<?xml version="1.0"?>
<root>
  <admin>
    <added>1592990989000</added>
    <created>1312637261000</created>
    <flag>Standard Record</flag>
    <id>object-38733</id>
    <indexed>1753725820364</indexed>
    <modified>1753697416000</modified>
    <processed>1753725816774</processed>
    <source>adlib</source>
    <stream>fitz-online</stream>
    <uid>adlib-object-38733</uid>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/38733</uri>
    <uuid>85017557-8e86-3b90-af26-6267f97c3ad2</uuid>
    <version>8</version>
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    <summary_title>sketchbook</summary_title>
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        <summary_title>laid paper</summary_title>
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    <name>Support</name>
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  <component>
    <measurements>
      <dimensions>
        <dimension>Height</dimension>
        <units>mm</units>
        <value>230</value>
      </dimensions>
      <dimensions>
        <dimension>Width</dimension>
        <units>mm</units>
        <value>169</value>
      </dimensions>
    </measurements>
    <name>Leaf</name>
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  <department>
    <value>Paintings, Drawings and Prints</value>
  </department>
  <identifier>
    <accession_number>832/7.f.39</accession_number>
    <primary>1</primary>
    <type>accession number</type>
    <value>832/7.f.39</value>
  </identifier>
  <identifier>
    <priref>38733</priref>
    <type>priref</type>
    <value>38733</value>
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  <identifier>
    <type>uri</type>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/38733</uri>
    <value>https://data.fitzmuseum.cam.ac.uk/id/object/38733</value>
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  <inscription>
    <location>upper right corner</location>
    <method>graphite</method>
    <transcription>
      <value>39</value>
    </transcription>
  </inscription>
  <inscription>
    <description>
      <value>the first word crossed through in brown ink</value>
    </description>
    <location>recto, upper right</location>
    <method>brown ink</method>
    <transcription>
      <value>Definitions / Scholia</value>
    </transcription>
  </inscription>
  <inscription>
    <description>
      <value>the following in brown ink: [i] preceding word crossed through; [ii] preceding word crossed through; [iii] preceding four words crossed through</value>
    </description>
    <location>recto</location>
    <method>brown ink</method>
    <transcription>
      <value>Character / 1 The source of the Sublime, is Unity, from which / is generated Multitude. / 2 Simplicity is a characteristic of Unity &amp; from / it is produced variety. / 3 by Gentle variations of the Simple the Beautiful / is produced / 4 by the Gentle Motion of the simple the graceful / is produced / 5 by violent variation the[i] or motion the / Passionate &amp; Deformed are produced / These principles are evident to the Understanding / sinsible[sic] representations must be regulated by them / The Character of Jupiter holds the first rank / amongst the Divinities represented by the Greeks / It was necessary that he should be Beautiful in / form, Strong in Size, perfect in Age, Awefull[sic] in / Countenance / The characterss of the Gods are more simple than inferior Characters, &amp; so on to the lowest classes of / Humanity / Ch[ii] Jupiter. / Beautiful in form, Strong in size, perfect in Age, Awefull[sic] in Countenance. the above of jupiter[iii] be</value>
    </transcription>
  </inscription>
  <inscription>
    <description>
      <value>the following in brown ink: [i] preceding two words crossed through, following four above the line; [ii] preceding word crossed through; [iii] preceding word crossed through; [iv] preceding two words crossed through; [v] preceding word crossed through; [vi] preceding four words above the line; [vii] preceding five words crossed through</value>
    </description>
    <location>verso</location>
    <method>brown ink</method>
    <transcription>
      <value>appears to be of 40 years[i] a middle age a period in which the strength / of[ii] &amp; activity of Man[iii] Man is the same as at any / earlier period of man-hood, &amp; his Understanding is / more perfect[iv] in its full force &amp; perfection. / + In the forehead &amp; nose of this Divinenity[sic] / as well as in the disposition of his hair, there is / a strong resemblance to the upper part of a Lion's / face &amp; mane, which gives terror to his Countenance. / Apollo / Is the next perfect character amongst the gods / next[v] to his father Jupiter, &amp; appears exactly what He might / be supposed to be, when just arrived at the age of / perfect manhood / Bacchus / resembles Apollo so strongly that they might often / be mistaken, * were it not for their symbols, / however he may generally known by the delicate luxury / of his forms, &amp; the ease of his attitude / the sway of his figure, is grace in the extreme, when / he reclines on Ampelus, or Acratus or sometimes / a Muse, in which situation he is often seen. / Mercury / His character regulated by his office[vi] is less elevated than the foregoing / his hair is short, his figure is more fleshy, his muscles / more stout, &amp; in the whole re[vii] on account of his / + this remark is Winckelman's made by him on the bust / in Round hall of the Vatican Museum / * Winckelman</value>
    </transcription>
  </inscription>
  <institutions>
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      <type>reference</type>
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    <admin>
      <id>agent-149638</id>
      <uid>adlib-agent-149638</uid>
      <uuid>7376d833-d0a7-3be0-916e-9c892b7a24d8</uuid>
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    <summary_title>The Fitzwilliam Museum</summary_title>
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    <acquisition>
      <agents>
        <link>
          <type>reference</type>
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        <admin>
          <id>agent-153239</id>
          <uid>adlib-agent-153239</uid>
          <uuid>d8e74e61-a4a9-37b7-9e13-326601bb5bec</uuid>
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        <summary_title>Murray, Charles Fairfax</summary_title>
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      <date>
        <earliest>1916</earliest>
        <latest>1912</latest>
        <value>1916-12</value>
      </date>
      <method>
        <value>given</value>
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    <creation>
      <maker>
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          <role>
            <value>draughtsman</value>
          </role>
          <type>reference</type>
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          <id>agent-45771</id>
          <uid>adlib-agent-45771</uid>
          <uuid>b9e1e92c-edf1-3a4c-a4eb-f5fbaae070a3</uuid>
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        <summary_title>Flaxman, John</summary_title>
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  <medium>
    <materials>
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        <link>
          <type>reference</type>
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          <id>term-106299</id>
          <uid>adlib-term-106299</uid>
          <uuid>3926a617-f986-3db0-a8cd-7d8071aa7a46</uuid>
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        <summary_title>brown ink</summary_title>
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      <type>reference</type>
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      <id>media-209879</id>
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            <dimension>height</dimension>
            <units>pixels</units>
            <value>1301</value>
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          <dimensions>
            <dimension>width</dimension>
            <units>pixels</units>
            <value>1024</value>
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        <modified>1742599465685</modified>
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      <id>media-209880</id>
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      <summary_title>sketchbook</summary_title>
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    <summary_title>British</summary_title>
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      <summary_title>sketchbook</summary_title>
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  <summary_title>sketchbook</summary_title>
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    <description>
      <value>pen and brown ink on laid paper</value>
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      <summary_title>handwriting</summary_title>
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    <type>recto</type>
    <value>Character</value>
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  <title>
    <type>verso; assigned</type>
    <value>Continuation of recto; descriptions of the character of Apollo, Bacchus and Mercury</value>
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  <type>
    <base>object</base>
    <type>OBJECT</type>
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