1592996442000 1312637261000 Standard Record object-42667 1755194538154 1730792163000 1755194515997 adlib fitz-online adlib-object-42667 https://data.fitzmuseum.cam.ac.uk/id/object/42667 a5a3aad3-044b-343e-b65c-d618105db79f 7 person reference agent-157386 adlib-agent-157386 ac6d4929-f0d5-3038-9d78-cc5a1abd4057 Time person reference agent-150796 adlib-agent-150796 ec5a0c8a-e54c-3735-adea-0fd5dd14f994 Cupid reference term-37637 adlib-term-37637 89b09133-dc0a-3a88-bd40-5aef1ad30ecb soft-paste porcelain in blue (a little), turquoise-green, green (a little), flesh pink, pink, puce, purple, brown, and black reference term-107563 adlib-term-107563 38dcd825-1de1-3222-82c6-15a95729b5ff enamels reference term-39593 adlib-term-39593 e3e2a3f8-2433-3f63-9bcf-e776644d312d gold Decoration in blue (a little), turquoise-green, green (a little), flesh pink, pink, puce, purple, brown, and black enamels reference term-120086 adlib-term-120086 cdecca31-5ec3-3fe3-9e5d-455d9771fda5 painting overglaze reference term-28681 adlib-term-28681 c1f659e2-1209-31cf-8ff4-154e11452559 gilding reference term-102639 adlib-term-102639 2c240716-c1bb-36c4-9594-b0a98f1208c2 allegory Applied Arts Soft-paste porcelain figure of Time Clipping the Wings of Love, slip-cast, lead-glazed, and painted in blue (a little), turquoise-green, green (a little), flesh pink, pink, puce, purple, brown, and black enamels, and gilt Soft-paste porcelain Time Clipping the Wings of Love, slip-cast, lead-glazed, and painted in blue (a little), turquoise-green, green (a little), flesh pink, pink, puce, purple, brown, and black enamels, and gilt. The unglazed underside has one obvious patch mark and a central circular ventilation hole. The group is on a high, heavily scrolled base picked out in turquoise-green and gold. Winged and bearded Time is seated on a tree trunk with his right leg forward, the foot resting on a sheaf of arrows. He holds Cupid over his left knee with his left hand and is about to clip Cupid's wing with a pair of small shears held in his right hand. Time wears a purple robe decorated with large and small circular motifs, which is held up by red cross bands. Cupid has a yellow drape. On the base to the viewer's right there is a crown, a sceptre, and an hourglass, and on the left, a globe. F19 reference exhibition-1070 adlib-exhibition-1070 2cb713dc-899f-35df-9c15-515a05f38d48 Plagiarism Personified? European Pottery and Porcelain Figures case 14 reference exhibition-1077 adlib-exhibition-1077 a9790b74-5102-3534-9d71-e4f0dc4f89f3 Tempus, The Art of Time C.38-1932 1 accession number C.38-1932 42667 priref 42667 uri https://data.fitzmuseum.cam.ac.uk/id/object/42667 https://data.fitzmuseum.cam.ac.uk/id/object/42667 reference agent-149638 adlib-agent-149638 7376d833-d0a7-3be0-916e-9c892b7a24d8 The Fitzwilliam Museum Given by Mrs W.D. Dickson reference agent-180712 adlib-agent-180712 855e3948-593a-3b3c-9d66-028df74284fe Dickson, W. D. (Frances Louisa), Mrs 1932 1932 1932-06-13 given Entry date: 1932 1765 1765 CE 1765 circa 1765 1780 1 1780 CE 1780 1780 factory reference agent-35888 adlib-agent-35888 0244b335-51c5-3535-a626-9ed7f3d33894 Derby Porcelain Factory factory reference agent-157812 adlib-agent-157812 d6c503ac-f737-3861-9907-14fd8b4759bf William Duesbury & Co. derived from painter reference agent-40359 adlib-agent-40359 e690ed3f-a5c9-359c-ab67-e1064cfeabaf Dyck, Anthony van after printmaker reference agent-89519 adlib-agent-89519 ea3158a3-a006-3779-8563-872e5de078ec McArdell, James The figure (also known as Time clipping the Wings of Cupid) was derived from the painting of Time Clipping the Wings of Love by Sir Anthony van Dyck (1599-1641), now in the Musée Jacquemart André, Paris, inv. no. 419, probably after an undated mezzotint of this by the Irish artist, James MacArdell (c. 1729-65), working in London. The print of this subject by Charles Phillips, is dated 1772, and is therefore too late to have been used for the earliest versions of the model. A coloured etching of this subject made c. 1633-4, by François Perrier (1594-1649) bears an inscription derived from Virgil, 'Omnia vincit Amor, vincit mox tempus Amorem'. The theme, however, may have been inspired by a more recent work, Otto van Veen's Amorum Emblemata (1608), which included the verse: 'Loues harrte is euer young T'is onlie tyme that can the winges of Cupid clip, And make him fly more low than he was wont to doo, But Tyme clips not away his good will thereunto, The aged carter loves to heare the lashing whip.' reference term-120880 adlib-term-120880 91c8f217-47bf-321d-93f9-504a4a1305f0 18th Century, second half reference term-107437 adlib-term-107437 96f4b0d1-fc11-39ff-ae91-1b23d888d479 George III reference term-110521 adlib-term-110521 b57fb046-bca3-3371-a721-2093adc3a282 literal England England country Derby presumed lead reference term-107733 adlib-term-107733 00160189-e3ce-3796-a88b-5aa8d6c808c4 lead-glaze reference term-37637 adlib-term-37637 89b09133-dc0a-3a88-bd40-5aef1ad30ecb soft-paste porcelain Height cm 33 reference media-17393 adlib-media-17393 51b4348b-8e0b-3f77-af13-f6799110b1a3 jpeg aa/aa19/C_38_1932.jpg 1 height pixels 760 width pixels 532 1702926508083 1 image jpeg aa/aa19/mid_C_38_1932.jpg 1 height pixels 714 width pixels 500 1702926508083 1 image jpeg aa/aa19/C_38_1932.jpg 1 height pixels 760 width pixels 532 1702926508083 1 image jpeg aa/aa19/preview_C_38_1932.jpg 1 height pixels 357 width pixels 250 1702926508083 1 image 0 media image reference term-110220 adlib-term-110220 e22d3544-a393-3f19-9be4-dc2632ca9942 figure group history note unknown before donor, Mrs W.D. Dickson, Bournemouth 1 reference object-76303 adlib-object-76303 d6899cb8-99ec-3317-a78b-4a43ef0ff3e8

1 reference 1 term-110220 adlib-term-110220 e22d3544-a393-3f19-9be4-dc2632ca9942 figure group

figure group reference agent-149638 adlib-agent-149638 7376d833-d0a7-3be0-916e-9c892b7a24d8 The Fitzwilliam Museum Publ. p. 42, F19, and pl. 28. For an undated mezzotint of of Time Clipping the Wings of Cupid by James MacArdell (c. 1729-65), in the Fitzwilliam, see p. 42, no. F20. p. 42 reference publication-992 adlib-publication-992 e26b9de8-5607-3d6e-82c1-bba7d8cb57c4 Plagiarism Personified? European Pottery and Porcelain Figures Ref. In his 'Price List of Groups and Single Figures' Haslem cites this model as no. 124 in three sizes, but does not give measurements for the first two. 173 reference publication-2850 adlib-publication-2850 d5dcd4d0-9032-35ca-b870-c7d2cb1b5ca6 The Old Derby China Factory Publ. pp. 30-1, and pl. 30 pp. 30-1 reference publication-1076 adlib-publication-1076 acbefc51-07ab-373a-b40f-e69c780f634a Tempus, The Art of Time Ref. The porcelain group was mentioned in the catalogue of the first Chelsea and Derby sale held by Mr Christie from 17 to 20 April 1771, on the second day, lot 25: 'A curious figure of Time clipping of (sic) Cupid's wing, finely enamel'd and ornamented with burnish'd gold 1l. 9s'. See Appendix, p.22. lot 25. It was also mentioned in the Christie and Ansell sale of Derby and Chelsea on 17 April 1780, first item 'A fine large figure of Time and Cupid 11s. 6d.' see Appendix, p. 58, no lot number. pp. 22, 58 reference publication-2576 adlib-publication-2576 870654a9-2aff-3144-bcc3-8758472e4399 Contributions towards the History of Early English Porcelain from Contemporary Sources Ref. The Louvre has a larger terracotta of this subject by Charles-Louis Corbet which is dated 1776, see Mabille, Gérard, 'Une terre cuite de Corbet: Le Temps coupant les ailes de l'Amour', La Revue du Louvre et des Musées de France, (2-1977), pp. 89-93, figs. 1-3, the Van Dyck, fig. 5, the Perrier print, fig. 5. This is very close to the painting, and seems likely to have been derived from the English print, which appears not to have been known to Mabille. pp. 89-93 reference publication-200000901 adlib-publication-200000901 21e3beea-e021-3014-96b5-f2908cebb62f Une terre cuite de Corbet: Le Temps coupant les ailes de l'Amour Cf. An example in the Victoria and Albert Museum, see p. 70, no. 343 p. 70 reference publication-1013 adlib-publication-1013 e6774d16-9d42-373b-a20c-90a966447f48 Victoria and Albert Museum Department of Ceramics, Catalogue of English Porcelain, Earthenware, Enamels and Glass collected by Charles Schreiber Esq., M.P., and the Lady Charlotte Elizabeth Schreiber, and presented to the Museum in 1884, Volume I, Porcelain Cf. A biscuit example with a clock by Benjamin Vuilliamy at Buckingham Palace, see p. 230, fig. 1. p. 230 reference publication-200000902 adlib-publication-200000902 e84b4948-0c02-3cd5-b916-fed190e294b6 A Masterpiece of Clockmaking Cf. p. 133, fig. 50 a clock by Benjamin Vulliamy with a biscuit group. No. 124, 1786. Overall height 307 cm. Royal Colelction Trust (the clock at Buckingham Palace discussed by L.G.G. Ramsay, mentioned above). 115-34 reference publication-200003199 adlib-publication-200003199 3fd59f1f-718c-3694-8f5b-23e23cc5064a The Neo-classical style and Derby Biscuit figures 1771-1800 reference publication-2847 adlib-publication-2847 632612a3-b59c-3d9f-934c-2ab43b83b78b Derby Porcelain 1750-1848 Cf. p. 127, pl. 81, and pp. 47, and 193, no. 81. Dated after 1770. 47, 127, 193 reference publication-2679 adlib-publication-2679 f7491494-53a3-3a8d-a975-b85790bad8ed Derby Porcelain: The Golden Years, 1750-1770 Cf. An example in a private collection, p. 269, no. 124 p. 269 reference publication-2845 adlib-publication-2845 aed83438-5cba-3d3d-914c-0603afed5d46 Derby Porcelain Figures 1750-1848 reference publication-200002924 adlib-publication-200002924 98c0af0d-40d6-3726-bc19-9d7a87883484 Influence of the Baroque on English Porcelain Cf. p. 57, a group in the Victoria & Albert Museum, 414:409-1885. See p. 122, fig. 55, a mezzotint by Richard Earlom of a self portrait of James McArdell, and pp. 122-6 for his career and the use of his prints as sources for porcelain figures 122-6 reference publication-200003303 adlib-publication-200003303 be044a32-e81a-3295-a9c7-86235aefc75d 'The Dublin Group' of mezzotint engravers and their imprint on early English porcelain and enamels reference publication-2855 adlib-publication-2855 6e415068-4bd7-344c-9a4b-cbd3dc0d1d96 Christie's Sale Catalogue Cf. p. 25, lot 77 (unsold) p. 25 reference publication-2649 adlib-publication-2649 9b08eb7f-6008-36b1-b224-09eb83b97d17 British Ceramics Cf. p. 59, lot 325. H. 32 cm. Estimate £400-7600 59 reference publication-6325 adlib-publication-6325 8cbb0366-69fc-38fa-bbc7-049ba16aff80 The Autumn Country House Sale reference term-9010 adlib-term-9010 ecd03def-5d2a-3b43-bb92-76be16fbabf6 Rococo object name reference term-107586 adlib-term-107586 a59baebc-1311-3f94-a412-7be3b6351e93 crown object name reference term-110100 adlib-term-110100 93543812-515b-3507-a8ea-ce6a919aaf40 sceptre object name reference term-88051 adlib-term-88051 20644ca9-cb04-34c2-b48b-0143c191b6ba hourglass object name reference term-87228 adlib-term-87228 a57cbd4d-ad6a-3923-9bf3-ec56f7639213 arrows literal crown crown literal sceptre sceptre literal hourglass hourglass literal arrows arrows

reference term-110220 adlib-term-110220 e22d3544-a393-3f19-9be4-dc2632ca9942 figure group

figure group soft-paste porcelain, slip-cast, lead-glazed, and painted in blue (a little), turquoise-green, green (a little), flesh pink, pink, puce, purple, brown, and black enamels, and gilt reference term-120096 adlib-term-120096 7cc05306-f07e-3189-849f-52addb9e2ca7 slip-casting except for underside of base reference term-120062 adlib-term-120062 d05176fb-17b8-3888-bba1-6c5e6c77d206 lead-glazing object OBJECT