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    <created>1312637261000</created>
    <flag>Standard Record</flag>
    <id>object-40849</id>
    <indexed>1760552814378</indexed>
    <modified>1752756557000</modified>
    <processed>1760552463152</processed>
    <source>adlib</source>
    <stream>fitz-online</stream>
    <uid>adlib-object-40849</uid>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/40849</uri>
    <uuid>da61ce62-bf58-3e34-9b37-3dd693d8efda</uuid>
    <version>8</version>
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      <id>term-101770</id>
      <uid>adlib-term-101770</uid>
      <uuid>fdd215ec-c870-34b9-9c8f-1a52d081aeaf</uuid>
    </admin>
    <summary_title>pamphlet</summary_title>
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  <component>
    <materials>
      <reference>
        <link>
          <type>reference</type>
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          <id>term-106206</id>
          <uid>adlib-term-106206</uid>
          <uuid>da969d02-66a2-3e51-8dde-d1d8613f2ff6</uuid>
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        <summary_title>paper</summary_title>
      </reference>
    </materials>
    <name>Support</name>
  </component>
  <component>
    <measurements>
      <dimensions>
        <dimension>Height</dimension>
        <units>mm</units>
        <value>330</value>
      </dimensions>
      <dimensions>
        <dimension>Width</dimension>
        <units>mm</units>
        <value>190</value>
      </dimensions>
    </measurements>
    <name>Leaf</name>
  </component>
  <department>
    <value>Paintings, Drawings and Prints</value>
  </department>
  <description>
    <value>Five leaves of ruled, laid paper, bound together with white thread and burgundy coloured ribbon, to form a booklet. Leaves inscribed recto and verso.
Found inside front cover of sketchbook No. 832.12Ff. 1, 3,4 and 5 bear Brittania watermark. F.2 bears the watermark: 'T JAMES / 1826'</value>
  </description>
  <identifier>
    <accession_number>832/12.A.f.1</accession_number>
    <primary>1</primary>
    <type>accession number</type>
    <value>832/12.A.f.1</value>
  </identifier>
  <identifier>
    <priref>40849</priref>
    <type>priref</type>
    <value>40849</value>
  </identifier>
  <identifier>
    <type>uri</type>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/40849</uri>
    <value>https://data.fitzmuseum.cam.ac.uk/id/object/40849</value>
  </identifier>
  <inscription>
    <location>recto</location>
    <method>ink</method>
    <transcription>
      <value>Introduction / Education may be distinguished into Theoretical, / and Practical, Theory supplies our minds with the / principles of science from which rules are deduced / for our future practise, and indeed the latter must / be considered as immediately succeeding the former by natural connexion[sic] &amp; certain consequence, rather than / as distinct and independent of Theory. / In a general view of Human knowledge and exertion, / we shall find they have invariably co-operated in / whatever has been done most useful and most excellent / In Universities and the greater Public schools. Literature / and science are taught upon a scale sufficiently extensive / to furnish principles and Theory for the practice of every useful / Art and Employment, for the same reason in Colleges and / Institutions established for less general purposes and con / =fined to the cultivation of particular science or Arts, their / systems of Education become more valuable and effective / as they promote a diligent and successful practice upon / upon the principles of a sound and rational Theory. / The Royal Academy situated in this palace / by the munificence of our revered sovereign King / George the 3d. has continued it's exertions without ceasing / for the improvement of the schools, by their united labors[sic] / in supporting it's funds, by supplying the best living / models, casts from the finest specimens of Antiquity for the / students imitation and practice, and by rewards for the / encouragement of distinguished merit.</value>
    </transcription>
  </inscription>
  <inscription>
    <location>verso</location>
    <method>ink</method>
    <transcription>
      <value>To these advantages a noble Library has been added containing / the most approved works on Painting Sculpture and / Architecture, opened twice a week to the Members and / Students, and to render this system as perfect as possible / and unite the most approved principles with a diligent prac / =tice, professors of eminent merit in Painting, Architecture / Perspective and Anatomy have been appointed to deliver public / instruction, the professorship or Sculpture has been added within / these few years, which in relation to the vale &amp; beauty / of the art it is intended to illustrate may justly be considered / as a valuable addition and it were devoutly to be wished a person had been raised to this office capable of honoring[sic] / his art by the Eloquence of his discourses and the excellence / of his discourses and the excellence of his practice. / A reference to the advantages of Education &amp; Materials / for study in this Institution will immediately renew / sentiments of gratitude towards our Patron the Prince / Regent for the extensive magnificent and Invaluable / collections of casts from the most sublime works of / Greek sculpture given by H.R.H. to the Academy. / This collection was executed with great skill and / precision from the original marbles to supply their places on the pedestals of their prototypes, when those / originals became the prey of barbarous rapacity - / The pillage was restored by the interference of British / justice and the Regent's magnanimous councils, The / Sovereign pontif in acknowledgement presented these / casts to the Regent, His Royal mind preferring public / advantage to individual gratification, bestowed them on / the Schools of Design to disseminate Taste, promote know / =ledge, an equal gratification to the Artist and Connoisseur / and an invaluable subject of contemplation and Study / to the Painter and Sculptor.</value>
    </transcription>
  </inscription>
  <institutions>
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      <type>reference</type>
    </link>
    <admin>
      <id>agent-149638</id>
      <uid>adlib-agent-149638</uid>
      <uuid>7376d833-d0a7-3be0-916e-9c892b7a24d8</uuid>
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    <summary_title>The Fitzwilliam Museum</summary_title>
  </institutions>
  <lifecycle>
    <acquisition>
      <agents>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>agent-153239</id>
          <uid>adlib-agent-153239</uid>
          <uuid>d8e74e61-a4a9-37b7-9e13-326601bb5bec</uuid>
        </admin>
        <summary_title>Murray, Charles Fairfax</summary_title>
      </agents>
      <date>
        <earliest>1916</earliest>
        <latest>1912</latest>
        <value>1916-12</value>
      </date>
      <method>
        <value>given</value>
      </method>
    </acquisition>
    <creation>
      <maker>
        <link>
          <qualifier>?</qualifier>
          <role>
            <value>draughtsman</value>
          </role>
          <type>reference</type>
        </link>
        <admin>
          <id>agent-45771</id>
          <uid>adlib-agent-45771</uid>
          <uuid>b9e1e92c-edf1-3a4c-a4eb-f5fbaae070a3</uuid>
        </admin>
        <summary_title>Flaxman, John</summary_title>
      </maker>
      <note>
        <value>Possibly not Flaxman's hand (see watermark and date of death of artist).</value>
      </note>
    </creation>
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          <type>reference</type>
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          <id>term-32656</id>
          <uid>adlib-term-32656</uid>
          <uuid>71b38be4-d251-39f7-8e2d-a0df2dd6e135</uuid>
        </admin>
        <summary_title>ink</summary_title>
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    </materials>
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  <name>
    <reference>
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        <type>reference</type>
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      <admin>
        <id>term-102337</id>
        <uid>adlib-term-102337</uid>
        <uuid>dcd9270a-081e-3495-9cca-52c4cea5a94d</uuid>
      </admin>
      <summary_title>inscription</summary_title>
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      <cascade>1</cascade>
      <type>reference</type>
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    <admin>
      <id>object-41076</id>
      <uid>adlib-object-41076</uid>
      <uuid>93a20393-de53-3900-89a9-8cc330a8c862</uuid>
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          <impact>1</impact>
          <type>reference</type>
          <workflow>1</workflow>
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          <id>term-101697</id>
          <uid>adlib-term-101697</uid>
          <uuid>613a191a-56ce-3317-8b6e-e5df00e65022</uuid>
        </admin>
        <summary_title>sketchbook</summary_title>
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    </summary>
    <summary_title>sketchbook</summary_title>
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      <type>reference</type>
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    <admin>
      <id>agent-149638</id>
      <uid>adlib-agent-149638</uid>
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    <summary_title>The Fitzwilliam Museum</summary_title>
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      <type>reference</type>
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    <admin>
      <id>term-9168</id>
      <uid>adlib-term-9168</uid>
      <uuid>6b0c59e1-73cc-3b5c-8e54-56f42806ba6f</uuid>
    </admin>
    <summary_title>British</summary_title>
  </school_or_style>
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    <reference>
      <link>
        <type>reference</type>
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      <admin>
        <id>term-102337</id>
        <uid>adlib-term-102337</uid>
        <uuid>dcd9270a-081e-3495-9cca-52c4cea5a94d</uuid>
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      <summary_title>inscription</summary_title>
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  </summary>
  <summary_title>inscription</summary_title>
  <techniques>
    <description>
      <value>pen and ink on ruled paper</value>
    </description>
    <reference>
      <link>
        <type>reference</type>
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      <admin>
        <id>term-27007</id>
        <uid>adlib-term-27007</uid>
        <uuid>326f020c-e0a2-3e7f-8f96-c7ad94fe8767</uuid>
      </admin>
      <summary_title>handwriting</summary_title>
    </reference>
  </techniques>
  <title>
    <value>'Introduction'</value>
  </title>
  <type>
    <base>object</base>
    <type>OBJECT</type>
  </type>
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