlier period of man-hood, & his Understanding is \/ more perfect[iv] in its full force & perfection. \/ + In the forehead & nose of this Divinenity[sic] \/ as well as in the disposition of his hair, there is \/ a strong resemblance to the upper part of a Lion's \/ face & mane, which gives terror to his Countenance. \/ Apollo \/ Is the next perfect character amongst the gods \/ next[v] to his father Jupiter, & appears exactly what He might \/ be supposed to be, when just arrived at the age of \/ perfect manhood \/ Bacchus \/ resembles Apollo so strongly that they might often \/ be mistaken, * were it not for their symbols, \/ however he may generally known by the delicate luxury \/ of his forms, & the ease of his attitude \/ the sway of his figure, is grace in the extreme, when \/ he reclines on Ampelus, or Acratus or sometimes \/ a Muse, in which situation he is often seen. \/ Mercury \/ His character regulated by his office[vi] is less elevated than the foregoing \/ his hair is short, his figure is more fleshy, his muscles \/ more stout, & in the whole re[vii] on account of his \/ + this remark is Winckelman's made by him on the bust \/ in Round hall of the Vatican Museum \/ * Winckelman (the following in brown ink: [i] preceding two words crossed through, following four above the line; [ii] preceding word crossed through; [iii] preceding word crossed through; [iv] preceding two words crossed through; [v] preceding word crossed through; [vi] preceding four words above the line; [vii] preceding five words crossed through) Brown ink verso."}]}