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    <summary_title>drawing</summary_title>
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        <value>laid down</value>
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    <summary_title>Sixteenth Century Italian Drawings from the Museum's Collections</summary_title>
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    <summary_title>European Drawings from the Fitzwilliam</summary_title>
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    <summary_title>Drawings from the Collection of Louis C.G. Clarke, LL.D., 1881-1960</summary_title>
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    <summary_title>The Primacy of Drawing</summary_title>
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    <accession_number>PD.117-1961</accession_number>
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    <location>lower right</location>
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      <value>I. 170 F Barocci</value>
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    <location>old mount, verso</location>
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      <value>Zi.25. / Zg.46. / Zn.23 / P.22 / F.25 / p. (in Richardson's hand)</value>
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    <location>old mount, verso</location>
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      <value>J : B : N : 132 / 8 by 6 3/4 in John Barnard's hand)</value>
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    <summary_title>The Fitzwilliam Museum</summary_title>
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    <credit_line>Bequeathed 1960.</credit_line>
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        <summary_title>Clarke, Louis Colville Gray</summary_title>
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        <earliest>1961</earliest>
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        <summary_title>Barocci, Federico</summary_title>
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        <value>See blue paper entry.</value>
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  <note>
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    <value>Padre Sebastiano Resta; Giovanni Matteo Marchetti, Bishop of Arezzo; Cavaliere Marchetti da Pistoia; sold through John Talman, 1710, to John, Lord Somers (Lugt 2981); Jonathan Richardson Sr. (Lugt 2183 and Lugt 2984); John Barnard (Lugt 1419); Sir Joshua Reynolds (Lugt 2364); Thomas Banks, R.A. (Lugt 2423); Mrs Lavinia Forster; Ambrose Poynter; Sir Edward J. Poynter, Bt., K.C.V.O., P.R.A., his sale, Sotheby's, 24 April 1918, lot 10; bt. Thomas Agnew and Sons for Charles B.O. Clarke; Louis C.G. Clarke</value>
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  <owners>
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      <type>reference</type>
    </link>
    <admin>
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      <uuid>7376d833-d0a7-3be0-916e-9c892b7a24d8</uuid>
    </admin>
    <summary_title>The Fitzwilliam Museum</summary_title>
  </owners>
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    <link>
      <notes>No.14, pl.18a.</notes>
      <page>148</page>
      <type>reference</type>
    </link>
    <admin>
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      <uid>adlib-publication-2747</uid>
      <uuid>47ea84be-b268-30be-8698-965f69a17749</uuid>
    </admin>
    <summary_title>Federico Barocci</summary_title>
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    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-200000921</id>
      <uid>adlib-publication-200000921</uid>
      <uuid>e509030b-5ea7-320b-99a1-f1a579a9f7c3</uuid>
    </admin>
    <summary_title>'Recent Discoveries at the Fitzwilliam Museum, Cambridge'</summary_title>
  </publications>
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      <type>reference</type>
    </link>
    <admin>
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      <uid>adlib-term-8403</uid>
      <uuid>f0de1729-98ba-32a3-adc6-c207550ffb08</uuid>
    </admin>
    <summary_title>Italian</summary_title>
  </school_or_style>
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      </link>
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        <id>term-97946</id>
        <uid>adlib-term-97946</uid>
        <uuid>388f10ba-526c-32ab-869a-65750eb7faac</uuid>
      </admin>
      <summary_title>drawing</summary_title>
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  </summary>
  <summary_title>drawing</summary_title>
  <techniques>
    <description>
      <value>pen, brown ink, some pink wash, heightened with white, over traces of red and black chalk; there are indications of a curved top, upper right, on paper, laid down</value>
    </description>
    <reference>
      <link>
        <type>reference</type>
      </link>
      <admin>
        <id>term-27762</id>
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      </admin>
      <summary_title>drawing (image-making)</summary_title>
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  </techniques>
  <title>
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    <value>Christ on the Cross</value>
  </title>
  <title>
    <type>verso</type>
    <value>Deposition from the Cross by (illegible), 4 September 1986</value>
  </title>
  <type>
    <base>object</base>
    <type>OBJECT</type>
  </type>
</root>
