15929994650001312637261000Standard Recordobject-47106170810661789017028932980001708106603483fitz-onlineadlib-object-47106https://data.fitzmuseum.cam.ac.uk/id/object/471060f01b6b2-37bf-305e-9dc3-78c1973ac20f11referenceterm-42861adlib-term-428615b368285-f1a8-3dcf-a5b2-637fd3c3956cearthenwarereferenceterm-42692adlib-term-4269268c2b295-0e5f-3e4e-ac86-2aebb8653b91Studio Ceramicsturquoisereferenceterm-115510adlib-term-115510ae5909fe-9e9d-3816-bb22-7978c437527funderglaze (material)referenceterm-113578adlib-term-113578347f0c33-a838-3c59-9f47-d56b5c1723beplatinum leafDecorationBottom Of Interiorreferenceterm-106226adlib-term-106226194567f2-2bcd-3446-ae31-652386611815paintingExteriorreferenceterm-27662adlib-term-27662ef599247-8a54-3c72-b177-5ea918ef18dcpolishingApplied ArtsYellowish-buff earthenare, press-moulded, machine-polished and decorated with turquoise pigment and platinum leafYellowish-buff earthenware, press-moulded, machine-polished to produce an extremely smooth surface, and decorated with turquoise underglaze pigment and platinum leaf. The interior is of rounded oval plan. On one side the walls slope towards the centre and have eight vertical undulations. The top of the sides slopes inwards all round for about 4 cm. The base is undecorated except for an inlaid oval line of pale beige clay (?) circles stuck on at intervals raise the base slightly from the ground. The outside is undecorated. The base of the interior is coloured turquoise all over. The interior walls and the sloping rim are covered in platinum leaf, and the outlines of the leaves are clearly visible.no. 3referenceexhibition-1595adlib-exhibition-1595357d3f06-0ef5-34e9-a9e3-8dc52f3eaa98Martin SmithC.5-20021accession numberC.5-200247106priref47106entry form number168urihttps://data.fitzmuseum.cam.ac.uk/id/object/47106https://data.fitzmuseum.cam.ac.uk/id/object/47106referenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam MuseumGift of Nicholas and Judith Goodison through the National Art Collections Fundreferenceagent-156032adlib-agent-1560323aded83c-6f5c-39b8-a50c-07f712e01b2cGoodison, Nicholas and Judith200220022002-04-22given2001CE20012001productionreferenceagent-159009adlib-agent-1590097d81c099-3e94-3ec9-8d7f-0366d4267526Smith, MartinMartin Smith (b.1950) trained at Bristol Polytechnic and the Royal College of Art (RCA). He has lectured in ceramics at Loughborough, Camberwell and Brighton Colleges of Art and was Professor and Head of Ceramics & Glass at the RCA from 1999-2015. His work is found in many public collections. His work explores architectural form, geometric shapes and the material qualities of ground and polished ceramic surfaces. Recent projects have extended to furniture and gallery design, notably for the Anthony Shaw ceramic collection at Yortk Art Gallery.Text from object entry in A. Game (2016) ‘Contemporary British Crafts: The Goodison Gift to the Fitzwilliam Museum’. London: Philip Wilson Publishers: Martin Smith studied at Bristol Polytechnic and the Royal College of Art, London, establishing his first studio in Suffolk in 1974, followed by a move to London in 1979. His research into the potential of Japanese raku, whilst a student at the Royal College, began his long-standing exploration of the formal language of the vessel, underpinned by a minimal vocabulary of basic geometric solids and the material qualities of ground and polished ceramic surfaces. He has had a significant career as both artist and educator, exhibiting internationally and working as Head of Ceramics first at Camberwell College of Arts and then at the Royal College of Art, London. He is currently Professor and Senior Research Fellow in the School of Material at the Royal College of Art. Architectural form and perspective have been a constant backdrop to Smith’s work and this has taken a new direction in recent years with designs for furniture and, in 2015, the design for the galleries that house the Anthony Shaw collection at York Art Gallery, Centre of Ceramic Art. ‘Martin Smith shows how powerfully seductive simplicity can be.’ - John Pawson, architect.referenceterm-110474adlib-term-110474df17782b-5b38-3514-8980-4cbde6d5684221st Centuryreferenceterm-106216adlib-term-106216825b8379-ec94-388e-9a59-624e40c090d0literalEnglandEnglandcountrypossiblyLondonreferenceterm-42861adlib-term-428615b368285-f1a8-3dcf-a5b2-637fd3c3956cearthenwareHeightcm19Heightcm20Lengthcm43Widthcm40.5referencemedia-196769adlib-media-1967695f775ea7-b893-3a94-88a0-f3ee7fd3e20bjpegaa/aa33/large_C_5_2002_2_201508_kly25_dc2.jpg1heightpixels768widthpixels102417029266334091imagejpegaa/aa33/mid_C_5_2002_2_201508_kly25_dc2.jpg1heightpixels375widthpixels50017029266334091imagejpegaa/aa33/C_5_2002_2_201508_kly25_dc2.jpg1heightpixels769widthpixels102517029266334091imagejpegaa/aa33/preview_C_5_2002_2_201508_kly25_dc2.jpg1heightpixels188widthpixels25017029266334091image0media
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imagereferenceterm-113583adlib-term-11358373c59440-1406-3c5d-b0a6-69fcbf111c14ceramic formhistory noteBarrett Marsden Gallery, 17-18 Great Sutton Street, London EC1V 0DN, from whom purchased by the donors1same artistreferenceobject-222899adlib-object-222899a3a20742-c527-3c3c-ac51-f619c616ccd11reference1term-89198adlib-term-891989b93ca03-061f-3c1c-a79f-707511cc4791vesselvesselreferenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam Museumreferencepublication-3004adlib-publication-30042f142cf5-07eb-3c46-bea2-43ec722a39fbMartin SmithPubl. '5169, Nicholas and Judith Goodison Gift, pl 127, brief description and illustration126-7referencepublication-3909adlib-publication-390906711e17-7dcb-3f67-80d5-83fd1a84c36c2002 Review, The Annual Report of the National Art Collections FundPubl. pp. 116-19, no. 43, illustrated pp. 117-19. Object description, maker's biography, and a quote from John Pawson, architect.116-119referencepublication-8258adlib-publication-825871d79ea2-2385-305e-9044-fbb0cde9ffe7Contemporary British Crafts: The Goodison Gift to The Fitzwilliam Museumreferenceterm-118132adlib-term-118132a961fb74-d757-33d8-8c74-9eee2a3b36a4Post-Modernismreferenceterm-113583adlib-term-11358373c59440-1406-3c5d-b0a6-69fcbf111c14ceramic formceramic formyellowish-buff earthenware, press-moulded, machine-polished to produce an extremely smooth surface, and decorated with turquoise underglaze pigment and platinum leafreferenceterm-120085adlib-term-12008568c62b7c-aaf4-38a5-a1be-4d6c615c0714press-mouldingWhite Noise IIIobject
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