<?xml version="1.0"?>
<root>
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    <added>1592951854000</added>
    <created>1312637261000</created>
    <flag>Standard Record</flag>
    <id>object-40851</id>
    <indexed>1760552815545</indexed>
    <modified>1753697824000</modified>
    <processed>1760552463152</processed>
    <source>adlib</source>
    <stream>fitz-online</stream>
    <uid>adlib-object-40851</uid>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/40851</uri>
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    <version>9</version>
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      <uid>adlib-term-101770</uid>
      <uuid>fdd215ec-c870-34b9-9c8f-1a52d081aeaf</uuid>
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    <summary_title>pamphlet</summary_title>
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      <type>reference</type>
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      <id>term-101697</id>
      <uid>adlib-term-101697</uid>
      <uuid>613a191a-56ce-3317-8b6e-e5df00e65022</uuid>
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    <summary_title>sketchbook</summary_title>
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  <component>
    <materials>
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          <type>reference</type>
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          <id>term-106206</id>
          <uid>adlib-term-106206</uid>
          <uuid>da969d02-66a2-3e51-8dde-d1d8613f2ff6</uuid>
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        <summary_title>paper</summary_title>
      </reference>
    </materials>
    <name>Support</name>
  </component>
  <component>
    <measurements>
      <dimensions>
        <dimension>Height</dimension>
        <units>mm</units>
        <value>330</value>
      </dimensions>
      <dimensions>
        <dimension>Width</dimension>
        <units>mm</units>
        <value>190</value>
      </dimensions>
    </measurements>
    <name>Leaf</name>
  </component>
  <department>
    <value>Paintings, Drawings and Prints</value>
  </department>
  <identifier>
    <accession_number>832/12.A.f.2</accession_number>
    <primary>1</primary>
    <type>accession number</type>
    <value>832/12.A.f.2</value>
  </identifier>
  <identifier>
    <priref>40851</priref>
    <type>priref</type>
    <value>40851</value>
  </identifier>
  <identifier>
    <type>uri</type>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/40851</uri>
    <value>https://data.fitzmuseum.cam.ac.uk/id/object/40851</value>
  </identifier>
  <inscription>
    <location>recto</location>
    <method>ink</method>
    <transcription>
      <value>Permit me to deviate from the direct scope of my subject a / few moments into short but important arguments on the equal / Injustice &amp; Impolicy[sic] of removing the works of Ancient sculpture / from Italy - we will begin with the Injustice as the most / immediately atrocious, although the consequences of such acts will generally prove they were counselled by folly, / The City of Rome since Constantine removed the seat / of Empire to Constantinople has been burnt seven times, / which in addition to the several calamities of Famine, / Pestilence Sieges Tumults with the natural decay / produced by time itself was reduced to a condition so / dispoiled[sic] and ruinous that only six statues were enu / =merated by a diligent observer Poggi in the beginning / of the 15.th Ceny within the walls the rest had long been buried under the mouldering fragments and rubbish of / Palaces and Temples, once decorations of the Impe / =rial City in her splendor[sic] - from the latter end of / the 15.th Century the Pontiffs, Italian Princes &amp; Nobility / have with great labor and expence[sic] rescued these won / =ders of ancient art from the bowels of the earth, restored / their mutilated forms, placed them in Galleries and / Museums and with a liberality which the real love / of knowledge alone inspires have given the learned / traveller and artist of all conditions and countries / free access to their Treasures - be it known[deleted] remembered / that the ancient Romans despoilers of Greece, have long since quitted this / stage of life - the Despoiled Greeks have also long since been swept / away in the lapse of time so that their successors in name &amp; territory / of the present day a various mixture of barbarous nations neither[deleted] / neither know nor are interested in the possessions or sufferings of / their long past predecessors and changes and destruction of sue- / =ceeding / ages have enveloped the memory of their descendants in / such impenetrable darkness that we are uncertain whether any / race or even particular family now living can fairly claim</value>
    </transcription>
  </inscription>
  <inscription>
    <location>verso</location>
    <method>ink</method>
    <transcription>
      <value>the distinction of being their direct representatives - / as they cannot now be restored to their original owners, / who can justly and reasonably plead so good a claim to / their possessions as those whose Intelligence, exertions / and benevolence have rescued these precious remains from their graves and generously given them to the public / for the purpose of promoting knowledge and raising the / intelligence to elevated and worth pursuits? / These precious remains were not obtained by the / Italian Nobles without considerable expence[sic] for the Medici / Family appear to have paid 1800 Crowns for the group of / boxers when it was first found, one of the figures being / headless which sum is more than equal to 2000 &#xA3; value / of our money in England at this day and Cardinal / Borghese / built the front of a Church in recompence[sic] / for the beautiful statue of Hermaphrodite lately in the / Borghese Villa on the Pincian Hill, we may form some opinion of the sums expended in restoring the / works of Antiquity from the following instance, / A beautiful and extensive mosaic pavement con / =taining two every large circular friezes of figures, / the subject of one the battle of the Lapithae[sic] and Centaurs, / the other[deleted] subject of the other Tritons &amp; sea monsters, this / was brought to Rome by order of Pope Pius 6th laid down / and restored in the great Hall of the Vatican at the expence[sic] of 60,000 crowns about the value of 30,000 &#xA3; of our present / money in England. / Every person desiring to complete a liberal Education / receives the rudiments in a School preparatory to / finishing his studies in a University - a like proceeding / is requisite to educate a painter or sculptor, he com / =mences his studies in his native Academy, and afterwards / goes to Italy to make himself acquainted with the originals / of those casts and prints he has copied in his own Country,</value>
    </transcription>
  </inscription>
  <institutions>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>agent-149638</id>
      <uid>adlib-agent-149638</uid>
      <uuid>7376d833-d0a7-3be0-916e-9c892b7a24d8</uuid>
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    <summary_title>The Fitzwilliam Museum</summary_title>
  </institutions>
  <lifecycle>
    <acquisition>
      <agents>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>agent-153239</id>
          <uid>adlib-agent-153239</uid>
          <uuid>d8e74e61-a4a9-37b7-9e13-326601bb5bec</uuid>
        </admin>
        <summary_title>Murray, Charles Fairfax</summary_title>
      </agents>
      <date>
        <earliest>1916</earliest>
        <latest>1912</latest>
        <value>1916-12</value>
      </date>
      <method>
        <value>given</value>
      </method>
    </acquisition>
    <creation>
      <maker>
        <link>
          <qualifier>?</qualifier>
          <role>
            <value>draughtsman</value>
          </role>
          <type>reference</type>
        </link>
        <admin>
          <id>agent-45771</id>
          <uid>adlib-agent-45771</uid>
          <uuid>b9e1e92c-edf1-3a4c-a4eb-f5fbaae070a3</uuid>
        </admin>
        <summary_title>Flaxman, John</summary_title>
      </maker>
      <note>
        <value>Possibly not Flaxman's hand (see watermark and date of death of artist).</value>
      </note>
    </creation>
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    <materials>
      <reference>
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          <type>reference</type>
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          <id>term-32656</id>
          <uid>adlib-term-32656</uid>
          <uuid>71b38be4-d251-39f7-8e2d-a0df2dd6e135</uuid>
        </admin>
        <summary_title>ink</summary_title>
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        <type>reference</type>
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      <admin>
        <id>term-101697</id>
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      <summary_title>sketchbook</summary_title>
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    <link>
      <cascade>1</cascade>
      <type>reference</type>
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    <admin>
      <id>object-41076</id>
      <uid>adlib-object-41076</uid>
      <uuid>93a20393-de53-3900-89a9-8cc330a8c862</uuid>
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          <impact>1</impact>
          <type>reference</type>
          <workflow>1</workflow>
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        <summary_title>sketchbook</summary_title>
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    <summary_title>sketchbook</summary_title>
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  <owners>
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    <admin>
      <id>agent-149638</id>
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    <summary_title>The Fitzwilliam Museum</summary_title>
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  <school_or_style>
    <link>
      <type>reference</type>
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    <admin>
      <id>term-9168</id>
      <uid>adlib-term-9168</uid>
      <uuid>6b0c59e1-73cc-3b5c-8e54-56f42806ba6f</uuid>
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    <summary_title>British</summary_title>
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  <summary>
    <reference>
      <link>
        <type>reference</type>
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      <summary_title>sketchbook</summary_title>
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  </summary>
  <summary_title>sketchbook</summary_title>
  <techniques>
    <description>
      <value>pen and ink on ruled paper</value>
    </description>
    <reference>
      <link>
        <type>reference</type>
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      <admin>
        <id>term-27007</id>
        <uid>adlib-term-27007</uid>
        <uuid>326f020c-e0a2-3e7f-8f96-c7ad94fe8767</uuid>
      </admin>
      <summary_title>handwriting</summary_title>
    </reference>
  </techniques>
  <title>
    <value>'Introduction', continued</value>
  </title>
  <type>
    <base>object</base>
    <type>OBJECT</type>
  </type>
</root>
